See the complete Critics Choice Awards 2026 winners list. Timothée Chalamet, Jessie Buckley, Jacob Elordi & top film and TV performances honored.
If you caught the 31st Annual Critics Choice Awards 2026 on January 4, you saw that the atmosphere at the Barker Hangar was not just about bright lights and glamour. For the fourth year in a row, the night was hosted by Chelsea Handler and it seemed less like a celebratory back slap and more like a nod to hard work.
Whether it was 12-hour makeup sessions or five-minute television episodes, the winners this year didn’t only act, they suffered. The message from the Critics Choice Association (CCA) was loud and clear: in 2026, the line between technical risk and extraordinary physical commitment is where the industry’s attention lies.
(Best Actor Winner)
The weepy Timothée Chalamet as Brooding Heartthrob, Desert Messiah in Dune is not who Marty Supreme is at all, he’s fully reimagined himself. Chalamet Won Best Actor for portraying a 1950s ping-pong wunderkind based on the real life Marty Reisman.
But this was about more than whacking a ball back and forth. He was described as having a “singularly enervating intensity”. Marty was not a sportsman, but a hustler—a guy who could talk some unbeatable nonsense, who could pair swagger with geeky glasses, and who was so engulfed in his need to win that he was willing to try anything. It was a kinetic, fizzy, electrified turn, the kind that reassures you he can fill a film with their souls alone, and in pure physical comedy.
(Best Actress Winner)
If Chalamet delivered the energy, Jessie Buckley delivered the tears. Taking home Best Actress for her portrayal of Agnes (Shakespeare’s wife) in Hamnet, Buckley gave what could be the most gut-wrenching performance of the year.
The storyline deals with the loss of her child, Hamnet, and the sorrows that led to Hamlet. Buckley’s performance was said to be “a privilege to watch.” She never merely portrayed a historical figure; she captured the raw, earth-shattering agony of a mother fighting to keep her life intact. It was a quiet, powerful turn that stood out against flashier roles, proving that sometimes the loudest emotions are the ones spoken in whispers.
(Best Supporting Actor Winner)
Jacob Elordi is now officially more than just a teen heartthrob. Awarded Best Supporting Actor for Guillermo del Toro’s Frankenstein, Elordi achieved the impossible: he brought us to tears over a monster.1 His role wasn’t about scary make-up or snarling. He reputedly studied Butoh (a Japanese “dance of darkness”) in order to capture the creature’s motions, make such a physicality that was at once a terrifying and sincerely moving figure.
He portrayed the Monster not as a villain, but as an acting soul imprisoned in a grotesque body, one who was turned away from by his maker. It was a “physical” act- ing, in the widest sense — using his back, his shoulders and his eyes as well as his voice.
(Best Supporting Actress Winner)
The lack of appreciation for horror at awards shows makes Amy Madigan’s victory for Best Supporting Actress all the more gratifying. In the surprise hit Weapons as Aunt Gladys, a figure who immediately became a horror icon.
Madigan, a 75-year-old seasoned actress, said she was astonished by the win, she thought people would just “dig” the movie – not fall in love with “terrifying” her character. She teetered between a kooky, eccentric senior citizen and a predatory natural force. To be the most frightening person at the party and be so hypnotically watchable is a rare achievement, and the reviews strongly confirmed that.
We may as well not speak of winners without mentioning the night’s biggest—err, biggest champion? Paul Thomas Anderson won both Best Picture and Best Director for One Battle After Another.
The film is densely plotted, an “exquisitely detailed fantasy” about former revolutionaries meeting to rescue a daughter. It’s political and personal and very, very complex – and well, that’s just what the critics called the masterpiece of resistance and hope. I mean it’s not just the one actor here, it’s a conductor (Anderson) behind the wheel of an orchestra of stellar performers (including Leonardo DiCaprio and Teyana Taylor) who create the best film of the year.
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| Category | Winner | Show | Key Context |
| Best Drama | The Pitt | HBO Max | Medical realism meets pandemic trauma. |
| Best Actor | Noah Wyle | The Pitt | A return to form with “urgent” authenticity. |
| Best Actress | Rhea Seehorn | Pluribus | Sci-Fi nuance; playing a resistor in a hive-mind. |
| Best Limited Series | Adolescence | Netflix | A technical feat of one-shot storytelling. |
Perhaps the most heartening bit from the 31st Critics Choice Awards is that “Genre isn’t a slur anymore. ”Horror and Sci-Fi, two genres long neglected at awards time, dominated the discussion.
