Juliette Binoche steps behind the camera with her feature film debut In-Eye in Motion and reveals a powerful and emotional creative transformation. Read more!
When you think of Juliette Binoche, the Oscar-winning French actress known for some of the film industry’s most iconic roles immediately comes to mind. But the iconic actress told Sisters in Cinema at the Red Sea Film Festival in Jeddah récemment that transforming an already extraordinary career in a surprising new direction – she’s not just acting anymore. She is going behind the lens and the tales she is telling are very personal, emotionally raw and fascinating.
In-I In Motion is also Binoche’s first film as director, and it’s nothing like the standard debut film you’d expect. The French actress Charlotte Gainsbourg decided to film something almost too personal, her own story of learning dances. The film chronicles her tempestuous and terrifying 18 months of creating and performing a daring dance show with British dance legend Akram Khan in 2007.
The origin of this piece of work together is wonderfully serendipitous. Binoche remembers being rubbed down by Su-Man Hsu in London when In a completely spontaneous moment she said “yes” in response to a simple question:
“Do you want to dance?”
That took us to Akram Khan’s stunning show, and finally, for just two or three days, to jam as improvisers. But that brief meeting ignited a magical chemistry that would lead them on a mutually transforming creative journey.
What is extraordinary about “In-I In Motion” is not just that Binoche chose to dance professionally at an age when most people would consider such a leap foolhardy. It is that she had the guts to shoot the whole thing— all 170 hours of raw, occasionally chaotic footage and then cut it into a film that is intellectually provocative, politically aware and genuinely tearful. The film doesn’t hide from vulnerability. Binoche speaks candidly about her fears and even relives past traumas, revealing the physical and emotional cost of making art at such a high degree.
The road to finishing this movie was nearly as difficult as bringing the dance show to life. Converting old tapes, obtaining music licensing for each song run in rehearsals, and trying to manage the massive amounts of footage pushed Binoche to her breaking point. During the editing process, she cycled between bouts of intense happiness and hopelessness, at times believing that the whole thing was going nowhere. But she persisted, ultimately adding several editors and formulating a visual strategy, shooting each scene as a photograph to help conceptualize the abstract material that enabled her to pare down a nine-hour first cut into the final film.
“Every night I thought I wasn’t going to make it through this show – it was so exhausting physically and emotionally,”
—she recalls.
That was the feeling every night. Yet this openness is exactly what makes her work so powerful.
Though “In-I In Motion” establishes Binoche as a director, she has not given up acting by any means. At the Red Sea Festival she spoke about “Queen at Sea,” the next movie from director Lance Hammer (the Sundance darling “Ballast”).The film features an outstanding ensemble cast including Oscar-nominated Tom Courtenay, Emmy-winning Anna Calder-Marshall, and “Bridgerton” breakout Florence Hunt.
The story alone is enough to make you emotional. Binoche is a woman who moves to London with her adolescent daughter to look after her aging mother. But this is no mere family drama. Deftly handling one of the most challenging and deeply human topics — Alzheimer’s disease — the movie examines the profoundly emotional and ethical dilemmas of facing the boundaries of what we can (and whether we should) do for someone we love.
“It’s about Alzheimer’s, and about what you can and what you cannot do for a person who has that disease,” says Binoche cautiously,
As she does want to keep the emotional punch of the movie intact. So, the audience could feel deep during the moments. It’s one of the qualities which makes her an incredible performer.
“It asks important questions, especially when it comes to three different generations.”
This emphasis on multiple generations is said to provide a nuanced look at the obligations family members owe each other, love and harsh truths about growing old.
She also is working on an ultimate journey project, “Merci Charlotte,” a collaboration with a Turkish filmmaker that delves in similarly engaging human terrain.
The story focuses on the bond between Binoche and a young boy (under 10 years old) from Turkey.
What is especially extraordinary about Binoche’s first-time director and these continuing projects is how they show the path of her growth as an artist. She has never backed away from testing her limits,whether studying under demanding directors such as Kieslowski or Kiarostami or by challenging her body and emotions on the dance floor. Now, with real directing credits under her belt, she is ready to take that same fearless eye to the story telling form itself.
She received a special tribute at the Red Sea Festival and even met with celebrated director Sean Baker, director of “Anora.” The pair of Oscar winners have “exchanged numbers,” Binoche gushed about working with him. But if that team-up comes to fruition or not, one thing’s for certain: Juliette Binoche is not yet done surprising us.She’s become a full-fledged filmmaker — as a vulnerable person on screen and one who can make the camera tremble from behind it.
