Mike Flanagan’s The Exorcist: Martyrs Sends Scarlett Johansson After the Devil

Scarlett Johansson stars in Mike Flanagan’s The Exorcist: Martyrs, a new horror film that brings demonic terror and supernatural suspense to the big screen.

Published: Oct 12, 2026, 6:31 AM
Last Updated: Oct 28, 2026, 5:53 AM

Mike Flanagan taking the thriller out-of-the bedroom with The Exorcist: Martyrs, this film is a standalone entry in the series starring Scarlett Johansson who is a single mother and a detective. Universal released a teaser this week and scheduled the full trailer for Friday, October 9, so the first real look is here.

Johansson plays NYPD homicide detective Julie Miller, who catches a serial killer known as Father Sunday, played by John Leguizamo. Julie is a single mother, and her son Max has just turned 12.

The killer’s method explains the film’s title. He recreates the deaths of Catholic saints, turning each murder into a twisted tribute to the martyrs.

The story jumps ahead thirteen years after Julie takes Sunday down, with new murders tied to her past. Her son becomes the target of a demonic force, and Chiwetel Ejiofor plays a priest tied to the investigation. 

The cast is deep. Laurence Fishburne, Diane Lane and Sasha Calle are in, along with a pile of Flanagan regulars: Carla Gugino, Rahul Kohli, Kate Siegel, Samantha Sloyan and more. It’s a Universal and Blumhouse production.

This Is A Crime Procedural With a Demon Problem

Flanagan isn’t hiding the references. He cites Se7en, The Silence of the Lambs and The Exorcist III as influences. His stated goal, per Esquire, was to ask what happens when you merge a serial-killer thriller with what we love about the original. He also says possession moves “out of the bedroom,” away from parental torment.

Scarlett Johansson

The trailer opens with Miller (Scarlett Johansson) investigating the case and the first question she ask:

“How old is he?”

An altar boy from the church who is just sixteen hanging upside down in a bloodied way. Detective removing chains and old ritualistics circular pendant from the body. Miller talk to Father Williams that FBI didn’t start investigating the serial killers until 1970s and says:

“H.H. Homes, America’s first serial killer, said he was possessed by Satan.”

Describing that many serial killers were claimed to be in possession before. One scene shows that the criminal is eliminated by the injections with a look that it’s not his fault while Miller is watching from the outside. At the end of the trailer, She asked the demon not to call her a mom. The story looks horrifying as Miller digs deeper into the case; she may find herself caught in a web that brings her closer to the very person she’s investigating. 

Mike Flanagan’s

Flanagan says the film does have “that one job from the title,” meaning an exorcism is coming. So no one should worry that the procedural framing swallows the genre. The teaser also winks at the original. Coverage noted a glimpse of the famous stairs, and an Alien-style eeriness in the music.

The franchise needs this more than it will admit. The Exorcist: Believer (2023) was meant to launch a new trilogy. It reportedly grossed about $136 million worldwide on a roughly $30 million budget, which fell short of Universal’s hopes after it spent a reported $400 million on the rights. 

Martyrs is not a sequel to Believer. Flanagan says it’s a standalone story with its own characters. That’s a clean reset, and it fits his reputation. He’s the Doctor Sleep and Midnight Mass guy, and he wrote, directed, produced and edited this one himself. His Carrie adaptation also landed on Prime Video this week, so the horror press cycle is all Flanagan right now.

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The Exorcist: Martyrs Bring Different Genre Than Earlier Movies

The smartest thing about The Exorcist: Martyrs is that it skips the Friedkin imitation game and goes after The Exorcist III. That 1990 film, written and directed by William Peter Blatty, is a detective story that happens to be terrifying, and fans have argued for years that it’s the best sequel the series has. A ComicBookMovie commenter even floated the idea that Martyrs could be a secret Exorcist III follow-up. That’s fan speculation, nothing more, but it shows where the audience’s head is.

