School Spirits Season 2 is here! Get the full episode schedule, plot twists, and where to watch this thrilling supernatural drama. Don't miss it!
The wait is over! School Spirits Season 2 is finally here. The show takes you back to its mysterious world. High school secrets and supernatural events make it more exciting. Peyton List returns as Maddie Nears.
She faces new challenges and deeper mysteries. This season blends teen drama with ghostly twists. Want to know more? Here’s everything about the release schedule, story details, and where to watch!
| Episode Number | Title | Release Date |
| Episode 1 | Whatever Happened to Maddie Nears? | Thursday, January 30, 2025 |
| Episode 2 | Field of Screams | Thursday, January 30, 2025 |
| Episode 3 | Can’t Hauntly Wait | Thursday, January 30, 2025 |
| Episode 4 | A Walk-in to Remember | Thursday, February 6, 2025 |
| Episode 5 | Ghost Who’s Coming to Dinner | Thursday, February 13, 2025 |
| Episode 6 | Ghost Pointe Blank | Thursday, February 20, 2025 |
| Episode 7 | Title TBA | Thursday, February 27, 2025 |
| Episode 8 | Title TBA | Thursday, March 6, 2025 |
| Episode 9 | Title TBA | Thursday, March 13, 2025 |
| Episode 10 | Title TBA | Thursday, March 20, 2025 |
Season 2 picks up right where Season 1 left off. Maddie’s journey in the afterlife continues with more twists. She learns shocking truths about her fate. With new clues, she searches for answers.
Her high school hides deep secrets. This season explores identity, unfinished business, and strong bonds. Love and friendship go beyond life and death.
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New episodes of School Spirits stream only on Paramount+. In the U.S., episodes release every Thursday at 3 a.m. ET / 12 a.m. PT. UK viewers can watch on Paramount+ UK every Friday.
Subscribers can stream through the Paramount+ app or website. The show’s thrilling story keeps fans hooked. Don’t miss the latest supernatural twists each week!
School Spirits Season 2 has released six episodes since January 30, 2025. The story follows Maddie Nears, a ghost trapped in her high school. She recently discovered she never actually died. Another spirit, Janet, took over her body. In the latest episode, Maddie’s friends kidnapped Janet.
They wanted her to leave Maddie’s body. The next episode airs on February 27, 2025. Janet might react violently. She could also reveal secrets about her past. Fans are eager to see what happens next. Don’t miss the upcoming twists in this thrilling supernatural drama!
School Spirits Season 2 Episode 7 premieres on Paramount+ on Thursday, February 27, 2025. The episode will release at 12 a.m. PT and 3 a.m. ET. The series is available only on Paramount+.
A subscription is required to watch. Paramount+ offers two plans. The ad-supported Essential plan costs $7.99 per month. The ad-free Showtime plan costs $12.99 per month.
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The upcoming episode is titled Anatomy of a Fallout Shelter. It continues from the last episode. Mr. Martin finds Janet at the cabin where she was held. He might try to convince her to keep Maddie’s body.
The episode’s synopsis suggests Janet will not listen to him. She is expected to react violently. She may also reveal secrets about her past. The other spirits will learn about her connection to Mr. Martin.
The previous episode was titled Ghost Pointe Blank. Simon and the others kidnapped Janet. She still refused to leave Maddie’s body. They tied her to a chair. They tried to convince her to return to Split River High. They wanted Maddie to regain her body. The group told Janet that Dawn had crossed over.
Janet refused to believe it. She demanded proof. Simon rushed back to the school to talk to Maddie. Meanwhile, Maddie made an important discovery. She realized the spirits’ scars were all connected. She also found out Dawn’s scar might be a portal to the afterlife. Simon returned and told Janet everything.
She still refused to leave Maddie’s body. Meanwhile, Wally attended his high school reunion. The event revealed his past as a bully. Charley was upset because he had been bullied before. Charley found comfort in Yuri. They shared a moment and kissed.
Back at the cabin, the kids kept persuading Janet. In the end, she asked for time alone before returning to school. Simon agreed and left. Just then, Mr. Martin approached Janet. His arrival hinted that her decision might change again. Fans are eager to see what happens next!
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You can watch it exclusively on Paramount+ with a subscription to either the Essential ($7.99/month) or Showtime ($12.99/month) plan.
The season follows Maddie Nears, a ghost trapped in high school, uncovering shocking secrets about her past and the afterlife.
Season 2 has 10 episodes, with the first three released on January 30, 2025, and new episodes airing every Thursday.
Simon and friends kidnapped Janet to force her out of Maddie’s body, but she refused, and Mr. Martin’s arrival hinted at another twist.
Explore the Targaryen family and key characters in HBO's A Knight of the Seven Kingdoms, the thrilling Game of Thrones prequel.
HBO’s new prequel of Dunk & Egg after the House of Dragon set to release soon with a good storyline of Aegon Targaryen “Egg” the price belongs to the lineage of Rhaenyra. A Knight Of The Seven Kingdoms is set in the era 90 years before Game of Thrones, in the time of King Daeron II. Actually, young Egg is the great-great-great-grandson of Rhaenyra by way of her son Viserys II.
