Yellow Jackets Season 3: Everything You Need to Know

Written by: Mariyam

Published: December 25, 2025, 5:06 am

2025 has been a surreal, wonderful, and completely hectic year in television. The breathless breath-holding of 2024 was behind us in 2025, and everyone could exhale—and wow did they have a lot to say. Let’s look into the list of Best TV shows of 2025 to binge watch on weekends.

There are: everything from the revival of the traditional hospital drama (hello, Noah Wyle) to sci-fi prequels that actually, somehow, lived up to the hype. There were hockey players falling in love, Seth Rogen mocking his own industry, and Vince Gilligan showing, yet again, that he views the world through lenses unlike the rest of us.

If your head is spinning from all the “Must-Watch” lists, just breathe. I’ve spent more hours on my couch this year than I care to admit, all of which went towards crafting this: a human, honest, spoiler-light guide to the absolute best TV shows of 2025. 

1. ‘The Pitt’ (HBO/Max)

Let’s be honest: none of us were getting enough 1990s ER adrenaline rush. We just didn’t realize how much until The Pit came crashing down. Noah Wyle back in medical scrubs was like a warm embrace from an old pal, but don’t let the nostalgia baiting fool this isn’t Dr. Carter 2.0.

Wyle stars as Dr. Michael Robinavitch and there’s a more grimy, frantic and weary feel to the series than that of its spiritual predecessor. It expresses post-pandemic exhaustion of those in the medical field in a way that is almost tactile. The camera work is frantic, the dialogue is overlapping all the time, and you can feel the tension in your chest. It’s not just “good TV,” it’s, like, necessary TV. It’s a love letter to the people who keep us alive, written in blood, sweat and hospital cafeteria coffee. 

2. ‘Pluribus’ On Apple TV+

Vince Gilligan, of course, is the architect of such dazzling and trailblazing series as If “Pluribus” was a surprise, it probably means that he is doing something completely new and different, which is exciting. Leading the superb Rhea Seehorn (at last she’s getting her due!), the series centers on a cynical romance novelist, Carol, who is attempting to navigate a world altered by a bizarre alien virus. 

It’s insane sci-fi-sounding, but in typical Gilligan style it’s really about people. “It’s about loneliness, artificial intelligence and what it means to be ‘human’ when humanity is facing its own demise.’’ Seehorn is magnetic—she can do more with a silent stare than most actors can do with a monologue. It’s strange, it’s silent, and it will be lingering in your mind for DAYS. If you enjoyed the character-driven suspense of Better Call Saul, this is your newest obsession. 

3. ‘Alien: Earth’ (Hulu/FX)

I was skeptical. We all were. Another Alien movie, do we really need it? Noah Hawley (Fargo, Legion) saw our doubts and pulverized them with a xenomorph tail.

Obviously set on Earth, and years before Ripley ever boarded the Nostromo, this series takes the horror home — literally. It combines the Weyland-Yutani corporate greed with the visceral terror of a creature that simply should not be on this planet. The special effects are Hollywood quality, but what makes it work is the patience. Hawley allows the dread to build slowly to the point that you’re yelling at your TV. It’s the first time in decades the franchise has been scary rather than just gross. 

4. ‘Black Rabbit’ (Netflix)

Black Rabbit does none of that — though, to be clear, that’s not a criticism — but what it does deliver is a darkly funny, taut little drama in which two of Hollywood’s most magnetic stars go head to head in two-hander theatre. Jason Bateman and Jude Law star as siblings – one a responsible restaurant owner, the other a chaotic agent of destruction – caught up in the New York criminal underworld.

It’s classic noir territory, made perfect. Bateman plays against type as the “screwup” brother (Vince), and Law is the straight man (Jake) trying to keep it all together. The best way to describe the tension is to say that it’s suffocating. It’s a slow burn that explodes in the final episodes, reminding us that family is often the most dangerous thing of all. 

5. ‘IT: Welcome to Derry’

IT: Welcome to Derry is one of the 2025’s best horror series, bringing Stephen King’s terrifying universe to new horizons full of scares and lore. Set in 1962 Derry, Maine, the HBO Max prequel exploresPennywise’s origins and the town’s cursed history through a new group that stops aside the original Losers’ Club.