The Exorcist Martyrs

Johansson also fits the role better than the marketing implies. She does tired, controlled and quietly unnerved well, and a homicide detective with a 12-year-old at home gives her a stake that isn’t “save the possessed girl.”

Serial-killer thrillers and possession horror run on different clocks. One rewards slow deduction, the other rewards escalating dread, and a two-hour movie can end up with two half-built halves. Flanagan’s TV work suggests he can pull off the blend, but a film gives him less room than a series.

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Conclusion

The Exorcist: Martyrs opens on March 12, 2027. So be ready to enjoy the thriller while teasing your teeth. Horror is something that comes naturally and with the new script, it looks promising.

The movie was inspired by the Se7en, which means don’t expect the original’s family-in-crisis dread story. The genre is shifted with more terrible and bloodier cinema which takes your breath away. The first look is amazing, the next full trailer from Universal will come soon.

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Once Upon a Time in Hollywood: A Love Letter to a Bygone Era (and What Comes Next!)

Discover the the story, cast, themes and awards of Once Upon a Time in Hollywood and find out how the Cliff Booth sequel widens Tarantino’s nostalgic world. 

Once Upon a Time in Hollywood is a masterpiece of Quentin Tarantino which wraps up with a warm, sun-kissed love letter to the end of Hollywood’s Golden Age. Mixing true history with invention, the 2019 movie about friendship, waning fame and a shifting business is set against the backdrop of 1969 and the Tate murders. With its razor-sharp dialogue, iconic soundtrack and Tarantino’s most personal storytelling, it’s nostalgic and hypnotic — and with Cliff Booth making a comeback on Netflix in 2026, this cinematic universe is just expanding.  

Genre, Theme and Setting

At its core “Once Upon a Time in Hollywood” is a dramedy with historical elements and a dash of Tarantino’s style of revisionist history. The relative core tensions are the bittersweet decline of stardom, the allure (and dangers) of the counter-culture movement, and the power of camaraderie.

The setting is unmistakably Los Angeles, 1969, and that cataclysmic moment in culture is brilliantly conveyed ultimately not just through detailed period detail. From the classic cars to the classic clothes to the iconic Hollywood Hills — it’s a visual feast. 

Director, Writer & Creative Team

There was only one name that could be leading this offbeat vision: Quentin Tarantino. He wrote and directed the original screenplay and is an extraordinary storyteller. 

Director, Writer & Creative Team

Robert Richardson, a long-time Tarantino collaborator, shot the film’s gorgeous cinematography which perfectly captured the golden-hued era. 

Barbara Ling’s production design and Arianne Phillips’ costume design transport us further into the world of the late 60s. 

Once Upon a Time in Hollywood Plot Overview

The story focuses on Rick’s destructive life and his struggles, in the year 1969 Los Angeles. There’s also his longtime pal and stunt double Cliff Booth (Brad Pitt) — a disarming yet enigmatic war vet and the bangers and bangettes, among them his crony Max Cherry (Willem Dafoe). Two intersections in their lives are the shadow of the Manson Family and Rick’s neighbour, Sharon Tate (Margot Robbie). 

Once Upon a Time in Hollywood Plot Overview

The film soars in its weaving of their three tales, building to a cathartic and unforeseeable final act that re-imagines a historical tragedy. The slow burn lets us take in the atmosphere and character dynamics before a relentless finish. 

Cast & Characters

Popular cast that played wonderful characters in the film:

  • Leonardo DiCaprio stars as Rick Dalton
  • Brad Pitt as Cliff Booth, Rick’s Friend
  • Sharon Tate (Margot Robbie), a radiant optimist and up-and-coming actress, is thriving in Hollywood Hills life.

Among the plethora of famous names, there are Al Pacino, Kurt Russell, Dakota Fanning, Bruce Dern, Emile Hirsch, Timothy Olyphant, Luke Perry, Margaret Qualley and many, many more actors of renown to be found in roles of significance, and it is not even close to just the primary three. 

