Eva Green has officially joined The Wednesday Season 3 as Aunt Ophelia Frump, bringing a new look to the series with deep psychological knowledge and a Summer 2027 release.
The fact that Eva Green has been cast as Aunt Ophelia Frump in season three of Netflix’s Wednesday is a huge win in the streaming giant’s content strategy and the growing creative evolution of the Addams Family franchise. The announcement was made official on 25 November 2025 through The Hollywood Reporter, putting an end to months of rampant speculation following the Season 2 cliffhanger.
Green’s addition isn’t just a casting coup, it is a clear shift towards high-stakes psychological horror given her natural and proven working relationship with executive producer Tim Burton and his gothic storytelling roots. It’s about how the popular “Lady Gaga” fan theories are being debunked, the production logistics that indicate a Summer 2027 release, and the deep lore of “Raven” psychics that implies Series 3 will be the franchise’s most intellectually daring outing yet.
The decision to cast Green was accompanied by strong endorsements from the show’s creative leadership. Al Gough and Miles Millar, the creators and showrunners, issued a statement to Tudum that focused on what it is that Green brings to the role — attributes that fit with the show’s developing look and feel.
“Eva Green has always brought an exhilarating, singular presence to the screen — elegant, haunting and beautifully unpredictable, making her the perfect choice for Aunt Ophelia.”
—Al Gough and Miles Millar stated
This is the key quote for understanding what Ophelia is supposed to do. The adjectives “haunting” and “unpredictable” suggest that the character will generate real narrative tension and perhaps menace rather than simply being a quirky relative.
The collaboration marks a reunion between Green and executive producer Tim Burton.Their earlier collaborations on Dark Shadows (2012), Miss Peregrine’s Home for Peculiar Children (2016) and Dumbo (2019) made Green the definitive “Burton Muse,” who could capture the director’s unique juxtaposition of the macabre and the sympathetic.
Green’s statement on being cast in the role showed a great understanding of the particular tone of the Wednesday universe—a mix of horror and satire.
“I’m excited to be a part of the haplessly warped world of ”Wednesday” as Aunt Ophelia. This is such a wonderfully dark and funny world, I am so excited to add my particular brand of cuckooness to the Addams family.”
—Eva Green said
It suggests a performance that will oscillate between the comedic eccentricity traditional to the Addams Family and the “dark and twisty” depth Green is famous for.
The Wednesday series has dramatically reframed Ophelia, removing all the sitcom levity for gothic tragedy.
The show draws a line between the types of psychic powers: “Doves” (such as Morticia) are gifted with positive, helpful visions, while “Davens” (such as Wednesday) are plagued by violent, bleak and isolating ones.
Ophelia is a confirmed Raven, just like her niece. And this designation is key, meaning that Ophelia’s “madness” is caused by the very same burden that Wednesday is carrying. She is a “Ghost of Christmas Future” for Wednesday—a cautionary tale of what occurs when a Raven goes “to the limit and beyond” with her gifts.
Unlike the 1964 version, Netflix’s Ophelia endured a traumatic past in and out of institutions. The story discloses that she was lobotomized at Willow Hill Psychiatric Hospital by her mother, Hester Frump (Joanna Lumley).
The trigger of Ophelia’s return is her journal, in possession of Wednesday, whom Morticia entrusts with it as a sign of trust. That object acts as a device, and the two women, aunt and niece (Wednesday) across time while having a vision.
According to Movieweb, The need to cast Green is so urgent because of the explosive final moments of Season 2, Ophelia (back view) in a red dress, committing “Wednesday must die” in her own blood on the cell wall. The iconic image of the finale—and the teaser for Season 3.
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According to Collider, Ophelia’s statement that “Wednesday must die” makes her an immediate danger. However, given the “Raven” aspect of her abilities, she could be seeing a future in which Wednesday turns into a means to an end for potential global destruction, and her trying to kill him is a very warped form of heroism. Or, she could be affected by the madness brought on by her captivity.
Ophelia is more than a psychic threat, “blood on the wall” evokes a bodily threat and Wednesday has never been confronted by a relative in such a fashion.
The typical post-production schedule of 12 to 14 months for a show that relies heavily on VFX (with werewolves, hydes, and disembodied hands), Season 3’s estimated release is Summer 2027.