The 2026 ceremony wasn’t about the speeches (though Noah Wyle’s tribute to healthcare workers was a tear-jerker), it was about the work. The Critics Choice Association took risks in its rewards. They watched Chalamet playing ping-pong half-blind, Elordi starving in a makeup chair, Stephen Graham doing a one-hour monologue in a single take and thought: This is the bar now.
As we head toward the Oscars, one thing is clear: The industry is turning its back on polished perfection and embracing a gritty, sweaty, technically dazzling brand of realism.
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Keanu Reeves Constantine 2 is still awaiting confirmation from DC's James Gunn as the script faces major delays.
Fans eagerly waiting for Keanu Reeves to Return as John Constantine in the new DC Movie. John A. Constantine is a British occult detective and con man, who is the protagonist of the comic book series “Hellblazer.” His primary weapon against the supernatural entities he confronts is his extensive knowledge of the occult. DC Studios co-head James Gunn recently provided an update on the very much long awaited sequel that has certainly left many fans of the cult classic feeling more than a little pessimistic about the film’s immediate future.
Gunn spoke in the latest interview on the status of Constantine 2, stating that although there had been talks, the project is in limbo. “I’ve talked about it on and off. I’ve talked to Keanu,” said Gunn. However, he quickly deflated the fan enthusiasm by saying “I haven’t read a script yet.”
This confession is especially troubling considering The second installment began production in September 2022. when Warner Bros. announced that Reeves and original director Francis Lawrence would return for a second chapter. The project is hovering in the middle for almost two years now and the completed script still hasn’t been confirmed by the DC studio, the challenges the project faces are substantial.
Constantine 2’s path has been anything but smooth. It was actually revealed by Reeves himself earlier this year that both he and Lawrence have been attempting to make the sequel “for well over a decade”. Once they did finally pitch a story treatment to DC Studios, they got tentative go-ahead to write a screenplay. In early October, Reeves gave what seemed like a positive update, saying “another draft of the script came in” and that the group was planning on sending it to the studio.
However, based on comments from Gunn in the last days, it would seem that a draft is not yet in his hands or at least not close to being at his hands.Considering Gunn’s famous motto that he needs “finished pages” to give the go-ahead on projects, and with Deadline recently reporting that he might have just that for GOTG 3, it’s promising.
The writing has been especially difficult to crack. Peter Stormare, who gave a scene-stealing performance as Lucifer in the 2005 original, revealed earlier this year that Reeves “is not so happy with the scripts” and that there’s been “a lot of back-and forth”.The problem seems to be arising from studio demands that turn the sequel into a large-budget extravaganza with lots of action scenes and special effects.
Stormare said studios “want to have cars flying in the air, and they want to have people doing flip-flops and fighting action scenes.” However, Reeves is pushing back, refusing to lose the spiritual, grounded tone that ultimately made the original a cult classic. “This movie is spiritual. It’s got demons and ordinary people,” said Stormare, underscoring Reeves’ commitment to keeping the sequel faithful to the darker, more reflective tone of its predecessor. Not wanting to turn this one into another DC superhero movie.
Constantine (2005), despite receiving mixed critical reviews at the time of release, grossed $230.9 million at the global box office on a production budget of $70-100 million. It is even more significant because over the years it grew a fiercely devoted cult following who adored its gritty supernatural noir style, philosophical musings on faith and redemption, and Keanu Reeves’ melancholy portrayal of the chain-smoking exorcist.
The movie boasted a strong supporting cast that included Rachel Weisz, Tilda Swinton as the icy angel Gabriel, and a remarkable five minutes of Stormare as Lucifer. As a character John Constantine (adapted loosely from the DC Vertigo Hellblazer comics) had a fanbase who appreciated the darker, more adult angle on the superhero genre.
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Gunn’s update, while discouraging, is not an absolute death knell for the project. The DC co-head did admit he “likes all those people a lot and thinks they’re talented,” so that could mean he’s open to the sequel if the right script comes together. Additionally, Constantine 2 would more than likely be under the DC’s Elseworlds label similar to Matt Reeves’ The Batman franchise which would separate it from the core DC Universe timeline.
However, the ongoing tension between Reeves’ motive to keep the original’s spiritual approach and Gunn’s expectations for a blockbuster spectacle continues to be a major obstacle for Constantine 2.
While waiting for Constantine 2, one thing is sure that this could beat the fans’ expectations with a great storyline as Reeves’ pushes more to the original character ground and spirituality that already made everyone fall in love with the first part. While balancing the desire for a commercially viable project that meets Gunn’s stated policy of not greenlighting projects without finalized scripts. It will definitely get a commercial hit at the box office as it follows a script that honors the character and story.