Film Highlights & Collaborations

Watching both wonderful actors DiCaprio and Pitt together on their best performances is amazing. That’s what this movie is – their chemistry. Tarantino’s unique, nonlinear form of storytelling (with a few pop culture references), is a great, entertaining journey.

The soundtrack is tightly curated to evoke the feel of nostalgia that the film has at the center of it, and is overflowing with 60’s music, and practically narrates the story of one of the characters. 

Production Information

Production was mostly day for night, and indoor for outdoor in situ among the urban sprawls of Los Angeles, with several famous sites redressed or employed. From the outside of the Hollywood Boulevard stores to the classic cars and trucks twenty-six block Hollywood re-creation of 1969 is mesmerizing. The producers genuinely did go all out to make the viewers feel as though they were seeing something that was truly from the past. 

The 2026 follow-up (The Adventures of Cliff Booth) keeps this pedigree intact but with a twist. Though it is written by Tarantino and produced by his long-time partners at Heyday Films, it is directed by David Fincher. News is a hefty $200 million budget, much of that used to recreate the gritty, neon-drenched aesthetic of ’70s L.A. 

Film Rating & Certification Details

Due to its violence, language and drug use, Once Upon a Time in Hollywood received an R rating in the US. It was rated R (18+) by the Commission. This fits right into the pattern of Tarantino’s filmography which is always populated by films which bend the rules. 

Audience Expectations 

Film’s authenticity to the period, direction, and performances get critical acclaim. While its slow burn is felt by some viewers but still captivated by the unique combination of humor, drama and suspense.  

Audience Expectations 

It was well-reviewed, successful at the box office, and won a number of awards, among them the Academy Awards for Best Production Design and Best Supporting Actor (Brad Pitt). 

For the sequel, the hype is at an all-time high due to the Fincher-Tarantino-Pitt “holy trinity” of talent.

Once Upon a Time in Hollywood’ Sequel Trailer

The initial teaser for The Adventures of Cliff Booth made an unexpected appearance at Super Bowl LX Once Upon a Time in Hollywood (February 2026).

  • The Vibe: Cut to Henry Mancini’s “Peter Gunn” and the footage is textured with thick film grain and 70s attitude.
  • The Tease: You get a little Cliff Booth working the 1970s as a “Hollywood fixer,” delivering dry one-liners and wearing a long blond wig and a vintage yellow floral shirt.
  • Notable Absences: There’s a glaring omission: Rick Dalton ( DiCaprio), who has been absent from all the teasers so far, confirming this is a solo trip for Cliff. 

Read More👉 Old Hollywood Movies That Sparkled Again Years Later

Conclusion

Once Upon a Time in Hollywood is more than a film — it’s an experience. It’s nostalgia, reinvention, friendship, loss and love of cinema, all wrapped up in the unmistakable style of Tarantino. With its iconic performances, its hazy 1969 backdrop and its daring rewriting of history, it remains one of the most emotionally visceral chapters in Tarantino’s career. And with The Adventures of Cliff Booth on the horizon, this universe isn’t ending — it’s evolving. 

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Eddie Munson Won’t Return in Stranger Things Season 5: Matt Duffer Confirms

Stranger Things creator Matt Duffer confirms Season 5 won’t bring back Eddie Munson. Find out why his story ended in Season 4. Read more visit website...!

Published: Oct 23, 2025, 9:31 AM
Last Updated: Jan 24, 2026, 11:20 AM

Eddie Munson (played by Joseph Quinn) is not returning for season 5, which is the final season of the series. People confirmed that, In a recent chat with Empire magazine, co-creator Matt Duffer squashed once and for all rumors that beloved character could return. 

