Top 14 Milly Alcock Movies and TV Shows
From House of the Dragon to DC’s Supergirl, these are the best Milly Alcock movies and TV shows that showcase her sudden star power.
From House of the Dragon to DC’s Supergirl, these are the best Milly Alcock movies and TV shows that showcase her sudden star power.
Milly Alcock did not rise to global acclaim in the space of a moment — but once she did, there was no turning back. Featuring an unusual combination of raw feeling, quiet intensity, and fearlessness, the Australian actress has quickly made a name for herself on both television and motion pictures. Whether she is playing a defiant princess, a struggling teen, or any other person trying to make it through life, Milly is authentic in every character.
If you’ve ever wondered about the path her career has taken or just want to watch the best of her work, here’s our definitive list of the Best Milly Alcock movies and TV shows that prove she is a talent, and stardom, on the rise.
In The School, Milly is Jien. She is a young adult stuck in a very unsettling school. The students are subjected to horrifying things there. This horror is a seat-grabber. It has suspense and evil secrets.

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High Life is a web-based miniseries. Milly is Isabella Barrett, a young girl. She deals with growing up and family problems. The show chronicles the highs and lows of a teenage life. It’s relevant and captivating to a young audience.”

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Milly Alcock is officially joining the DC Universe.
She has been cast as Kara Zor-El / Supergirl, her biggest leap into Hollywood so far. The movie has been billed as a darker, more nuanced version of the iconic hero and Milly’s casting is a clear sign of new bold direction for DC – one that heavily relies on character depth.

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In The Familiars Milly is Alison, a young girl who finds out that her family is connected to magic. She uncovers a world of witches and secrets. This movie is really from the fantasy/drama genre and that really gives Milly opportunity to shine.

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Furlough narrates a story of a young woman in the time of her father’s furlough from jail. Milly, in a small part, brings layers to the film. It deals with family and optimism in hard times.

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In The Gloaming, Milly plays Jenny McGinty, a young woman caught in a murder investigation. It’s a crime drama where dark secrets are unearthed in her hometown.The series is a mix of mystery and suspense, which makes it fun to watch

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Milly Alcock plays Maya Nordenfelt in Fighting Season. Maya is a war soldier coming home. She is struggling emotionally after serving. This series focuses on the adversity facing veterans and their loved ones.

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In Upright, Milly acts as Meg Adams, a runaway teen on a road trip across Australia. She is on the road with a strange partner, Lucky Flynn. The series is a blend of comedy and drama, with a focus on friendship and development.

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Pine Gap is set in an Australian intelligence facility. Milly (MR. ROBOT) is Marissa Campbell, who brings a little intrigue to this political thriller series. The series follows spies and the moral questions they confront.

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This is the role that altered the course of everything.
Milly Alcock was bold, raw and unforgettable as a young Princess Rhaenyra Targaryen in HBO’s House of the Dragon. She embodied the defiance, vulnerability and ambition of a woman power was in her destiny, and quickly became a fan favourite. Even with short run on episodes, her impact on the series – and pop culture – was enormous.

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Milly Alcock has appeared in several TV shows, including:
In Wonderland, Milly makes her television debut as Teen Girl 1 in the episode “Narcissism.” This romantic comedy series is about a group of friends living in Sydney trying to find love and date.

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In Les Norton, Alcock is Sian Galese, bringing complexity to this dramedy about a former prisoner trying to make a living in Sydney’s criminal underbelly in the late ‘80s.

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In the psychological thriller show, Milly is Sam Serrato, a suburban mom whose life becomes entangled with a serial killer who lives in the suburbs herself. Just and moral are the questions the show raises as the pace gets the viewers’ heart pounding.

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Milly also stars opposite Julianne Moore and Meghann Fahy in the dark comedy limited series Sirens, currently in post, about women facing down life’s obstacles with laughter.

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Milly Alcock has demonstrated skill in multiple genres, ranging from horror and fantasy to comedy-drama. She has captivated the world with roles and turned heads as an actress to watch.
From House of the Dragon to future projects such as Supergirl: Woman of Tomorrow, fans are eager for more. She just keeps knocking it out of the park and inspiring fans everywhere with every role!
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Discover Steven Spielberg net worth, top movies, wife, children, age, and latest news. Explore his career, new films, houses, and untold Hollywood legacy.