The 2025 Oscars were true! See the 2025 Oscar winners. Enora took home Best Picture. Maci Madison and Adrien Brody won the top acting prizes.
Anora came out on top in the 97th Academy Awards, a tense dramatic that won the hearts of audiences and critics alike. Its director, Sean Baker, made the history of winning four Oscars in a single night for Best Picture, Best Director, Best Original Screenplay and Best Film Editing. This accomplishment also tied him for most wins at a ceremony with Walt Disney for his record in 1954, however Disney’s awards were not all for one project.
Mikey Madison’s Best Actress Anora win in Anora was a bit unexpected, as many thought Demi Moore would get the win for The Substance. Her win was a demonstration of the increasing recognition of new faces in the Academy. Also winning in the Best Supporting Actor category was Kieran Culkin for A Real Pain, with Zoe Saldaña receiving Best Supporting Actress for Emilia Pérez.
The event was more comical and sentimental, but still managed to draw an audience of 19.7 million, with live streaming on Hulu for the first time. Follow our live blog below for the very latest from the Oscars 2025, with all nominees listed below.
Winner: Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance
Wicked
Winner: Mikey Madison, Anora
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Demi Moore, The Substance
Fernanda Torres, I’m Still Here
Winner: Sean Baker, Anora
Brady Corbet —- The Brutalist
Coralie Fargeat —- The Substance
Jacques Audiard, Emilia Pérez
James Mangold, A Complete Unknown
Winner: Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice
Winner: Daniel Blumberg, The Brutalist
Volker Bertelmann, Conclave
John Powell and Stephen Schwartz, Wicked
Clément Ducol and Camille, Emilia Pérez
Kris Bowers, The Wild Robot
Winner: I’m Still Here, Brazil
The Girl With the Needle, Denmark
Emilia Pérez, France
The Seed of the Sacred Fig, Germany
Flow, Latvia
Winner: Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Edward Lachman, Maria
Jarin Blaschke, Nosferatu
Winner: I’m Not a Robot
A Lien
Anuja
The Last Ranger
The Man Who Could Not Remain Silent
Winner: Dune: Part Two
Alien: Romulus
Better Man
Wicked
Winner: Dune: Part Two
A Complete Unknown
Emilia Pérez
Wicked
The Wild Robot
Winner: No Other Land
Black Box Diaries
Porcelain War
Soundtrack to a Coup d’État
Sugarcane
Winner: The Only Girl in the Orchestra
Death by Numbers
I Am Ready, Warden
Incident
Instruments of a Beating Heart
Winner: “El Mal,” Emilia Pérez
“The Journey,” The Six Triple Eight
“Like a Bird,” Sing Sing
“Mi Camino,” Emilia Pérez
“Never Too Late,” Elton John: Never Too Late
Winner: Wicked
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Winner: Zoe Saldaña, Emilia Pérez
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Winner: Sean Baker, Anora
Dávid Jancsó, The Brutalist
Nick Emerson, Conclave
Juliette Welfling, Emilia Pérez
Myron Kerstein, Wicked
Winner: The Substance
A Different Man
Emilia Pérez
Nosferatu
Wicked
Winner: Peter Straughan, Conclave
Jay Cocks and James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
RaMell Ross and Joslyn Barnes, Nickel Boys
Clint Bentley and Greg Kwedar, Sing Sing
Winner: Sean Baker, Anora
Jesse Eisenberg, A Real Pain
Moritz Binder, Tim Fehlbaum, and Alex David, September 5
Coralie Fargeat, The Substance
Winner: Wicked
A Complete Unknown
Conclave
Gladiator II
Nosferatu
Winner: In the Shadow of the Cypress
Beautiful Men
Magic Candies
Wander to Wonder
Yuck!
Winner: Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Winner: Kieran Culkin, A Real Pain
Yura Borisov, Anora
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Jeremy Strong, The Apprentice
In sum, the 2025 Oscars will likely be remembered as a moment of transformation instead of simply the predictable head-scratching and season of discontent it felt like this year. Anora’s sweeping victory, Mikey Madison’s surprise Best Actress win, and Adrien Brody’s stunning best actor triumph proved that compelling storytelling still trumps star power. The acknowledgement of foreign films, ambitious genres, and first-time victors suggests a welcome shift in the tastes of the Academy. Love the winners or loathe them, one thing is undeniable – Oscars 2025 was an Oscars that celebrated risk-taking cinema and hinted at a brighter, more progressive future for film.
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