The creators (Duffer Brothers) of Stranger Things have officially confirmed, “I love that Joe Quinn is just playing with fans! But he’s dead,” he described Eddie’s fate in the interview. “Joe is so busy anyway, the world should know he’s not coming back,” he added. He’s been shot like five movies since! When the hell does he get the time to come and shoot Stranger Things? No, unfortunately, RIP. “He’s fully under that ground.” 

The statement follows months of speculation stoked by Quinn himself, who at times teased fans at events about returning. At a fan con in Belgium and asked if he would reprise his role, Quinn enigmatically replied, “I do know, but I’m not telling,” fueling even more hype. After a while, Duffer brothers have publicly shared that the story of Eddie Munson was finished in Season 4. 

Fans Will Remember Eddie Munson’s Heroic Sacrifice

Eddie Munson debuted in Stranger Things season 4, projecting the charm of an outcast metalhead leader at the same time as he was ruggedly told that the Dungeons & Dragons game was Just Not Cool. His arc was all the more emotional when he died in the Upside Down to protect his friends Dustin, Steve, Nancy, and Robin. 

In a standout Season 4 moment, Eddie delivered a triumphant performance of Metallica’s “Master of Puppets” on guitar, drawing the demobats away from Vecna’s lair. Sadly, he didn’t make it out alive, sacrificing himself in a blaze of glory to save Hawkins – the same town that had turned its back on him. 

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Joseph Quinn’s Reason For Leaving Stranger Things

Since leaving Stranger Things, Joseph Quinn’s star has risen exponentially. The 31-year-old British actor has joined a number of major film franchises, so a return to the Netflix series now seems all but impossible from a scheduling standpoint.

Joseph Quinn's Reason For Leaving Stranger Things

Quinn has appeared in several blockbuster projects including, A Quiet Place: Day One, Gladiator II, Warfare, The Fantastic Four: First Steps, and his upcoming project Beatles biopic where he plays a role of George Harrison.

This packed schedule, coupled with the fact that his character is dead, means Eddie’s comeback is out of the question. 

Stranger Things Season 5 Release 

The final season of the Stranger Things will be split into three parts during the holiday season: Volume 1 contains 4 episodes which will release on November 26, 2025, Volume 2 of 3 episodes: December 25, 2025, and Final Episode is going to air on December 31, 2025. 

Stranger Things Season 5 Release

Who Will Return in Season 5?

Eddie may not be coming back, but at least everyone’s favorite characters will be making their appearances for the latest look at the end-of-the-world finale. The cast is filled with familiar faces such as Millie Bobby Brown as Eleven, Finn Wolfhard as Mike, Noah Schnapp as Will, Gaten Matarazzo as Dustin, and Caleb McLaughlin as Lucas. Sadie Sink returns as Max, as does Winona Ryder as Joyce, and David Harbour as Hopper. Natalia Dyer, Charlie Heaton, Joe Keery also return as Nancy, Jonathan and Steve respectively. Maya Hawke returns as Robin, Priah Ferguson returns as Erica.. Brett Gelman returns as Murray, Jamie Campbell Bower as Vecna, Cara Buono as Karen, and Amybeth McNulty as Vickie. It’s shaping up to be an intense reunion with plenty of drama and action. There will be a void certainly for Eddie, but this cast of stars is sure to give us an ending to the story that we’ve all been addicted to. One last ride in Hawkins!

Conclusion

While it’s disappointing that Eddie Munson but his amazing character is firmly cemented in Stranger Things history. His heroic sacrifice at the end of Season 4 provided a great send off for his character. With the end of the series in sight, viewers can now turn their attention to that big showdown — and the return of characters they have loved for almost 10 years. A fight with Vecna and the secret of the Upside Down are set to come to a thrilling end, bringing the Hawkins saga to a close this holiday season. 

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90s Movies List: That Proved 1999 Was Best Year for Movies

Explore the ultimate 90s Movies List proving why 1999 was the best year for cinema, featuring The Matrix, Fight Club, Magnolia & more iconic films.