So the A Knight Of The Seven Kingdoms directly connected to people from GoT and House of the Dragon. Daeron II – Egg’s grand-uncle and the series’ ruling king – would gain the epithet “Daeron the Good”.
Dexter Sol Ansell is cast as Aegon V Targaryen, “Egg”, the young prince in the trailer. Egg is introduced as a boy prince of House Targaryen, the fourth son of Prince Maekar. He is a brave, compassionate, and intelligent young man in Martin’s novels.
He shaves his head and wears a loose cap to conceal his silver-gold hair, so as not to be recognized by common men. For those of you who can’t imagine him, imagine Iggy Pop with silver gold hair. People say of him that even as a grown man he was warm and easy to approach, and loved by the smallfolk.
The trailer shows Egg with large, pure eyes and a fast smile, just as the kind and clever boy from the novels.
Finn Bennett as Aerion “Brightflame” Targaryen, Egg’s older brother with platinum hair. In the books, Aerion is pure evil. He was portrayed as The Monstrous Aerion due to his cruel and arrogant nature. He actually believes he’s a dragon trapped in a man’s body, according to Westeros, One synopsis tags him as ‘a classic case of Targaryen family madness’, In the Dunk & Egg stories, he dabbles in evil magic and bullies Egg—such as by throwing Egg’s pet cat in a well.
Bennett’s version has a helmet clad in metal flames inspired by his fire-loving ego. Aerion is, at the end of the day, the show’s crazy prince. The trailer nails his wild, sneering vibe that suits his brutal, flame-loving nature.
Henry Ashton plays Prince Daeron Targaryen, the elder brother of Egg and Aerion. Daeron is Maekar’s eldest – in fact, the official notes describe him as “the eldest son of Maekar, I… the prince of Westeros”
The following Maekar he would have been next in line to sit on the throne. His sobriquet “the Drunken” reflects his method of dealing with two prophetic visions: in the novels Daeron drinks wine to numb family tension in the Targaryen brood is a family secret. The Direct also confirms Daeron’s identity: he “is the son of Maekar I, and is… the prince of Westeros, and the crown’s next-in-line after Maekar”
From Ashton’s Daeron grin and swagger it is immediately clear that this Daeron is a roguish and charismatic man of mystery. We only see him for a moment in the trailer, but the “Drunken” prince has a lot more going on than you’d think.
Aemon Targaryen is Egg’s eldest brother. He appears later in life as Maester Aemon in Game of Thrones. He is not going to show up in the Dunk & Egg series. At this stage, young Aemon already is in the Citadel. Still, he waits in the wings. Aemon was the elder brother of Egg. He became a maester and then joined the Night’s Watch. In the Dunk & Egg tales, Aemon dubs his brother the nickname “Egg.”
He really looks up to him. In the Game of Thrones deathbed, Maester Aemon has visions of Egg. Martin’s background says young Aemon saw Egg’s “sweetness and innocence.” So, while scholar Aemon never takes the stage, he is family. He quietly shaped Egg’s beginnings, if never announced himself to modern readers.
Sam Spruell is cast as Prince Maekar, the father of Aerion, Daeron, Aemon, and Egg. Take a look at him. The trailer shows him as a no-nonsense military leader. SoapCentral mentioned Maekar fought terribly hard in the Blackfyre Rebellions. He was dubbed “the Anvil” because he held his ground in the midst of chaos. Maekar is a strong and grumpy in the attitude. The books say he is irritable and impatience, difficult man with a sharp tongue and who was too quick to find fault or to punish. After killing his brother Baelor by accident in a tourney, he becomes even more severe. But he loved his children in his rugged way. In The Hedge Knight, he allows Egg to be squire to Ser Duncan. He lays down the laws: keep out of sight and look meek. No locking Egg up instead. So Spruell’s Maekar should be strict, but with a heart. A proud Targaryen dad worries about his wild boys.
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Bertie Carvel is cast as Prince Baelor Targaryen. He is the uncle of Egg and the eldest son of Daeron II. In the stories, Baelor is the quintessential heroic prince. His moniker is well-earned – he gave Daemon Blackfyre’s spear a good snapping in a tournament. Then he was Hand of the King. His mercy and Knightly life was beloved of the people. An ancient writing says it all: “It is beyond question that Baelor Breakspear would make an excellent king. He was chivalrous and had a good mind.”
King Daeron II never appears on screen, but he sired a lot of these characters. Known as “Daeron the Good,” he reigned with wisdom and prudence in negotiations. He married Princess Myriah Martell and had four sons: Baelor, Aerys, Rhaegel, and Maekar. Baelor, Maekar, and even Egg, all come back to Daeron’s Targaryen line. This line goes from Viserys II to Rhaenyra’s line, and connects the princes to the Targaryens of House of the Dragon. Daenerys from “Game of Thrones?” She’s just formed one part of one side line from Egg’s great-great- granddaughter.