Steven Spielberg is a motion-picture director and producer who reshaped the modern cinema with his blockbusters. Steven Spielberg Net Worth revealed which estimated around billions. Spielberg’s gave blockbusters like E.T. The extra terrestrial, The Fabelmans, make him a well reputed filmmaker. But beyond the producer/director, his strategic decisions help build his empire. Many fans are curious about his personal life, family, fortune and his secrets, let’s look into these details.
Steven Spielberg net worth is $10 billion and still growing, according to Celebrity Net Worth. He doesn’t earn from a single source as director but he is more evolved in producing several films. He co-created “Indiana Jones” with his long known friend George Lucas.

His strategic investment on the films like Jurassic Park still gives him enough benefit, partnership with Universal studios in 2016, ensuring steady earning through several projects.
Many fans are curious about him as Is Steven Spielberg jewish, so the answer is yes. Spielberg was born into a jewish family, Cincinnati but later moved to California. According to Parade, Steven Spielberg’s wife is Kate Capshaw, after divorcing Amy Irving, Steven met Kate on the set of Indiana Jones and got married. Kate and Steven Spielberg’s children who are biologically related are Sasha, Sawyer, Destry. While they adopted Theo and Mikaela. Steven Spielberg’s daughter Sasha is a well-known singer and musician.

Steven Spielberg’s age is above in the 70s but he is still directing and producing films. If we see Steven Spielberg’s young achievements, the first film, Duel was such a successful classic which got him a job of directing.
As reported in Forbes, he directed or produced more than 100 films but the most Steven Spielberg movies ranked are Jaws released in the 1975, E.T. The Extra-Terrestrial in 1982 — sci-fi movie hit with its classic story of an alien. A young boy saved him and kept him hidden from the task force. He also produces credit from the world-wide blockbusters like Jurassic Park, Saving Private Ryan, and Schindler’s List. A new Steven Spielberg movie like Jurassic World Rebirth is also earning him even after a decade.

According to Variety, Steven Spielberg’s new movie with Josh O’Connor and Emily Blunt will become a hit after a long time. His return will give a new interesting story as reports suggest it brings Spielberg’s previous work on the screen, it’s taking place in June, 2026.
According to ScreenRant, He made hit after hit with his movies but Steven Spielberg TV shows have also made an impressive success as well. He produced series like Band of Brothers and The Pacific, both of them are Emmy winners because of their incredible storyline.
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Steven Spielberg house fire rumor spread about small fire at Spielberg’s Pacific Palisades estate, reports confirmed that no one was hurt. Because the fire destroyed many homes near his area but his home was kept safe.

Steven Spielberg Olympics involvement in 2008, he helped in the opening ceremony with his passion of blending art with sports. He produced short films for welcoming TV viewers to the Summer Olympics.
Steven Spielberg is the wealthiest director/producer who is known as a cultured icon through his outstanding movies and TV shows. Steven Spielberg’s net worth is not built by just directing but his multifaceted nature of filmography made a huge impact on the cinema. It gets him evolved into producing more films. He’s a visionary who is still ready to drop big-budgets. Whether you want to know about Steven Spielberg’s net worth, his family, or are curious about his movie, everything is fascinating about his journey.
AI star Tilly Norwood, created by Eline Van der Velden’s Xicoia studio, is drawing major Hollywood talent agencies—reshaping the future of acting.

