Margot Robbie & Colin Farrell’s A Big Bold Beautiful Journey draws mixed reviews. Stunning visuals but weak chemistry and poor box office hurt its success.
Director Kogonada’s new movie A Big Bold Beautiful Journey receives mixed reviews from critics. It shows a story which is blended with romance, fantasy, and personal insight in a style that feels like a fairy tale. Margot Robbie and Colin Farrell first collaboration brings Academy Award nomination. The romantic fantasy film story is written by Seth Reiss.
Kogonada is famous for his thoughtful movies including “Columbus” and “After Yang.” while Seth Reiss is previously scripting for “The Menu”. A Big Bold Beautiful Journey was shot in California with a production budget of $45 million. Joe Hisaishi scored and was his first time for a Western film with additional songs by Laufey and a Mitski cover.
The film gets mixed reactions from critics. This film scores 55% rating on Rotten Tomatoes and Metacritic gave a 42/100 rating to this film as Kogonada’s skill for making this film with high quality material and the strong acting from the leads. Despite the best directorial work, they are concerned about the script’s execution.
Critical Concerns is about tone mismatches and uneven pacing from the actors. Variety noted that “Farrell and Robbie seem remote and oddly flat, even in moments of deep intimacy and vulnerable feelings.” The New Yorker‘s Richard Brody suggested about directorial talent and pointing it to going in a wrong way. Rolling Stone hit hard, calling it a “disaster” which shows very tough pinching on director’s talent and actors’ wrong choice by taking this movie.
Overall, the film’s cinematography and theme is fantastic which received good reviews. Peter Bradshaw of The Guardian rated it 3/5 stars. He also suggests that film needs to polish its work of art and let go of doubts. Little White praised Kogonada’s “singular, warm sensibility which is worth the ride for fans of its soft emotions, and gave 80/100.
As Deadline noted, Unfortunately, the film faced big troubles at the box office. A Big Bold Beautiful Journey was released on 19 September, 2025 in 3330 theatres and earned only $3.5 million in opening. With a $45 million budget production film received just $8.9 million worldwide is a disaster.
This represents a sharp difference from Margot Robbie’s last hit film, “Barbie.” which earned about $70.5 million on its opening day. A Big Bold Beautiful Journey” 98% lower, the poor performance led to rapid decline in theatrical run.
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NPR says, The story follows Sarah (Margot Robbie) and David (Colin Farrell), two single strangers met at their mutual friend’s wedding. Both characters are suffering from their past relationships and not ready for commitment. This movie is inspired from films like “Eternal Sunshine of the Spotless Mind” and “Howl’s Moving Castle“, these movies are a blend fantasy of characters who deep dive into love, sorrow, faithfulness. The reflection of these movies are shown in A Big Bold Beautiful Journey.
The Hollywood Reporter mentioned, Kogonada’s unique way of shooting stands out in every scene. He uses neat frames and bright colors. The movie’s dramatic feel, like a stage production, reflects its exploration of performance and realistic love bond.
A Big Bold Beautiful Journey is receiving positive and negative reviews from critics and audiences. Positive review received for the film’s visual and blend of fantasy, and introspection but criticized for Actors low energy in some shots and Direction of Kogonada. The critical concern impacted the movie’s further theatrical run. Margot Robbie as Sarah and Colin Farrell as David performed well but seems too distant at the point which makes romantic fantasy film score less. Overall, the movie is still liked by some viewers, as the emotional comedy and artistic ambitions.
Megan Thee Stallion brings fire to Love Island USA. Discover her unfiltered advice, hilarious confessions, and how new romance sparks flew.
Thе latеst еpisodе of Lovе Island USA turnеd up thе hеat whеn Grammy-winning rappеr Mеgan Thее Stallion madе a dramatic еntrancе into thе villa. Fans across social mеdia еruptеd in еxcitеmеnt as Mеgan walkеd in to thе tunе of hеr hit singlе “Hеr,” instantly shaking up thе vibе and sеtting thе stagе for unforgеttablе momеnts.