Published: Jan 6, 2026, 1:03 PM
Last Updated: Jan 8, 2026, 7:35 AM

There is no question that 1999 was a blockbuster year for movies, with countless groundbreaking films that have defined popular culture. Here is 90s Movies List from the mind-boggling visual effects and philosophical musings of The Matrix to the shattering shock and surprisingly heartfelt emotional payoff of The Sixth Sense and the ferocious, anarchic spirit of Fight Club, each movie redefined the genre it was working in and spoke to its own particular audience. It was also a year in which directors and producers took a few chances and the final fruits of their risky labors continue to be enjoyed more than 25 years later. Truly, 1999 set a high bar for what cinema could be. 

Why 1999 Changed Everything

The last year of the last century was more than just a date on a calendar. It was a tectonic shift in Hollywood: the old guard of cinema collided with a new class of filmmakers who didn’t aren’t run the rulebook. Stanley Kubrick and Steven Spielberg still commanded respect (along with the likes of Francis Ford Coppola and Martin Scorsese), but a new generation was emerging — Spike Jonze, Sofia Coppola, M. Night Shyamalan, David Fincher, Paul Thomas Anderson — and rewriting what a movie could be. The year seemed like the zenith of everything the 1990s had been building toward — indie films gaining mainstream legitimacy, blockbusters getting smart, and moviegoers revved to engage with difficult, out-of-the-way tales.

And there was something else in the cultural air that year. The approaching millennium, and the year 2000, or Y2K, brought with it a sense of collective existential dread that many filmmakers sought to channel— albeit while celebrating the liberating spirit of the past. The upshot: it was a year that not only produced fine films, but fine films of, it seems, every possible genre and style. 

Best 90s Movies List That Defined 1999

1. The Matrix

When the Wachowskis’ The Matrix opened in March, they hadn’t simply made a movie — they’d changed the language of action cinema forever. Featuring revolutionary “bullet-time” visual effects and questions about the nature of reality, kung fu, science-fiction, and existential philosophy, The Matrix was like nothing anyone had seen before. 

90s Movies List

Keanu Reeves’ quietly assured turn as Neo has become iconic, with Laurence Fishburne and Carrie-Anne Moss also excellent. The film made $466 million worldwide and continues to inspire filmmakers today. What was remarkable wasn’t just the new technology — it was how that new technology allowed for the expression of high-level ideas about free will and reality that were easy to grasp. 

2. The Sixth Sense

M. Night Shyamalan made a striking debut with a psychological thriller that turned into a cultural touchstone. Bruce Willis, making a bid for dramatic respectability, was a perfect match for nine-year-old Haley Joel Osment in a movie that was really just a series of linked ghost tales. The movie’s legendary twist is one of film’s best kept surprises — an ending that rereads everything you’ve seen. 

The Sixth Sense

But the most important thing about the twist is that it didn’t come off as a cheap trick – it is earned, powerfully, through carefully-crafted screenwriting and emotional veracity. The Sixth Sense grossed $672.8 million worldwide to be the second-highest grossing film of 1999, and it still holds up as a tender thriller that’s all in suggestion, not blood. 

3. Fight Club

David Fincher’s adaptation of Chuck Palahniuk’s novel was not only one of the most violently thought-provoking movies of the year. It was, paradoxically, one of its most rewarding experiences. What is discomfiting at first becomes addictive at second, third, and even fourth viewings. As the insomniac, crumbling narrator Edward Norton struggles not to fall under the spell of charismatic Tyler Durden, Brad Pitt dive bombs into a ferocious satire of consumerism, fragmented masculinity, and contemporary rebellion. 

Fight Club

That film’s twist is quieter and morally ambivalent, and works by revealing a narrator’s split mind. With an IMDb rating of 8.8, Fight Club has risen above the backlash that it received at its release and has been seen as a film of true artistic merit masquerading as mindless entertainment that causes conversations about meaning and social critique. 