Meet Tilly Norwood – Hollywood’s First “Fake Real” Star introduced by Dutch comedian-producer Eline van der Velden through her AI studio Xicoia. According to Variety, Norwood “has drawn the interest of several talent agents” after being debuted at industry-targeted Zurich Film Festival summit. Van der Velden informed the Zurich Summit panel that studios – early doubters of AI actors in early 2025 – are now “moving quietly ahead with AI projects,” and that she anticipates an imminent announcement of which agency will have Norwood as their client. And lo and behold, some talent agents are already swooping around her.
Her debut? An all-AI comedy sketch called AI Commissioner — from script to performance, it was all generated. Eline even went on to state that she wishes Tilly to become “the next Scarlett Johansson or Natalie Portman.” Daring, isn’t it?
News of Norwood’s agency buzz triggered swift backlash from working actors. Hollywood stars publicly criticised on social media, asking how a computer-generated “actress” would fill the role of actual actors. The Wrap covers –
Actress Melissa Barrera (In the Heights) took to Instagram: “Hope all actors repped by the agent that does this, drop their a$. How gross, read the room.”
Others sarcastically predicted that contracting an AI “actress” would be a PR debacle at best, a catastrophe at worst. The Independent’s report included similar zingers by stars such as White Lotus’s Lukas Gage: “She was a nightmare to work with!!!!”.
Van der Velden compares AI to previous technologies such as animation or CGI – “a new brush, a new paintbrush” – that enhance storytelling without doing away with live performance. She underlines that “nothing – certainly not an AI character – can take away the craft or joy of human performance”.
Overall, some people think that it can jeopardize the real talent of real performance and their careers too but some believe that this is an experimental creative tool of Norwood.
Tilly Norwood’s appearance has fueled controversy for the classic acting roles in the future. Critics caution that if studios or agencies start dealing with AI characters as commodities, human actors may see fewer opportunities, stated by Deadline. The 2023 SAG-AFTRA agreements already contain firm safeguards (negotiated under union pressure) to avoid unapproved AI use of actors’ likenesses. Union officials have maintained that any application of a performer’s digital double needs to be affirmatively approved and paid for. On the agency front, some reps may consider an AI actor to be a publicity stunt worthy of consideration — industry speculation about an agency inking Tilly to garner press attention has been out there – but most agents are cautious.

According to Hollywood Reporter, agencies that try to sign Norwood could destroy confidence: “If your agent does this, drop their a$.” Practically speaking, even if Norwood or other AI talent land the occasional job (commercials, voiceovers, background), big stars will continue to be required for bankable leads, and productions will need to work with union rules.
In the short term, Norwood’s case has placed agencies on notice that AI is a “hot” issue – agents can softly scout for AI talent or ignore the trend, but they risk blowback either way.
The Hollywood studios seem cautiously interested in generative AI. At the Zurich panel, Van der Velden saw a change in studio mindset from skepticism (“this is nothing”) early in 2025 to interest (“we need to do something”) mid-year. Industry analysts point out that studios might view AI tools as means to reduce costs and speed content production (e.g., automating background extras, pre-visualization, or editing). Experts have indicated that AI may allow even smaller studios to “make high-end content at a fraction of the expense,” possibly expanding competition.
The Deadline reports that the web’s leading “digital influencer,” Lu do Magalhães, boasts more than 8 million fans despite being a complete computer simulation. This pairing demonstrates that although mainstream cinema audiences first refuse to accept blatant deepfakes, younger or more computer-literate audiences occasionally accept or indeed prefer artificial celebrities on the web.
As van der Velden contends, if Norwood can provide compelling performances, audiences may be more concerned about story than she is machine. But at least for now, many industry observers believe AI actresses like Tilly will remain curiosities rather than genuine replacements for popular live performers.
Tilly Norwood is only one example of AI’s growing footprint in entertainment. Industry analysts are forecasting that AI tools will become widespread in production pipelines (storyboarding, visual effects, language dubbing, etc.), though leadership in creativity will still be human-driven in the near term. Some believe AI will unleash a deluge of cheap content (offering regulation or curation), while others envision it as fueling indie innovation. What is certain is that Hollywood will incorporate AI increasingly – though cautiously.

As the case of Tilly Norwood shows, studios and tech companies might chase “AI actors” as an experiment, but mass acceptance will depend on how audiences respond and union negotiations. If Norwood is successful at finding employment and garnering eyeballs, it will inspire more AI productions; if she crashes or incites consumer hostility, the market will tap the brakes.
As Variety and others point out, the controversy surrounding Tilly Norwood illustrates broader issues of whether AI is merely “another tool” for directors or a force that might disrupt conventional acting work. The long-term direction will depend on the degree to which Hollywood harmonizes progress with art and labor considerations – and a chapter that continues to be written.