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The turn to directing for Juliette Binoche represents a daring and intimate new phase in her professional life. With In-I In Motion, she transposes her vulnerabilities into art and shows that she is as intrepid behind the camera as she is before it. Her upcoming projects, including Queen at Sea and Merci Charlotte, continue to reflect her dedication to truthful, emotionally driven narratives. If anything is clear, Binoche isn’t simply stretching out her talents; she’s reimagining them, and she has only just gotten started.
Fandomfans is focusing on celebrities’ journey from a simple acting role to a legendary directorial debut which makes them unstoppable, catching up with us on your favorite celebrity’s outlook.
Johnny Cage, Hollywood's brash hero and now Mortal Kombat fighter, goes from ego to all-out-warrior in the new game, which was released on PlayStation 2nd May.
Johnny Cage is a popular, cocky and jovial fighter in the Mortal Kombat franchise. His birth name is John Carlton. He is a Hollywood actor and the martial artist who made his debut in 1992.
Cage wanted to show that his techniques were genuine and not Hollywood hocus pocus. As the series progressed, he evolved from a shallow movie star to a champion of the realm of Earth. and Background Information Johnny Cage is an actor who battles evil in the mortal kombat universe.
Johnny cage is from an ancient Mediterranean bloodline. His ancestors were bred to fight gods. This is what accounts for all his great feats. He is a karate and nunchaku master.
Johnny also wields his talents to combat the threats of Outworld and Netherrealm foes. At first, he joins Mortal Kombat for fame. But he becomes a steadfast comrade to Raiden and Earthrealm soldiers.
Johnny Cage exhibits superhuman strength, speed, and stamina. He can throw energy balls and deliver powerful martial arts attacks. His best known move is the “Split Punch“.
Johnny Cage does a split and punches his opponent in the groin. Fans love this iconic attack. It’s kind of flashy and humorous,” he said.
Johnny Cage is a more serious and mature in Mortal Kombat X. He marries Sonya Blade and they have a daughter, Cassie Cage. Cassie becomes a high-ranking officer in the Special Forces.
Johnny’s marriage may have ended, but he remained close to his daughter. He also serves as the primary protagonist for the series, continuing to battle the forces that would threaten Earthrealm and, by extension, humanity.
Johnny Cage appears in many adaptations. Mortal Kombat: Legacy reimagines him as a reality TV personality and martial artist. Linden Ashby and Chris Casamassa played him in the Mortal Kombat films. His stories Stress his celebrity problems and his becoming a real hero.
Johnny Cage is one of the most popular Mortal Kombat characters among fans for countless reasons:
Johnny Cage has had many classic moments in thе Mortal Kombat gо-tons and:
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The rеason why Johnny Cagе is still sо popular is because of his own unique mix of humour, hеroism and game play sсkill:
Johnny Cage is a fan favorite in thе Mortal Kombat universe, and has a handful of potent strengths and weaknesses that make him a worthy opponent within the franchise, and a fuеl to laugh out loud funny charactеr.
Johnny Cagе still holds placе as onе of thе most popular charactеrs in Mortal Kombat. With his blend of wit, martial arts prowess, and charactеr dеvеlopmеnt, hе is onе of thе most popular charactеrs within thе fаnbase. Overtime hе dеvеlops from a brash young actor into a real hеro fighting for Earthrеalm. His classic movеs, such as thе Split Punch and Shadow Kick, contributе to his popularity.
Johnny Cage is stіll facіng challengеs and proving hіs strength and couragе. His rеturn is a major one – thiѕ charactеr’s legacy is prominent in sеriеs, gаmes, moviеs and pop culturе. Bе it еntirеly batłing or wittу onе-linеrs,Johnny Cagе has had lоng-lasting impаct on Mortal Kombat and that will always bе unforgettablе.
Fandomfans is always delivering the most interesting theories of your favorite celebrities, focusing on their breakthrough character. Stay connected for more updates.
See the complete Critics Choice Awards 2026 winners list. Timothée Chalamet, Jessie Buckley, Jacob Elordi & top film and TV performances honored.
If you caught the 31st Annual Critics Choice Awards 2026 on January 4, you saw that the atmosphere at the Barker Hangar was not just about bright lights and glamour. For the fourth year in a row, the night was hosted by Chelsea Handler and it seemed less like a celebratory back slap and more like a nod to hard work.