4. American Beauty

Mendes (Bond) de­buted behind the camera on features with the year’s Oscar darling, taking home five Academy Awards, among them Best Picture and Best Actor for Kevin Spacey. Darkly satirical about suburban American culture, the trend was immediately established – Mendes and screenwriter Alan Ball were revealing the emptiness behind Middle America’s perfectly trimmed lawns. 

American Beauty

It was one of the rarest of things in Hollywood: a critics hit that also became a box office giant, raking in more than $350 million on an unassuming $15 million budget. That’s not to say that the film’s reputation hasn’t been reconsidered in recent years, though its impact on cinema is certainly undeniable. 

5. Eyes Wide Shut

The last film of Stanley Kubrick was meant to be his big comeback. What the viewers were offered was something much richer: a relationship drama hiding behind the trappings of a thriller, a farcical, sexual black comedy, and a reflective film on marriage and desire. 

 Eyes Wide Shut

Tom Cruise and Nicole Kidman gave raw performances, and Kubrick’s obsessive direction turned a well-worn story line into something truly disturbing and thought-provoking . 

6. Being John Malkovich

Spike Jonze’s first feature film’s concept, a portal into the thoughts of actor John Malkovich might have been a novelty, but Jonze uses it to examine identity, obsession and the nature of consciousness itself. Cameron Diaz, John Cusack, and Catherine Keener give surprisingly profound performances in what easily could have been a straightforward comedy. 

7. Toy Story 2

Toy Story 2

Toy Story 2 showed that animated sequels could say something artistically, rather than just being financial grabs. It helped establish Pixar as a studio that treats its adult intelligence and emotions—and it remains one of the most powerful films in Pixar’s entire library.   

8. The Blair Witch Project

When it hit theaters in 1999, it revolutionized the horror genre with its use of found-footage style narration, minimal production costs, and a genius marketing strategy that obscured fact and fiction. 

The Blair Witch Project

The Blair Witch Project become the excessive horror which success demonstrated that people could be entertained simply by a story and a mood, without elaborate special effects or movie stars.  

9. Magnolia

Magnolia interlaces a number of connected stories throughout the day and night. At its heart, the film is about guilt, forgiveness, regret, trauma, coincidence and connection between people. The various characters’ lives intersect in small (and occasionally stunning) ways, leading up to one of the most-discussed finales in contemporary film. 

Magnolia

Magnolia is now considered a cult classic, and is often regarded as one of the best films of 1999 and one of the best ensemble films ever. It’s flawed and difficult, and so human — all of which is why it continues to provoke discussion more than twenty years on.   

10. The Best Man

The “Best Man” (1999), directed by Malcolm D. Lee, is a romantic comedy that rode the wave of popularity of the genre back then. With a predominantly Black cast, the movie is about a group of college friends coming back together for a wedding. Taye Diggs is a rising novelist whose latest book causes trouble — it’s a roman à clef that draws on their own lives. 

The Best Man

Warm, funny and sexy, the film was a box office hit and managed to distinguish itself without crass commercial exploitation or without being too blatantly positioned as a “milestone” in Black representation. Executive produced by Spike Lee, who is also the director’s cousin, “The Best Man” continues to hold a treasured place in the romcom canon.  

Read More:- Critics Choice Awards 2026 Honor Best Performances — Top Winner List

Conclusion

What is interesting is that 1999 itself was not universally hailed as the best year in the 90s Movies List. American Beauty took the Oscar, but Being John Malkovich was more highly lauded. Fight Club divided opinions upon its release. It was a long time before audiences and critics as a whole realized what they had experienced that year: They’d been treated to something extraordinary—an entire year in which the movies seemed vital, even dangerous, and endlessly inventive.