Princes such as the brave Baelor and the volatile Aerion share blood with the Dragon Queen. Their stories contribute to the larger Targaryen narrative.
HBO A Knight of the Seven Kingdoms: The Hedge Knight “traces the exploits of Ser Duncan the Tall and a youthful Aegon V Targaryen”. The cast announcement solidifies a near 50/50 split between knights and Targaryens.Peter Claffey is cast as Ser Duncan the Tall, and Dexter Ansell as Egg.
For the Targaryens, the announced cast includes Finn Bennett (Aerion), Henry Ashton (Daeron), Sam Spruell (Maekar) and Bertie Carvel (Baelor). Note that not every face on the show is a dragonborn. However, the royal family does get most of the spotlight.
fans are at last getting a peek in person at these Targaryen princes and kings. Aegon the Unlikely (Egg) is the kindhearted protagonist, Aerion is the prideful “Brightflame” fiend, Daeron is the clandestine malcontent, Maekar is the hard line father-king, Baelor is the knightly heir, and far off Aemon is even shadowing at the brink of the tale.
But the show So by laying out this family tree and the traits of the princes, you can keep track of who’s who in the Dragon family. So when the hedges darken with mystery and the dragons rattle beneath the surface, we can see exactly how these young royals slot into the grand tapestry of Westeros history.
Death by Lightning review: The Netflix drama offers entertaining performances from Michael Shannon and Matthew Macfadyen, but suffers from rushed storytelling.
In Netflix’s latest dive into historical catastrophe masquerading as tragic comedy, the miniseries Death by Lightning, will focus on how President James A. Garfield’s short but significant term was cut short by the deranged Charles Guiteau. Adapted from Candice Millard’s acclaimed non-fiction book, the series has all the prestige hallmarks – a stellar cast (Michael Shannon, Matthew Macfadyen) and backing from Game of Thrones creators David Benioff and D.B. Weiss.
Yet despite all its technical sheen and mesmerizing performances, the four-episode political drama cuts off oddly, a dazzling flash of promise that dissipates too quickly, leaving the audience with the feeling that the substance is severely undercooked in the narrative execution.
According to Collider, The series would not be what it is without its central performances. Michael Shannon brings a surprising depth of compassion and complexity to James A. Garfield. He is the unwilling, good man thrust into the nation’s highest office with a sincere dedication to civil service reform and battling the period’s widespread corruption. His political battle against the spoils system and his dream for a greater America provide the spine of the tale.
Likewise, Macfadyen as the mentally deranged assassin Charles Guiteau is an exercise in rattling restraint. Rather than barking like a lunatic, he gives us a chillingly believable narcissist whose grandiose delusions become deadly after he believes he’s been slighted by the government. Both Times Square and Ballet Mécanique are definitive performances by artists of the highest caliber and when these two extraordinary actors share even a few brief scenes, it electrifies the room.
Yet the very brevity that allows the series to have a tight focus ultimately becomes its undoing. With only four episodes, the drama speeds through Garfield’s volatile ascent; the political fights, the assassination, and the tragic fallout. The intricate, sleazy post–Civil War American political landscape which Garfield was frantically trying to clean up, seems drawn in rather than drawn out.
Crucial political and personal story lines are hurried, not allowing viewers to fully process the scope of Garfield’s vision and the pervasive institutional problems he confronted. Although the plot conforms to historical facts, it seems to be moving along a highlight reel, thus depriving the momentous events of their authentic emotional and intellectual weight.
The tragic thing about the Garfield story is not just the bullet but the subsequent, excruciating medical malpractice that resulted in his death months later—a detail beautifully and painfully unpacked in the source material.
The series nods to this, but its truncated format means the horror and absurdity of the medical ignorance doesn’t fully register. It’s in these pivotal, enduring moments that a genuine political drama finds its voice – revealing the systemic failures that magnified a personal tragedy.
Death By Lightning is a casualty of its brevity. It’s an effective (albeit superficial) flashback to a chapter in American history largely forgotten, and the work of its two stars makes it unforgettable.
But a story of this scope involving a president’s assassination, political corruption and the tragic crossroads of American determination requires more than a boiled-down treatment.
As report says, Beautifully shot and superbly acted, it’s less like a finished, fully resonant drama and more like a powerful, introductory prologue, a brilliant flash in the dark that leaves you wanting the narrative equivalent of a full tempest.
Death by Lightning is a show that glistens with stellar acting and pristine production values but doesn’t quite grant its narrative the depth it merits. But Michael Shannon and Matthew Macfadyen give strong performances that humanize and energize the limited four-episode format that does not allow the political and emotional strands to fully unravel.
What might have been a deep dive into ambition, tragedy, and systemic collapse, instead comes across as a beautifully staged synopsis of a much bigger narrative. Ultimately Death by Lightning isn’t just gorgeous and intermittently stirring but cuts too suddenly, leaving its viewers haunted, not by what has been seen, but by what’s been left unsaid.
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Today we break down on How Death by Lightning turns out both beautiful and at times touching but it runs out too soon. It is thus that his viewers are unsettled, not for what they see, but what goes unsaid.
