Margot Robbie & Colin Farrell’s A Big Bold Beautiful Journey draws mixed reviews. Stunning visuals but weak chemistry and poor box office hurt its success.
Director Kogonada’s new movie A Big Bold Beautiful Journey receives mixed reviews from critics. It shows a story which is blended with romance, fantasy, and personal insight in a style that feels like a fairy tale. Margot Robbie and Colin Farrell first collaboration brings Academy Award nomination. The romantic fantasy film story is written by Seth Reiss.
Kogonada is famous for his thoughtful movies including “Columbus” and “After Yang.” while Seth Reiss is previously scripting for “The Menu”. A Big Bold Beautiful Journey was shot in California with a production budget of $45 million. Joe Hisaishi scored and was his first time for a Western film with additional songs by Laufey and a Mitski cover.
The film gets mixed reactions from critics. This film scores 55% rating on Rotten Tomatoes and Metacritic gave a 42/100 rating to this film as Kogonada’s skill for making this film with high quality material and the strong acting from the leads. Despite the best directorial work, they are concerned about the script’s execution.
Critical Concerns is about tone mismatches and uneven pacing from the actors. Variety noted that “Farrell and Robbie seem remote and oddly flat, even in moments of deep intimacy and vulnerable feelings.” The New Yorker‘s Richard Brody suggested about directorial talent and pointing it to going in a wrong way. Rolling Stone hit hard, calling it a “disaster” which shows very tough pinching on director’s talent and actors’ wrong choice by taking this movie.
Overall, the film’s cinematography and theme is fantastic which received good reviews. Peter Bradshaw of The Guardian rated it 3/5 stars. He also suggests that film needs to polish its work of art and let go of doubts. Little White praised Kogonada’s “singular, warm sensibility which is worth the ride for fans of its soft emotions, and gave 80/100.
As Deadline noted, Unfortunately, the film faced big troubles at the box office. A Big Bold Beautiful Journey was released on 19 September, 2025 in 3330 theatres and earned only $3.5 million in opening. With a $45 million budget production film received just $8.9 million worldwide is a disaster.
This represents a sharp difference from Margot Robbie’s last hit film, “Barbie.” which earned about $70.5 million on its opening day. A Big Bold Beautiful Journey” 98% lower, the poor performance led to rapid decline in theatrical run.
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NPR says, The story follows Sarah (Margot Robbie) and David (Colin Farrell), two single strangers met at their mutual friend’s wedding. Both characters are suffering from their past relationships and not ready for commitment. This movie is inspired from films like “Eternal Sunshine of the Spotless Mind” and “Howl’s Moving Castle“, these movies are a blend fantasy of characters who deep dive into love, sorrow, faithfulness. The reflection of these movies are shown in A Big Bold Beautiful Journey.
The Hollywood Reporter mentioned, Kogonada’s unique way of shooting stands out in every scene. He uses neat frames and bright colors. The movie’s dramatic feel, like a stage production, reflects its exploration of performance and realistic love bond.
A Big Bold Beautiful Journey is receiving positive and negative reviews from critics and audiences. Positive review received for the film’s visual and blend of fantasy, and introspection but criticized for Actors low energy in some shots and Direction of Kogonada. The critical concern impacted the movie’s further theatrical run. Margot Robbie as Sarah and Colin Farrell as David performed well but seems too distant at the point which makes romantic fantasy film score less. Overall, the movie is still liked by some viewers, as the emotional comedy and artistic ambitions.
Disney confirms Teagan Croft and Milo Manheim for the live-action Tangled. Explore cast details, release timeline, and Disney’s big franchise plan.
The whole studio is behind the Tangled franchise, and the announcement from Walt Disney Pictures yesterday that Teagan Croft and Milo Manheim have been cast as Rapunzel and Flynn Rider in the live-action adaptation of Tangled is just the icing on the cake.
The project, which has survived a tumultuous development process that has included long periods of dormancy and a reshuffling of the workforce, is now being advertised as the cornerstone of Disney’s theatrical lineup for the late 2020s. Directed by Michael Gracey (The Greatest Showman) and written by Jennifer Kaytin Robinson (Do Revenge), the film will be an adaptation of the 2010 animated classic to a “high-stakes musical event” exclusively for theatrical release.
The selection of Croft and Manheim comes after an extensive international search and a number of intense screen tests held in London in the month of December 2025. This represents a clear and marked shift in the direction of casting actors who have solid musical theatre credentials and meaningful experience in the genre.
As Disney contends with the post-pandemic box office environment and the complicated legacy of its prior live-action remakes, the Tangled film comes not only as a nostalgic gambit, but a shrewd bid to attract the rising Gen-Z and millennial audiences who consider the original movie a key cultural touchstone.