The series centers on a group of new kids—Teddy, Phil, Lilly and Ronnie—probes into missing children and strange occurrences four months after one of their classmates goes missing. Military tension is added with Major Leroy Hanlon arriving at Derry Air Force Base amid icy treatment and top-secret missions. Episodes lurk in dread through psychological horror and social undercurrents of small-town America — and with glimpses of Pennywise’s influence — and slow-burn suspense with shocking reveals. 

6. ‘Adolescence’ (Netflix)

“Adolescence,” a heartbreaking miniseries on teen violence, family breakdown, and social abandonment, had its world premiere on Netflix in 2025. Following 13-year-old Jamie Miller who is arrested for stabbing a classmate, the four-part drama from Jack Thorne and Stephen Graham is told through raw, single-take episodes that are uncomfortably real.

With each hour-long episode taking place over a single uninterrupted day in real time – like a stage play on steroids – the perspective shifts to various other consequences: the mayhem at the police station, the family disintegration, psychological tests, and courtroom brinkmanship. Stephen Graham commands as dad Eddie, a policeman whose world crumbles; rising star Owen Cooper (actually 15) as Jamie seizes scenes with his explosive cocktail of charm, rage, and lost-child fragility. It’s called “TV perfection” for its emotional economy and refusal of easy answers. 

7.  ‘The Studio’ (Apple TV)

The Studio Apple TV+ show centers on neurotic Hollywood executive Matt Remick (Rogen), who is suddenly tasked with running Continental Studios, balancing money-making IP like a Kool-Aid Man movie with his dreams of art-house treasures with filmmakers like Scorsese.  

Honorable Mentions

Andor Season 2 definitely set a new standard for Star Wars storytelling, turning in a finale that thrilled from beginning to end. The White Lotus season 3 blasted off its typical mayhem from Thailand and didn’t disappoint with how unpredictable and dramatic it would be. Meanwhile, Dexter: Resurrection takes a half-decent stab at righting a few of the show’s past missteps, and in doing so redeeming itself somewhat.  

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Conclusion

Whether it was aliens, doctors, or hockey players, the finest programming this year centered on relationships. They made us remember the reasons we watch: to be comforted in our solitude, to laugh at the absurdity of existence, and to see our own faces in the maelstrom. So get your remote, order some takeout and dive in.The golden age of TV isn’t over — it just evolved 

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Written by: Alpana

Published: April 1, 2026, 12:59 pm

There are some episodes in the long, Star Trek history of the franchise that are “good,” and then there are those that transcend the screen to become iconic moments of pop-culture history. One such occasion is the fifth-season Star Trek: Deep Space Nine tour de force, “Trials and Tribble-ations”.

To fans it was a technical marvel –a 1996 love letter to the 30th anniversary of the franchise that merged the grim, 24th-century reality of Captain Sisko with the bright, primary-colored 1960s look of Captain Kirk. But off-camera the episode was a political quagmire.

Why “Trials and Tribble-ations” Became an Iconic Star Trek Episode

New details from executive producer Ira Steven Behr at the Trek Talks 5 fundraiser have provided clarity to a moment that could have turned out very differently: the phone call to the late, great Leonard Nimoy. 

In order to understand what made Rick Berman (then the franchise lead) so nervous about calling Nimoy, you just have to go back to the 1994 “Generations” debacle.

At this time, Leonard Nimoy wasn’t only an actor, he was the filmmaker who had rescued the motion picture series with his two films, The Search for Spock and The Voyage Home. When it was time to transition the Original Series (TOS) cast to The Next Generation (TNG) cast in the movie Star Trek Generations, Star Trek history, Paramount, they naturally looked to Nimoy to direct. 

Tension Behind the Call to Leonard Nimoy

Yet Nimoy notoriously disparaged the script. He believed the story had holes, but more significantly he was offended by the “cameo” status of Spock’s part in the prologue. He wasn’t content to be just a name on the screen; he wanted to be involved in writing and directing as well. When Paramount would not be swayed from the script, Nimoy walked out. The Nimoy-Rick Berman dynamic grew frosty, “getting us into a different place…not exactly on the same page.” 

When the concept for “Trials and Tribble-ations” was raised an episode that would cheekily insert footage of Nimoy from the 1967 classic “The Trouble with Tribbles” — the legal and professional obstacles seemed too great to overcome. Berman, perhaps anticipating a rebuke or a sermon, informed Ira Steven Behr that he was the one who should make the call. 