In an era when blockbuster culture reigns and original concepts have a hard time securing funding, 1999 stands as a powerful testament to what can be achieved. It was the year that arthouse brains met Hollywood brawn, when first-time filmmakers could become auteurs overnight, and when a movie didn’t have to come from a known property to become culturally significant. Looking back, 1999 was not just a great year for movies — it was the year that movies proved that they still mattered. 

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Priyanka Chopra Jonas’ ‘The Bluff’ Inspired From The Real Life Pirate Queens

Priyanka Chopra Jonas’ The Bluff draws inspiration from real pirate queens like Grace O’Malley, Anne Bonny, and Ching Shih.

Published: Jan 9, 2026, 12:10 PM
Last Updated: May 11, 2026, 6:47 AM

Hollywood’s depiction of a woman pirate was, for many years, a romanticized caricature-a corseted sidekick or the occasional option roguish lead surrounded by familiar hearth and home arcs. But as we get ready to see Priyanka Chopra Jonas step into the shoes of Ercell Bodden in The Bluff, the narrative is at long last shifting.

As anyone who bothers to look at history will tell you, women pirates didn’t just “go along for the ride.” These were ruthless, calculating, and sometimes more horrifying malevolent forces than the men they led. Chopra Jonas’s take on Ercell, a woman who must reclaim her “warrior identity,” and is inspired by four legendary women who genuinely ruled the waves. 

1. Grace O’Malley: The Maternal Force

If Ercell Bodden is defined by her “maternal ferocity,” she rests on the foundation of Grace O’Malley. But not only was O’Malley a pirate who had come to command a fleet at a title that made her the “Pirate Queen of Connacht,” she was the ruler of an empire.

Grace O’Malley

She reportedly gave birth on a ship and was back on deck a few hours later armed with a blunderbuss to help defend her men. Like Ercell, O’Malley was never really a greedy pirate – it was just about staving off hunger for her family and people. She even had a famous confrontation with Queen Elizabeth I, dispelling the myth that a pirate couldn’t be a canny political operator and a mother at the same time.  

2. Anne Bonny & Mary Read: The Feral Energy

In The Bluff, we witness Ercell’s transformation from a deadly assassin to a suburban mom and the violent “unmasking” that follows. This is in the lives of Anne Bonny and Mary Read.

Anne Bonny & Mary Read

These 18th century pirates spent much of their lives passing as men, making their way in a world that offered them no place at the table. In the heat of battle they were said to be more “bloodthirsty” than the males. They are the “feral” energy Ercell must recapture to defend her home. 

3. Ching Shih: The Tactical Commander

While Ercell battles on behalf of a tiny community in the Cayman Islands, her tactical prowess is a mirror image of Ching Shih (Madame Cheng). As the admiral of the Red Flag Fleet consisting of 1,500 ships and 80,000 pirates—Shih was perhaps the most prosperous pirate ever.

Ching Shih

Significantly, she is also one of the few who actually managed to “retire” and live to tell the tale. That is the essential tension at the center of The Bluff: Ercell has found her peace, but as Ching Shih knew, your past is a shadow that never quite goes away. 

4. Jacquotte Delahaye: The Resurrection

Referred to as “Back from the Dead Red,” the biography of Jacquotte Delahaye is survival at its highest degree. faked her death to get away from the government, and then came back to the water with a vengeance.

Jacquotte Delahaye

This motif of “reanimation” is at The Bluff’s heart. Ercell is essentially “dead” to her former life until the wicked Captain Connor arrives and she must once again embrace her warrior spirit. 

Feature Historical Reality The Bluff (2026)
Weaponry Improvised, heavy, and practical. Conch shells, tactical traps, and “dirty” fighting.
Motivation Political autonomy and family. Maternal ferocity and redemption.
Outcome Usually a short life or a quiet exile. A focused, muscular 101-minute survival arc.

Conclusion

The Bluff is more than just a survival thriller, it’s a celebration of women who survived against the odds in the face of the unforgiving ocean. Priyanka Chopra Jonas gives a portrayal that bleeds into fiction of the fiercest women in history. 