The path of the live-action Tangled is impossible to trace without placing it in the context of the financial situation for Walt Disney Studios as a whole. Entering late 2024 and into 2025, the studio was introspective, after a string of financial disappointments on key titles, most especially the live-action Snow White. Industry analysts noted a waning in public interest in remakes of early 20th century classics, which fueled speculation that projects such as Tangled had been put on hold indefinitely as to prevent any further risk.
But the tides turned with the live-action Lilo and Stitch theatrical debut in May-2025. With a worldwide gross of over $1 billion, Lilo and Stitch demonstrated that remakes of “modern classics” (films originally released during the Disney Renaissance in the 2000s) had their own draw. This success restored corporate trust in the Tangled brand.
With a theatrical-only release, Disney is making clear that Tangled is to be a major cinematic event for the brand, rather than a direct-to-streaming filler. This strategy mirrors that of the upcoming Moana live action, set for release in July 2026, and maximum theatrical revenue before coming to Disney+.
| Film Title | Release Date | Original Animated Gross | Key Strategic Driver |
| Snow White | March/2025 | $418M (Adj.) | Re-evaluating early classics after underperformance. |
| Lilo and Stitch | May/2025 | $273M | The $1B success that revived the remake pipeline. |
| Moana | July 10, 2026 | $643M | Leveraging modern IP and star power. |
| Tangled | Prod. June 2026 | $592.5M | Targeting Gen-Z nostalgia and musical theater fans. |
The hunt for Rapunzel and Flynn Rider was all-consuming and ended in chemistry tests in London just before the holiday season of 2025. In contrast to earlier casting calls which were geared towards attracting A-list celebrity names to serve as marketing anchors, the Tangled production team was looking for vocal performers who could capture the emotional complexity of the characters and who had the vocal endurance to perform Alan Menken’s -folk-rock score.
Teagan Croft is a young Australian actress of 21 years old, who was chosen from a multitude of finalists. Her previous work as Rachel Roth (Raven) on the DC show Titans was key to her casting. To play Raven, Croft had to grapple with isolation and secret empowerment—narrative beats that, surprisingly, mirror those Rapunzel undergoes as a prisoner of Mother Gothel.
Additionally, Croft’s turn in Netflix’s True Spirit showcased her ability to head a family-friendly survival film. From the very beginning, Rapunzel isn’t a typical princess with “Tangled”: she’s a bohemian dreamer and inquisitive teenager who’s been living as an insanely long tag-along to Mother Gothel for eighteen years. Croft’s talent for encompassing “wonder, grit, and curiosity” all at once made her the obvious choice.
According to THR, the casting of Milo Manheim as Flynn Rider (aka Eugene Fitzherbert) is celebrated in the Disney fandom. Manheim is a “Disney-native” talent, with seven years leading the Zombies franchise. From this, he gained an insight into the mechanics of the musical storytelling of the studio like no other.
Aside from his Disney Channel background, Manheim has made a name for himself as a powerhouse stage actor, most recently starring in Little Shop of Horrors off-Broadway. The role of Flynn Rider is notoriously difficult to nail down—it’s a very specific type of arrogance you have to convey paired with sincerity– the “smolder” has to be hilarious but the eventual vulnerability has to be real. Manheim’s previous Dancing with the Stars tenure further guarantees he has the nimble body necessary for swashbuckling action sequences.
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Michael Gracey’s selection as director suggests a certain aesthetic for the film. Gracey, known for The Greatest Showman, is known for fusing modern musical tastes with the traditional theater spectacle. This one-size-fits-all template is especially curious when applied to Tangled, whose Alan Menken original score was a “folk-rock” departure from Broadway norms.
The director’s approach to films tend to focus on a “heightened reality.” For Tangled, this probably means that the Kingdom of Corona will be realized in tangible settings, rather than relying on the sterile “blue-screen” method. Backing Gracey is screenwriter Jennifer Kaytin Robinson, whose keen dialogue in Do Revenge indicates that the live-action script will keep the animated film’s sharp, current humor.
While the leads have been disclosed, the Mother Gothel part is still very much up for grabs. Early reports suggested that Scarlett Johansson was attached, but she departed the project due to schedule conflicts. So there’s a gap to fill now, for the heart and soul of the film.
Fans have made their support for Donna Murphy – the original voice actress, to come back to the role heard far and wide, and others have brought up Kathryn Hahn as a potential replacement for charismatic, manipulative roles.
Production is scheduled to start in June 2026, indicating an arrival just for the big screen in late 2027 or 2028. The schedule provides ample time for the complex post-production work needed for the tricky physics of Rapunzel’s hair along with the environmental VFX.