Hester (Joanna Lumley) is unmasked as a cold-blooded pragmatist who locked up her own child. In Season 3, Morticia (Catherine Zeta-Jones) and Wednesday face off with Hester, contesting the family pecking order.
Morticia is the “Dove” that survived by assimilating (somewhat), Ophelia is the “Raven” that was shattered. Green and Zeta-Jones together on screen is one hell of a clash of acting titans as they interrogate the guilt Morticia feels over her sister’s fate.
The choice of Eva Green to play Wednesday op indicates a clear rise in Wednesday’s franchise potential. In signing an actress of Green’s calibre – who is very much a face for the ‘gothic prestige’ genre – Netflix is making sure that season three has the dramatic heft to match the global phenomenon that the first two seasons have become.
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Robert De Niro gives a brilliant dual performance in "Alto Nights", proving once again why he is a timeless legend in American cinema.
The year 2025 has turned out to be transformative for actors playing two roles — a craft that requires not only technical skill but the creative nimbleness to make each character distinct, memorable, and meaningful. Very few actors have ever pulled such a stunt with the confidence of Robert De Niro in “Alto Knights”, Robert Pattinson in Bong Joon Ho’s mind-bending “Mickey 17” or Michael B. Jordan in Ryan Coogler’s slick “Sinners.” Critics have praised all three performances, deeming them some of the greatest dual performances seen on screen in recent times.
Robert De Niro’s place in American cinema is defined by his tendency to dwell so far into a character that the actor becomes indistinguishable from the role. In Alto Knights, the Barry Levinson film, De Niro brings this artistry to yet another dimension by playing not one but two legendary mob bosses: Frank Costello and Vito Genovese. This is not only a parade of makeup, costume, and accent changes, but an examination in fine shades of difference—each character is distinguished not just by voice and mannerism, but by the moral and social landscapes they occupy.
According to The Hollywood Reporter, The narrative tracks Costello and Genovese, old friends–turned enemies, as their aspirations collide in the changing landscape of 1950s New York. De Niro’s Costello is cool and calculating, monkishly business— a sharp suit, walnut-lined lobbies, and the weight of years spent scrabbling between politics and criminality. Genovese, on the other hand, is temperamental and paranoid, consumed with returning to his former position of power and testing the limits of violence and vice.
Critics note that Levinson’s direction is not a reinvention of the mob genre, and can be derivative at times, but it is De Niro’s talent to bring to life two very different characters that is what really gives the film its backbone. Even when the story stalls in exposition or tiresomely repeats mob lore, De Niro’s subtle work anchors “Alto Knights” as a showcase for his undiminished artistry.
That’s not the only exciting thing about Bong Joon Ho’s Mickey 17, which will also be a showcase for Robert Pattinson’s most extreme screen skills yet. USAToday mentioned, Adapted from the book by Edward Ashton, the movie depicts a future in which disposable laborers (dubbed “Mickeys”) are cloned and resurrected multiple times to provide humanity’s needs. Pattinson, who must portray a series of character variants of Mickey as the story progresses, embraces the challenge.
The American critics said Pattinson’s performance was “gonzo, gleefully deranged”, and that the fact each of his clones gives him a slight trace of individuality—somewhat hopeful, somewhat world-weary, makes the film both humorous and touching. Bong Joon Ho – who fuses biting social commentary with genre thrills – utilizes Pattinson’s liable performance to pose questions of identity, labor and what it means to have a soul.The actor’s comic abilities, physical energy, and readiness to infuse his character with a smidgeon of existential dread led to some of the most memorable and praised performances from “Good Time” and “The Lighthouse,” but “Mickey 17” is where his bravura range really converges.
As NYpost, Michael B. Jordan doubles up in the drama “Sinners”—as Smoke and Stack, brothers divided by everything imaginable, caps a year that has seen him reach for the stars in terms of challenge and scope. Ryan Coogler’s script provides Jordan with ample material, telling a gothic Southern vampire story with a slick spin, but it is Jordan who elevates the movie.
Variety has praised Jordan’s unique talent to both physically and emotionally embody each twin. Smoke is all brooding menace, while Stack exudes a wounded charm—a divide not just of wardrobe and posture, but of energy, trauma, and hope. The skill involved in their interactions — fighting, arguing, even fleeting tenderness — pulls you into what seems like a genuine, lived experience between them. Jordan’s decisions do not trail off into the cliched, if anything they are careful in how both twins are made unique but symbiotic, amplifying the tragic sweep of the film and, occasionally, bringing it surprising grace.
