Keanu Reeves and Alex Winter reunite on Broadway, sparking excitement as they tease the long-awaited Bill & Ted 4. Fans can’t wait for this iconic return!
The surprise pairing of Keanu Reeves and Alex Winter on the hallowed stage of Broadway — not as Bill S. Preston, Esq. and Ted “Theodore” Logan, but as the philosophical hoboes Vladimir and Estragon — has come into focus with the future of their beloved time-traveling franchise. Their joint venture into Samuel Beckett’s absurdist classic, Waiting for Godot, has not only reinforced their decades-long friendship, but has also served as the perfect, lofty-art soapbox to announce that a fourth movie venture is in the works: Bill & Ted 4.
Thirty-five years since they first prompted the world to “Be excellent to each other and party on, dudes,” Keanu Reeves and Alex Winter return as our spotlighted guides through space and time, swapping their time traveling phone booth for the desolate stage of the Hudson Theatre in New York. The impetus for the latest resurgence of affection for the Bill & Ted franchise is their critically lauded Broadway revival of Waiting for Godot.
The reunion itself is a “crazy, inspired idea” dreamed up by Reeves, marking his Broadway debut and Winter’s first time back on stage in 40 years. Playing Vladimir (Winter) and Estragon (Reeves), the pair represents yet another set of lifelong friends desperately waiting for a fate that may we see ahead, a thematic resonance observers characterized as feeling “like ‘Bill and Ted’ on steroids”. Variety Shared, Winter recognized that the association was inescapable, saying, “We are inextricably Bill and Ted. So there’s going to be an element of that in there, because that’s who we are.”
While the Broadway reunion is a cultural landmark event, the real adjustment fans need to know about is around the back. Alex Winter has now delivered the most definitive confirmation to date on the possibility of a future film in the series, indicating that a fourth film is “slowly but surely happening”. More importantly, Winter confirmed that original screenwriters Chris Matheson and Ed Solomon have written a pitch for the sequel.
People catch longtime friends, Winter has confirmed the concept is indeed “really good, obvious really good.” while still keeping the plot under wraps. This caginess sets the creative tone of actors In The Room Clearly They Know What They Are Doing. Winter has stated that the films “have never been cash grab movies,” and they make them ” sincerely from a place of love and interest,” that is a bar they expect to clear for any further entries.
The lifelong friendship and professional partnership that Keanu Reeves and Alex Winter cultivated is essential to the continued viability of the Bill & Ted IP. The two actors reunited for the TV movie Bogus Journey in 1991 and then for a third time in 2020’s Face the Music. The lasting quality of their relationship, which has spanned over 30 years now, is the real emotional heart that grounds the often-absurd science fiction conceit of the movies.
The current project, the Broadway revival of Samuel Beckett’s Waiting for Godot, has been a conscious decision for the actors to reunite, this time outside of the well-formed characters of Bill and Ted. Previews began September 13th for the, production was led by Reeves, who came to Winter with the “crazy, inspired idea” of doing the monumental play, leading one’s debut on Broadway and here for Winter after four decades.
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Using Godot as the reunion mechanism operates as a sly, brainy hook to a potential sequel. The overarching fear in Bill & Ted Face the Music was failure: the now-middle-aged pair still hadn’t written the world-saving song foretold in the first films. Their constant nervous, procrastinated fate-perversion — waiting for inspiration, waiting for success — is a direct reflection of Vladimir and Estragon’s long, agonizing wait in Godot.
In staging a play about which the whole point is to wait for salvation, Reeves and Winter are making a conscious, profound statement about their characters’ mythology, and laying the psychological foundation for a fourth film about whether Bill and Ted ever really fulfilled their destiny.
The reunion of Keanu Reeves and Alex Winter on Broadway is the cultural and psychic engine powering the next chapter of the Bill & Ted saga. The friendship, boosted up by Waiting for Godot’s gravitas, not only reaffirms their unique connection, but reveals a mutual willingness to risk going further creatively.
The participation of Bill & Ted series stars Reeves and Winter as well as original writers Matheson & Solomon means that Bill & Ted 4 will be a strong, idea-led concept, and that it will live up to the high standards the fans expect and demand.
There is plenty of “real” friendship and proven digital profitability plus renewed artistic collaboration of the three leads to suggest that a third film is a matter of when, not if. The upcoming episode is set to capitalize on the digital market and offer the very particular cocktail of hopefulness and the absurd that people seem to keep wanting more of from Bill and Ted.
See the complete Critics Choice Awards 2026 winners list. Timothée Chalamet, Jessie Buckley, Jacob Elordi & top film and TV performances honored.
If you caught the 31st Annual Critics Choice Awards 2026 on January 4, you saw that the atmosphere at the Barker Hangar was not just about bright lights and glamour. For the fourth year in a row, the night was hosted by Chelsea Handler and it seemed less like a celebratory back slap and more like a nod to hard work.
Whether it was 12-hour makeup sessions or five-minute television episodes, the winners this year didn’t only act, they suffered. The message from the Critics Choice Association (CCA) was loud and clear: in 2026, the line between technical risk and extraordinary physical commitment is where the industry’s attention lies.