“What Took You So Long?” Moment Explained

Behr characterizes the moment with a tension usually only found in a Romulan standoff. He phoned Nimoy, prepared for a “prickly” meeting, and pitched the idea: DS9 was going to utilize digital technology to place their actors within the original film footage.

Following a lengthy and suspenseful pause that probably felt like a lifetime to Behr, Nimoy said simply in five words:

“What took you so long?” 

It was more than just a “yes.” But it was the evolution of the franchise that earned the fans’ energetic thumbs-up. Although Nimoy had guarded Spock’s dignity in the films, it is clear that he had a deep love for the fans and the legacy that show came to have. He wasn’t into holding a grudge against a creative homage; he was stunned it hadn’t come sooner. 

How DS9 Pulled Off a Groundbreaking TV Experiment

With Nimoy’s blessing, the writers and producers of DS9 put together what many consider the definitive “gimmick” episode in television history. Here’s why the Star Trek history and Nimoy’s blessing of it — remains so important:

Technological Pioneering: Well in advance of “de-aging” technology being a standard Hollywood practice, DS9 employed forest-green screens and precise lighting to emulate the grain and shade of 30-year-old motion picture film. 

The “Forrest Gump” Effect: Watching Bashir and O’Brien chatting in the TOS commissary, or Sisko on the bridge of the original Enterprise gave us a grounding that made the universe of Trek feel “whole” in a way it never had before.

Humor, Nostalgia, and the Magic of Star Trek

The episode was not ridiculing the 60s, it was loving them. The joking about the changing Klingon foreheads (“We do not discuss it with outsiders”) to the sight of Sisko autographing a Kirk book – it was every fan’s dream. 

Why Nimoy’s Reaction Matters Today

In a time when “toxic fandom” and “creative differences” were shaping much of the news, Nimoy’s response is a grounding reminder of what Star Trek history is meant to be.

Nimoy recognized the difference between a corporate mandate (the Generations script) and a creative homage (the DS9 tribute). He may have been “hard to work with” in fulfillment of his view of the character of Spock, but he was exceedingly generous when artists sought to pay tribute to the work. 

Star Trek history Blessing

Perspective	Reaction to “Trials & Tribble-ations”
Rick Berman	Fearful of litigation and personal friction.
Ira Steven Behr	Nervous, but hopeful for a creative win.
Leonard Nimoy	Enthusiastic, viewing it as a long-overdue celebration.

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A Perfect Bridge Between Two Generations of Star Trek

In the end, Nimoy didn’t return to the “Berman-era” of Trek ever again after that. His subsequent involvement with the character of Spock wouldn’t come again until the 2009 reboot directed by J.J. This just makes his support for the DS9 ep even stronger. It was his way of saying that while I’m sure he had some issues with the suits in the front office, his love for the world of Star Trek and the fans who kept it alive was unconditional. 

“Trials and Tribble-ations” is a transitional episode. It’s a bridge spanning 1966 to 1996, bridging the gap between the film stock of yesteryear and that of the digital future, and—thanks to a surprisingly genial phone call—it’s a bridge between a legendary actor and the franchise he helped build.

As 2026, the year the episode took place in, marks the 30th anniversary of that episode, Nimoy’s statement rings true. What took them so long? The magic has always been there in Star Trek history, it just needed to be rediscovered and reclaimed. 

Conclusion

Ultimately, “Trials and Tribble-ations” isn’t just a cool crossover episode—it’s a love note to everything that makes Star Trek great. From its bold use of technology to its sentiment-based tribute to the original series, the episode managed to unite generations of fans as few programs ever have. 

But the thing that really takes it to another level is Leonard Nimoy’s reaction. His simple yet profound assent—“What took you so long?”—lent a much-needed element of calm in a time when infighting within the franchise could well have scuttled the notion. It revealed that above all the contract issues and creative differences, there still was an immense respect for the legacy and the fans.

More than 20 years later, the episode serves as a testament that Star Trek is best when it looks back upon its roots even as it looks forward. And then, the Star Trek history isn’t the miracles that matter that get arranged in time, so much as the sudden glance of grace that’s unlooked for but remembered. 

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