Whether it was 12-hour makeup sessions or five-minute television episodes, the winners this year didn’t only act, they suffered. The message from the Critics Choice Association (CCA) was loud and clear: in 2026, the line between technical risk and extraordinary physical commitment is where the industry’s attention lies.
(Best Actor Winner)
The weepy Timothée Chalamet as Brooding Heartthrob, Desert Messiah in Dune is not who Marty Supreme is at all, he’s fully reimagined himself. Chalamet Won Best Actor for portraying a 1950s ping-pong wunderkind based on the real life Marty Reisman.
But this was about more than whacking a ball back and forth. He was described as having a “singularly enervating intensity”. Marty was not a sportsman, but a hustler—a guy who could talk some unbeatable nonsense, who could pair swagger with geeky glasses, and who was so engulfed in his need to win that he was willing to try anything. It was a kinetic, fizzy, electrified turn, the kind that reassures you he can fill a film with their souls alone, and in pure physical comedy.
(Best Actress Winner)
If Chalamet delivered the energy, Jessie Buckley delivered the tears. Taking home Best Actress for her portrayal of Agnes (Shakespeare’s wife) in Hamnet, Buckley gave what could be the most gut-wrenching performance of the year.
The storyline deals with the loss of her child, Hamnet, and the sorrows that led to Hamlet. Buckley’s performance was said to be “a privilege to watch.” She never merely portrayed a historical figure; she captured the raw, earth-shattering agony of a mother fighting to keep her life intact. It was a quiet, powerful turn that stood out against flashier roles, proving that sometimes the loudest emotions are the ones spoken in whispers.
(Best Supporting Actor Winner)
Jacob Elordi is now officially more than just a teen heartthrob. Awarded Best Supporting Actor for Guillermo del Toro’s Frankenstein, Elordi achieved the impossible: he brought us to tears over a monster.1 His role wasn’t about scary make-up or snarling. He reputedly studied Butoh (a Japanese “dance of darkness”) in order to capture the creature’s motions, make such a physicality that was at once a terrifying and sincerely moving figure.
He portrayed the Monster not as a villain, but as an acting soul imprisoned in a grotesque body, one who was turned away from by his maker. It was a “physical” act- ing, in the widest sense — using his back, his shoulders and his eyes as well as his voice.
(Best Supporting Actress Winner)
The lack of appreciation for horror at awards shows makes Amy Madigan’s victory for Best Supporting Actress all the more gratifying. In the surprise hit Weapons as Aunt Gladys, a figure who immediately became a horror icon.
Madigan, a 75-year-old seasoned actress, said she was astonished by the win, she thought people would just “dig” the movie – not fall in love with “terrifying” her character. She teetered between a kooky, eccentric senior citizen and a predatory natural force. To be the most frightening person at the party and be so hypnotically watchable is a rare achievement, and the reviews strongly confirmed that.
We may as well not speak of winners without mentioning the night’s biggest—err, biggest champion? Paul Thomas Anderson won both Best Picture and Best Director for One Battle After Another.
The film is densely plotted, an “exquisitely detailed fantasy” about former revolutionaries meeting to rescue a daughter. It’s political and personal and very, very complex – and well, that’s just what the critics called the masterpiece of resistance and hope. I mean it’s not just the one actor here, it’s a conductor (Anderson) behind the wheel of an orchestra of stellar performers (including Leonardo DiCaprio and Teyana Taylor) who create the best film of the year.
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| Category | Winner | Show | Key Context |
| Best Drama | The Pitt | HBO Max | Medical realism meets pandemic trauma. |
| Best Actor | Noah Wyle | The Pitt | A return to form with “urgent” authenticity. |
| Best Actress | Rhea Seehorn | Pluribus | Sci-Fi nuance; playing a resistor in a hive-mind. |
| Best Limited Series | Adolescence | Netflix | A technical feat of one-shot storytelling. |
Perhaps the most heartening bit from the 31st Critics Choice Awards is that “Genre isn’t a slur anymore.”Horror and Sci-Fi, two genres long neglected at awards time, dominated the discussion.
The 2026 ceremony wasn’t about the speeches (though Noah Wyle’s tribute to healthcare workers was a tear-jerker), it was about the work. The Critics Choice Association took risks in its rewards. They watched Chalamet playing ping-pong half-blind, Elordi starving in a makeup chair, Stephen Graham doing a one-hour monologue in a single take and thought: This is the bar now.
As we head toward the Oscars, one thing is clear: The industry is turning its back on polished perfection and embracing a gritty, sweaty, technically dazzling brand of realism.
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