The signing of Teagan Croft and Milo Manheim is more than just a headline, it is the first step in a massive multi-year plan to revive the Kingdom of Corona. The world awaits the lantern launch, and for the first time in years, the “dream” of a viable live action Rapunzel transition seems attainable.
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The 2025 Oscars were true! See the 2025 Oscar winners. Enora took home Best Picture. Maci Madison and Adrien Brody won the top acting prizes.
Anora came out on top in the 97th Academy Awards, a tense dramatic that won the hearts of audiences and critics alike. Its director, Sean Baker, made the history of winning four Oscars in a single night for Best Picture, Best Director, Best Original Screenplay and Best Film Editing. This accomplishment also tied him for most wins at a ceremony with Walt Disney for his record in 1954, however Disney’s awards were not all for one project.
Mikey Madison’s Best Actress Anora win in Anora was a bit unexpected, as many thought Demi Moore would get the win for The Substance. Her win was a demonstration of the increasing recognition of new faces in the Academy. Also winning in the Best Supporting Actor category was Kieran Culkin for A Real Pain, with Zoe Saldaña receiving Best Supporting Actress for Emilia Pérez.
The event was more comical and sentimental, but still managed to draw an audience of 19.7 million, with live streaming on Hulu for the first time. Follow our live blog below for the very latest from the Oscars 2025, with all nominees listed below.
Winner: Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance
Wicked
Winner: Mikey Madison, Anora
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Demi Moore, The Substance
Fernanda Torres, I’m Still Here
Winner: Sean Baker, Anora
Brady Corbet —- The Brutalist
Coralie Fargeat —- The Substance
Jacques Audiard, Emilia Pérez
James Mangold, A Complete Unknown
Winner: Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice
Winner: Daniel Blumberg, The Brutalist
Volker Bertelmann, Conclave
John Powell and Stephen Schwartz, Wicked
Clément Ducol and Camille, Emilia Pérez
Kris Bowers, The Wild Robot
Winner: I’m Still Here, Brazil
The Girl With the Needle, Denmark
Emilia Pérez, France
The Seed of the Sacred Fig, Germany
Flow, Latvia
Winner: Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Edward Lachman, Maria
Jarin Blaschke, Nosferatu
Winner: I’m Not a Robot
A Lien
Anuja
The Last Ranger
The Man Who Could Not Remain Silent
Winner: Dune: Part Two
Alien: Romulus
Better Man
Wicked
Winner: Dune: Part Two
A Complete Unknown
Emilia Pérez
Wicked
The Wild Robot
Winner: No Other Land
Black Box Diaries
Porcelain War
Soundtrack to a Coup d’État
Sugarcane
Winner: The Only Girl in the Orchestra
Death by Numbers
I Am Ready, Warden
Incident
Instruments of a Beating Heart
Winner: “El Mal,” Emilia Pérez
“The Journey,” The Six Triple Eight
“Like a Bird,” Sing Sing
“Mi Camino,” Emilia Pérez
“Never Too Late,” Elton John: Never Too Late
Winner: Wicked
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Winner: Zoe Saldaña, Emilia Pérez
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Winner: Sean Baker, Anora
Dávid Jancsó, The Brutalist
Nick Emerson, Conclave
Juliette Welfling, Emilia Pérez
Myron Kerstein, Wicked
Winner: The Substance
A Different Man
Emilia Pérez
Nosferatu
Wicked
Winner: Peter Straughan, Conclave
Jay Cocks and James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
RaMell Ross and Joslyn Barnes, Nickel Boys
Clint Bentley and Greg Kwedar, Sing Sing
Winner: Sean Baker, Anora
Jesse Eisenberg, A Real Pain
Moritz Binder, Tim Fehlbaum, and Alex David, September 5
Coralie Fargeat, The Substance
Winner: Wicked
A Complete Unknown
Conclave
Gladiator II
Nosferatu
Winner: In the Shadow of the Cypress
Beautiful Men
Magic Candies
Wander to Wonder
Yuck!
Winner: Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Winner: Kieran Culkin, A Real Pain
Yura Borisov, Anora
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Jeremy Strong, The Apprentice
In sum, the 2025 Oscars will likely be remembered as a moment of transformation instead of simply the predictable head-scratching and season of discontent it felt like this year. Anora’s sweeping victory, Mikey Madison’s surprise Best Actress win, and Adrien Brody’s stunning best actor triumph proved that compelling storytelling still trumps star power. The acknowledgement of foreign films, ambitious genres, and first-time victors suggests a welcome shift in the tastes of the Academy. Love the winners or loathe them, one thing is undeniable – Oscars 2025 was an Oscars that celebrated risk-taking cinema and hinted at a brighter, more progressive future for film.
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