Beyond Horror: How Robert Eggers is Reviving Cinema’s Lost Art Forms

Summary

  • Eggers used black-and-white 35mm film in “The Lighthouse” and the Academy ratio to remind the audience of the view and look and feel of early cinema.
  • The use alone of black-and-white 35mm film and the Academy ratio helped intensify the claustrophobic aspects of the film while also paying homage to the old silent era.
  • he immerses the observer in a very remote past with all that depth given to the viewing by grounding every story in his own historical settings.

In a time dominated by superhero blockbusters and streaming platforms, one man stands tall as the hope for those cinema lovers yearning for the artistry and craftsmanship of olden cinema.

Through atmospheric storytelling and meticulous attention to historical detail, Robert Eggers has redefined modern filmmaking by bringing back forgotten cinematic traditions and elevating the horror genre. This article goes deep into how Eggers is not only pushing the boundaries of horror but also breathing new life into cinema’s lost artforms.

 

A Visionary Filmmaker

It was a debut feature: Robert Eggers’ first really big splash with “The Witch” in 2015. Shot in 17th-century New England, the movie set off with an eerie atmosphere and authentic period dialogue with dignified settings in each frame via masterly use of natural lighting. Eggers never compromises on authenticity, but rather transports the audience into meticulously crafted worlds that become his signature style.

In the works of “The Lighthouse” (2019) and “The Northman” (2022), Eggers ventured further, bringing out elements such as isolation, madness, and revenge. In all of these movies, different stories come along with one theme: an attachment to the facts and resurrection of film techniques which had long been neglected in today’s movie making. 

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Resuscitating Abandoned Film Techniques

One of Eggers’ biggest contributions to cinema has been through the restoration of practical effects, a technique nowadays replaced by CGI. Eggers used black-and-white 35mm film in “The Lighthouse” and the Academy ratio to remind the audience of the view and look and feel of early cinema. The use alone of black-and-white 35mm film and the Academy ratio helped intensify the claustrophobic aspects of the film while also paying homage to the old silent era.

Beyond Horror: How Robert Eggers is Reviving Cinema's Lost Art Forms
Credit by nofilmschooldotcom

Eggers also uses natural lighting and period-accurate set designs to further emphasize his commitment to authenticity. In “The Witch,” he used candlelight and daylight to illuminate scenes, creating a hauntingly immersive experience. These techniques, combined with his ability to draw nuanced performances from his actors, have positioned Eggers as a filmmaker who values substance over spectacle.

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The Art of Historical Accuracy

Few filmmakers can match Eggers’ attention to historical detail. To make “The Witch,” Eggers spent years researching Puritan life in 17th-century America, drawing from diaries, court records, and folklore. This attention to detail is found in everything from the characters’ dialogue to their costumes and mannerisms.

Eggers worked closely with historians and archaeologists in “The Northman”, a Viking revenge saga, on the brutal world of Norse myth and mysticisms. So well does he bring to view authentic Viking rites, arms, and landscapes for his film: he immerses the observer in a very remote past with all that depth given to the viewing by grounding every story in his own historical settings.

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Elevating the Horror Genre

While Eggers’s films are under the horror umbrella, they often go beyond the genres. His filmmaking is based on psychological tension and an existential fear of sorts, rather than jump scares and gore. In that sense, Eggers is much more like those classic auteurs who used horror as a vehicle for profound philosophical inquiry, such as Stanley Kubrick or Ingmar Bergman.

Beyond Horror: How Robert Eggers is Reviving Cinema's Lost Art Forms
Credit by platform.vox.dotom

In “The Witch,” horror comes not from supernaturalism but rather in the decay of characters’ paranoia and desperation. The same happens with “The Lighthouse” by confusing the boundary of reality and hallucination so that an audience may have doubts regarding what madness is. In these directions, Eggers has been very much responsible in shifting the paradigms by which horror may operate as a film-making device.

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Resurrecting the Cinematic Experience

In an era where streaming services have become the new norm in entertainment, Eggers’ films remind audiences of the magic of the theatrical experience. His movies are made to be seen on the big screen, where their intricate details and immersive soundscapes can be fully appreciated. This commitment to the cinematic experience is a testament to Eggers’ belief in the power of film as an art form.

In addition, Eggers’ collaborations with composers and sound designers create rich auditory landscapes that complement his visual storytelling. The droning score of “The Lighthouse,” for example, mirrors the oppressive atmosphere of the film, while the eerie soundscapes of “The Witch” heighten its sense of dread. By integrating sound and visuals seamlessly, Eggers creates a holistic experience that captivates the senses.

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Inspiring a New Generation of Filmmakers

Robert Eggers’ success has inspired a new wave of independent filmmakers to take risks and be bold in their storytelling. In proving that there is an audience for thoughtful, artistically ambitious films, Eggers has opened the door for others to challenge the status quo. His work reminds one that cinema, at its core, is about storytelling, craftsmanship, and emotional resonance.

Filmmakers such as Ari Aster (“Hereditary,” “Midsommar”) and Julia Ducournau (“Raw,” “Titane”) have cited Eggers as an inspiration. This new wave of auteurs is reviving the film industry by focusing on creativity and innovation rather than commercial formulas.

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Conclusion

Robert Eggers is much more than just a filmmaker-he is a cinematic historian, a storyteller, and a visionary. With the commitment to authenticity, forgotten techniques, and artistic integrity, Eggers is rebirthing the lost art forms of cinema, redefining what it takes to create meaningful, impactful films. As audiences increasingly look for alternative options to the formulaic blockbuster, the work of Robert Eggers stands testament to the endurance of cinema as an art form.

In celebrating Eggers’ achievements, we are reminded of the importance of preserving and honoring the traditions that have shaped the history of film. By looking to the past, Eggers has shown us a path forward—one where cinema can once again be a medium of unparalleled artistry and emotional depth.

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