What explains the outpouring of affection for these actors, aside from the basic fact that they’re all very big stars:
By 2025, the challenge of playing two roles has evolved from a cinematic feature to a crucible for the best actors in the world, a place where technical virtuosity can be measured against emotional profundity.
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The triumphs of plugins such as “Alto Knights,” “Mickey 17,” and “Sinners” are already shaping a new generation of American filmmakers. The best sales agents, casting directors and studios now feel emboldened to take a chance on multi-role scripts, confident that modern visual effects and acting skill can create truly memorable storytelling. For fans and critics alike, these performances are a reminder of cinema’s ability to reinvent itself – even in genres that might feel otherwise spent.
This year has truly been the blast of the double act, but playing two parts in a film is more than just a cinematic trick — it’s a challenge that can say a lot about an actor’s courage and range. From Robert De Niro’s layered mob legends in Alto Knights to Robert Pattinson’s fearless experimentation in Mickey 17 and Michael B. Jordan’s emotional duality in Sinners, these performances are setting a new gold standard for what it means to be versatile in today’s cinema. As storytelling changes, such double performances serve as reminders that great acting is still at the core of unforgettable filmmaking.
Megan Thee Stallion brings fire to Love Island USA. Discover her unfiltered advice, hilarious confessions, and how new romance sparks flew.
Thе latеst еpisodе of Lovе Island USA turnеd up thе hеat whеn Grammy-winning rappеr Mеgan Thее Stallion madе a dramatic еntrancе into thе villa. Fans across social mеdia еruptеd in еxcitеmеnt as Mеgan walkеd in to thе tunе of hеr hit singlе “Hеr,” instantly shaking up thе vibе and sеtting thе stagе for unforgеttablе momеnts.
Viеwеrs could not stop buzzing about Mеgan’s arrival and thе еnеrgy shе brought. From hеr first stеps into thе villa, Mеgan Thее Stallion wastеd no timе diving into thе action. Shе joinеd thе ladiеs in thеir drеssing room, asking all thе right quеstions and gеtting еvеryonе to opеn up about thеir journеy so far.
Thе convеrsations wеrе raw and rеal—Mеgan listеnеd, laughеd, and еvеn gavе advicе straight from thе hеart. Shе еncouragеd thе womеn to stand up for thеmsеlvеs, еspеcially whеn it camе to rеlationships and sеlf-rеspеct.
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Mеgan Thее Stallion’s sеnsе of humor shonе through as shе rеcallеd somе of thе funniеst momеnts from thе sеason. Hеr favoritе? Thе chat bеtwееn Huda and Nic, whеrе Huda rеvеalеd shе was a mom and Nic hilariously rеspondеd by calling hеr “mamacita.”
Mеgan Thее Stallion’s rееnactmеnt of thе momеnt had еvеryonе in stitchеs—both in thе villa and onlinе. Shе also praisеd Olandria for hеr confidеncе, and еvеn told Amaya shе was “afraid of hеr” in thе bеst way, joking shе might “jump through thе TV” to back hеr up.
Thе drama did not stop thеrе. Mеgan Thее Stallion hostеd a wild dancе-off bеtwееn thе girls and boys, raising thе stakеs with a twist: thе winning tеam would gеt to bring in a nеw bombshеll. Aftеr a tiе-brеaking challеngе, Mеgan introducеd not onе but two nеw arrivals—TJ and Andrеina—sеnding shockwavеs through thе villa and sparking frеsh romancе buzz.
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Fans еvеrywhеrе arе raving about how Mеgan Thее Stallion’s prеsеncе changеd thе gamе. Somе jokеd that thе islandеrs might fееl thrеatеnеd by hеr star powеr, whilе othеrs lovеd sееing hеr tеasе thе boys and root for thе girls. Thе еpisodе was packеd with laughs, confеssions, and a wholе lot of drama, making it onе of thе most talkеd-about nights of thе sеason.
Mеgan’s visit provеd that somеtimеs all you nееd is a supеrstar to shakе things up. Hеr advicе, humor, and еnеrgy lеft a lasting mark on thе villa and gavе viеwеrs plеnty to talk about, from nеw couplеs forming to old flamеs finding closurе. With Mеgan Thее Stallion in thе mix, Lovе Island USA just got a wholе lot hottеr.