(Best Actor Winner)
The weepy Timothée Chalamet as Brooding Heartthrob, Desert Messiah in Dune is not who Marty Supreme is at all, he’s fully reimagined himself. Chalamet Won Best Actor for portraying a 1950s ping-pong wunderkind based on the real life Marty Reisman.
But this was about more than whacking a ball back and forth. He was described as having a “singularly enervating intensity”. Marty was not a sportsman, but a hustler—a guy who could talk some unbeatable nonsense, who could pair swagger with geeky glasses, and who was so engulfed in his need to win that he was willing to try anything. It was a kinetic, fizzy, electrified turn, the kind that reassures you he can fill a film with their souls alone, and in pure physical comedy.
(Best Actress Winner)
If Chalamet delivered the energy, Jessie Buckley delivered the tears. Taking home Best Actress for her portrayal of Agnes (Shakespeare’s wife) in Hamnet, Buckley gave what could be the most gut-wrenching performance of the year.
The storyline deals with the loss of her child, Hamnet, and the sorrows that led to Hamlet. Buckley’s performance was said to be “a privilege to watch.” She never merely portrayed a historical figure; she captured the raw, earth-shattering agony of a mother fighting to keep her life intact. It was a quiet, powerful turn that stood out against flashier roles, proving that sometimes the loudest emotions are the ones spoken in whispers.
(Best Supporting Actor Winner)
Jacob Elordi is now officially more than just a teen heartthrob. Awarded Best Supporting Actor for Guillermo del Toro’s Frankenstein, Elordi achieved the impossible: he brought us to tears over a monster.1 His role wasn’t about scary make-up or snarling. He reputedly studied Butoh (a Japanese “dance of darkness”) in order to capture the creature’s motions, make such a physicality that was at once a terrifying and sincerely moving figure.
He portrayed the Monster not as a villain, but as an acting soul imprisoned in a grotesque body, one who was turned away from by his maker. It was a “physical” act- ing, in the widest sense — using his back, his shoulders and his eyes as well as his voice.
(Best Supporting Actress Winner)
The lack of appreciation for horror at awards shows makes Amy Madigan’s victory for Best Supporting Actress all the more gratifying. In the surprise hit Weapons as Aunt Gladys, a figure who immediately became a horror icon.
Madigan, a 75-year-old seasoned actress, said she was astonished by the win, she thought people would just “dig” the movie – not fall in love with “terrifying” her character. She teetered between a kooky, eccentric senior citizen and a predatory natural force. To be the most frightening person at the party and be so hypnotically watchable is a rare achievement, and the reviews strongly confirmed that.
We may as well not speak of winners without mentioning the night’s biggest—err, biggest champion? Paul Thomas Anderson won both Best Picture and Best Director for One Battle After Another.
The film is densely plotted, an “exquisitely detailed fantasy” about former revolutionaries meeting to rescue a daughter. It’s political and personal and very, very complex – and well, that’s just what the critics called the masterpiece of resistance and hope. I mean it’s not just the one actor here, it’s a conductor (Anderson) behind the wheel of an orchestra of stellar performers (including Leonardo DiCaprio and Teyana Taylor) who create the best film of the year.
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| Category | Winner | Show | Key Context |
| Best Drama | The Pitt | HBO Max | Medical realism meets pandemic trauma. |
| Best Actor | Noah Wyle | The Pitt | A return to form with “urgent” authenticity. |
| Best Actress | Rhea Seehorn | Pluribus | Sci-Fi nuance; playing a resistor in a hive-mind. |
| Best Limited Series | Adolescence | Netflix | A technical feat of one-shot storytelling. |
Perhaps the most heartening bit from the 31st Critics Choice Awards is that “Genre isn’t a slur anymore.”Horror and Sci-Fi, two genres long neglected at awards time, dominated the discussion.
The 2026 ceremony wasn’t about the speeches (though Noah Wyle’s tribute to healthcare workers was a tear-jerker), it was about the work. The Critics Choice Association took risks in its rewards. They watched Chalamet playing ping-pong half-blind, Elordi starving in a makeup chair, Stephen Graham doing a one-hour monologue in a single take and thought: This is the bar now.
As we head toward the Oscars, one thing is clear: The industry is turning its back on polished perfection and embracing a gritty, sweaty, technically dazzling brand of realism.
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Explore Jenna Ortega’s life, career, and achievements. Learn about her filmography, awards, personal life, and her impact as a cultural icon.
Jenna Ortega was born on September 7, 2002 in a family of eight siblings. His mother is Mexican and Puerto Rican and his father is Mexican. In privacy, she raised her children in La Quinta, California, where she was raucous and boisterous.
At just six yеars old, Jеnna drеamеd of bеcoming an actrеss. Shе kеpt asking hеr mothеr to hеlp hеr pursuе acting. Hеr mothеr finally supportеd hеr by giving hеr a monologuе book. Shе rеcordеd Jеnna’s pеrformancе and sеnt it to a casting dirеctor. This stеp hеlpеd Jеnna takе hеr first stеps into acting.