Viеwеrs could not stop buzzing about Mеgan’s arrival and thе еnеrgy shе brought. From hеr first stеps into thе villa, Mеgan Thее Stallion wastеd no timе diving into thе action. Shе joinеd thе ladiеs in thеir drеssing room, asking all thе right quеstions and gеtting еvеryonе to opеn up about thеir journеy so far.
The talks were uncensored and authentic as Megan listened, laughеd and even pгovided advicе whеn nееdеd straight from hеart. Shе urged women to bе strong for thеmsеlvеs, particularly whеn it rеlatеd to rеlationships and sеlf-rеspеct.
Mеgan Thее Stallion’s sеnsе of humor shonе through as shе rеcallеd somе of thе funniеst momеnts from thе sеason. Hеr favoritе? Thе chat bеtwееn Huda and Nic, whеrе Huda rеvеalеd shе was a mom and Nic hilariously rеspondеd by calling hеr “mamacita.”
Mеgan Thее Stallion’s rееnactmеnt of thе momеnt had еvеryonе in stitchеs—both in thе villa and onlinе. Shе also praisеd Olandria for hеr confidеncе, and еvеn told Amaya shе was “afraid of hеr” in thе bеst way, joking shе might “jump through thе TV” to back hеr up.
Thе drama did nоt stop. Mеgan Thее Stallion hostеd a wild dancе-off bгewn thе girls and boys, up thе stakеs with a twist: thе winning tеam would gеt to bring in a nеw bombshеll. Aftеr a tiе-brеaking challеngе, Mеgan introducеd not onе but two nеw arrivals TJ and Andrеina sеnding shockwavеs through thе villa and sparking frеsh romancе buzz.
Fans еvеrywhеrе arе raving about how Mеgan Thее Stallion’s prеsеncе changеd thе gamе. Somе jokеd that thе islandеrs might fееl thrеatеnеd by hеr star powеr, whilе othеrs lovеd sееing hеr tеasе thе boys and root for thе girls. Thе еpisodе was packеd with laughs, confеssions, and a wholе lot of drama, making it onе of thе most talkеd-about nights of thе sеason.
Mеgan’s visit provеd that somеtimеs all you nееd is a supеrstar to shakе things up. Hеr advicе, humor, and еnеrgy lеft a lasting mark on thе villa and gavе viеwеrs plеnty to talk about, from nеw couplеs forming to old flamеs finding closurе. With Mеgan Thее Stallion in thе mix, Lovе Island USA just got a wholе lot hottеr.
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Megan Thee Stallion’s stint was evidence that a superstar can turn the whole villa on its head in the best way possible. Her honesty, humor and her unparalleled energy not just shook the relationships but it invigorated the show. As new alliances form, and old ones are put to the test, one thing is certain — the Love Island USA villa has never been hotter, post Megan’s appearance.
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The Tomb Raider actress lineup is expanding as Sigourney Weaver is in talks to join Amazon's new series, bringing depth, power and legacy to the franchise.
In Hollywood, few careers seem equally timeless and revolutionary. Sigourney Weaver’s Live journey stands amongst those rare exceptions. The news that she is in active negotiations to join Amazon Prime Video’s Tomb Raider series is more than casting buzz—it’s a moment of poetic symmetry. More than 40 years ago, Weaver redefined the screen. Now the modern female action hero’s original architect is poised to step into its world, as the franchise that once followed her blueprint gets ready for what may yet be its final reinvention.
For those brought up on Lara Croft, the link is impossible to miss. Even at a time when Croft wasn’t yet an icon of gaming culture in 1996, Ripley had already redefined what was expected of women in sci-fi and action. Weaver’s possible Tomb Raider return is a conversation between generations — the cinematic past and the streaming future, anchored by a performer who has never accepted limitations based on age, genre, or gender.
Weaver noted that being tall “absolutely kept me from working with conventional directors”
Born Susan Alexandra Weaver in 1949, the future Sigourney Weaver was already on her way to becoming a “weaver of wonders” at a young age. At fourteen, she felt the name “Susan” was too small for her frame and she adopted the name “Sigourney” from The Great Gatsby. It was an act of self-definition that shaped the rest of her life, one that foretold how she would never make herself smaller to meet expectations.
She’s one of the classic ‘you charted a different course to get where you are despite everything’ stories,” says The Guardian.
Her towering height proved to be a barrier in an industry hesitant to pair up tall women with male leads. Weaver would later call this “overt discrimination,” but it did send her inward, toward radical roles and visionary filmmakers who prioritised presence over convention.
Her educational background—Stanford University and then the Yale School of Drama was rigorous, but Yale was brutal. Professors dismissed her as untalented and cast her in insultingly small parts. Rather than shatter her, the rejection hardening a fearless self-reliance. Weaver ceased to seek validation and learned to trust her own judgment, a mentality that would make it possible for her to risk herself in films that were underestimated by others.
Aliens changed everything. The script was written without genders, and when Weaver was cast as Ellen Ripley, it covertly dismantled decades of Hollywood tradition. Ripley wasn’t decorative, emotional or lucky — she was capable, realistic and prickly when appropriate. Weaver portrayed her as a laboring every woman rather than a glory-seeking hero.
But the audiences were not ready for it. Ripley did not run through a nightmare in tears, she survived it. Weaver summed up Ripley’s attitude in two words: “What’s next?” That steely sangfroid would go on to underpin today’s female action hero.
With Alien (1986), Ripley went from survivor to soldier. James Cameron brought the story themes of motherhood, making Ripley the Alien Queen’s opponent in a battle of instinct and protection. Weaver received an Academy Award nomination for her portrayal — an extraordinary acknowledgement for a sci-fi action role. Drenched, bruised, and armed, Ripley obliterated the ‘damsel in distress’ archetype and paved the way for the likes of Sarah Connor and Lara Croft.
Ripley settled her legacy, Weaver’s longevity derived from range. She was hilarious in Ghostbusters. In “Galaxy Quest,” she took apart sci-fi gender stereotypes with knowing laughter. She was nominated for two Oscars in 1988, for Gorillas in the Mist and Working Girl, demonstrating her mastery of both stark drama and frosty ambition.
Her work with such directors as Ang Lee (The Ice Storm) also established her as a powerful interpreter of complex, emotionally repressed women. These parts defined the “steel-willed matriarch” type which now defines her later career.
Weaver’s long relationship with James Cameron has allowed her to remain at the forefront of filmmaking. In Avatar, she was scientist Grace Augustine—a mentor character whose defining traits were intelligence and moral certainty. Decades later, at age 73, Avatar: The Way of Water would see her defy expectations yet again by having her portray Kiri, a 14-year-old Na’vi girl. She refused to let her age dictate her physical limitations, stating,
“I didn’t want anyone to think, ‘Oh, she’s old, she can’t do this’
Her preparation was intense: breath-hold training, parkour and physical performance that “never considered my age” By drawing on memories of her own youth, Weaver demonstrated she can remove herself from a position of authority and also become vulnerable — a feat which underlines her relevancy in today’s, VFX-heavy franchises.
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Weaver’s decision to move up to television marks a recalibration. In The Lost Flowers of Alice Hart, she was June Hart, a painfully imperfect women’s advocate and executive producer. It gave her an opportunity to delve into moral ambiguity and the strength of women—traits she always looks for.
According to Deadline, Her relationship with Amazon MGM Studios began there, thus Tomb Raider is a natural homecoming. Alongside Sophie Turner’s Lara Croft and Phoebe Waller-Bridge’s sharp, subversive writing, Weaver lends gravitas, authority, and intergenerational depth to the project. As a mentor, a rival or an antagonist, her presence in this adaptation says it wants to go deeper as well as bigger.
The possibility of Sigourney Weaver in Tomb Raider is not nostalgia—it is progression. From a theater student informed that she had no talent to a Golden Lion winner who announced, “I want to roar,” her career is defined by denial – denial of growing old quietly, of playing small, and of being typecast.
She doesn’t just appear in franchises—she anchors them. With her turn as Tomb Raider, Weaver has come full cultural circle, connecting Ellen Ripley to Lara Croft and proving that strength, smarts and survival really are ageless. In space, jungles, or ancient ruins, Sigourney Weaver is cinema’s ultimate survivor.
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