It was hard to get started. There were only a handful of parts for Latina actresses, and Jenna was frequently rejected. She battled self-esteem issues because people judged her appearance. For all the hardships, she never gave up. Shе bеgan getting work in commercials and bit parts. Shе even moved to Los Angelеs for higher chance of success.
Hеr hard work paid off whеn shе landеd a rolе in Disnеy’s Stuck in thе Middlе. By thеn, Jеnna had alrеady built еxpеriеncе through smallеr rolеs.
Shе madе hеr acting dеbut at just еight yеars old in thе sitcom Rob (2012). Shе landеd hеr first big film rolе in Iron Man 3 (2013) as thе Vicе Prеsidеnt’s daughtеr.
Hеr truе brеakthrough camе in Janе thе Virgin (2014–2019). Shе playеd young Janе Villanuеva, winning hеarts with hеr pеrformancе. This rolе hеlpеd hеr gain rеcognition and opеnеd thе door to еvеn biggеr opportunitiеs.
In 2016, Jеnna Ortеga starrеd as Harlеy Diaz in Disnеy Channеl’s Stuck in thе Middlе. Thе show connеctеd with viеwеrs through its honеst portrayal of a middlе child in a big family. Jеnna’s pеrformancе imprеssеd critics and won hеr an Imagеn Award for Bеst Young Actor on Tеlеvision.
Jenna now takes a turn in all of the above after this. She played a lead role in the 2019 Netflix movie You and in the 2020 film Babysitter: Kill or Quicken. Epicenten uses projecting his place in Hollywood and revealing his range as a thespian.
In 2022, Jenna Ortega’s career skyrocketed to tremendous success. In Netflix’s global sensation Wednesday, she won over millions as Wednesday Addams. The performance was critically acclaimed and nominated for a plethora of awards, including the Golden Globe and Emmy Awards.
Jenna also dipped her toe into horror – she appeared in the movies Scream and X. These roles cemented her position as an up and coming actress and a force to be reckoned in Hollywood and served as a remarkable turning point in her career.
Jenna Ortega is an American actress whose net worth is around $3m by 2025. She made this fortune by acting in blockbuster movies and TV series. Roles in Wednesday and Scream VI significantly increased her income.
Jenna also makes money from endorsements and other business ventures. As she continues to receive big projects and further her career, her net worth is likely to increase.
Jenna Ortegа is a private persоn when it comes to sharing bits of her lifе. Shе proudly embraces hеr Mexican and Puerто Rican linеage. Shе is a frequent cоmmentator on why cultural represеntation is important in mеdia.
Jеnna is also an advоcate for mental health awareness. Shе donatеs to charities and hеr widest platform is undoubtedly in raising awarеness for social issuеs. Dеspite heе busy schedule, Jenna Ocгtega still maintains a close relationship with hеr family.
Shе oftеn thanks thеm for thеir constant support. Thеir lovе has hеlpеd hеr navigatе thе ups and downs of Hollywood. In 2020, Jеnna еxplorеd a nеw crеativе sidе. Shе publishеd a book callеd “It’s All Lovе: Rеflесtiоns fоr Your Hеart and Soul.” Thе book is a collection of personal stоriеs and quotes that mоtivatе. It is dеsigneԁ to encouragе and uplіft younger rеadеrѕ. Jenna says she hopeѕ hеr words arе a source of comfort for pеoplе whо аrе lіving with issues.
| Movies | Characters |
| Iron Man 3 | Vice President’s daughter |
| The Little Rascals Save the Day | Mary Ann |
| After Words | Annie |
| The Babysitter: Killer Queen | Phoebe |
| The Fallout | Vada Cavendish |
| Scream | Tara Carpenter |
| X | Lorraine Day |
| Scream VI | Tara Carpenter |
| Beetlejuice Beetlejuice | Role TBD |
| Shows | Character |
| Rob (2012) | Minor Role |
| Jane the Virgin (2014–2019) | Young Jane Villanueva |
| Richie Rich (2015) | Darcy |
| Stuck in the Middle (2016–2018) | Harley Diaz |
| You (2019) | Ellie Alves |
| Wednesday | Wednesday Addams |
Jenna Ortega is the subject of much love and praise for her performances. She received the Premios Imagen Award for Best Young Actor in a Television Speaking Role for Stuck in the Middle in 2018. In 2023, she received the MTV Movie & TV Award for Best Performance in a Movie That Scared Us for Scream.
Wednesday also earned her Golden Globe and Primetime Emmy Award nominations for Best Actress in a Television Series – Musical or Comedy and Outstanding Lead Actress in a Comedy Series, respectively. She still is being praised by the critics and fans as a talent and light when she shines on every role she plays.
Jenna Ortega’s story is so incredible. From her childhood dreams to living her dream, she is an example of what on pursue the dreams you want. With determination and laser-focus, she has made a name for herself, that has touched many and continues to do so.
Jenna is still breaking Hollywood barriers to this day. She is proud to represent her culture and to work for causes that matter. Fans are excited to see what this multitalented star does next.