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The Hunger Games Love Birds Jennifer Lawrence and Josh Hutcherson Are Back to Panem

The Hunger Games love birds Jennifer Lawrence and Josh Hutcherson are reunited in the new prequel Sunrise at the Reaping, which will bring fans back to Panem.

The Hunger Games’ Jennifer Lawrence and Josh Hutcherson, the iconic duo who captured our hearts as Panem’s greatest rebels, are confirmed to be coming back to the franchise with The Hunger Games: Sunrise on the Reaping and we’re just not emotionally prepared for what this means. 

The revelation was made on 10 December 2025, and it reverberated across the entertainment industry like a hovercraft. For more than 10 years, we’ve seen these two gifted performers breathe life into the characters created by Suzanne Collins, and seeing them in this new prequel feels like that chance encounter with an old friend that really throws you for a loop. While Jennifer Lawrence will be reprising her role as Katniss Everdeen and Josh Hutcherson as Peeta Mellark, there is a fun twist to this - they are not the main characters in this movie. 

The Hunger Games: Sunrise on the Reaping is turning out to be something I don’t think we’ve seen from the series yet. Taking place 24 years prior to the original Hunger Games trilogy, the prequel follows a young Haymitch Abernathy, the surly yet surprisingly endearing mentor we are familiar with through Woody Harrelson’s version of the character. 

Jennifer Lawrence
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To those of you who read the novelization, Lawrence and Hutcherson are set to appear in a flash forward sequence near the end of the film, showing where our favorite characters ended. It’s that perfect kind of callback that makes longtime fans feel seen and appreciated. 

The Reason Behind The Excitement

The extraordinary cast lined up for this prequel is the first reason for this excitement. Joseph Zada as young Haymitch, who confronts the terrifying 50th Hunger Games (the Second Quarter Quell) — where the stakes are doubled with 48 tributes instead of 24.

The Reason Behind The Excitement
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That’s right, this isn’t just any Hunger Games, it’s a barbaric, monstrous edition that will tell us exactly how Haymitch became the shattered man who then leads Katniss through her own. 

Notable Star-Studded Cast

Backing up the extraordinary young talent is a star-studded cast that feels like a who’s who of Hollywood: Glenn Close, Ralph Fiennes (as a younger President Snow), Elle Fanning, Kieran Culkin, Maya Hawke, and so many more incredible actors. Kieran Culkin, just coming off an Academy Award win for A Real Pain, will be taking over Stanley Tucci’s role as Caesar Flickerman, and Ralph Fiennes lends his gravitas to a youthful iteration of the tyrannical President Snow. This level of casting in this prequel is just jaw dropping. 

Notable Star-Studded Cast
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Francis Lawrence, having directed all but one of the Hunger Games movies since 2012, is back to lend his deft hand to this dark origin story. Billy Ray’s screenplay is a faithful, attentive adaptation of Collins’ novel, so those familiar with the books will pick out the key scenes, but the uninitiated gain a new, cinematic interpretation. 

The enthusiasm What’s really exciting about this project is that it comes full circle for the Hunger Games franchise. Following the unprecedented popularity of The Ballad of Songbirds and Snakes in 2023, which gave a glimpse of a young Coriolanus Snow, Lionsgate are clearly interested in delving further back into this universe’ s past. The franchise has grossed $3.3 billion worldwide over five films, and with this star-packed cast and gripping story, Sunrise on the Reaping is set to be another blockbuster. 

Sunrise on the Reaping
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The film is set to blaze its way into theaters on November 20, 2026, giving fans almost a year to speculate on what a Lawrence and Hutcherson cameo might entail, be it a fleeting appearance or a substantial chunk of the story, it’s unclear at the moment, but whatever it is: getting Katniss and Peeta back on the big screen – even in this unusual capacity, is a treat for the series’ fanatics.

To those of us who have grown up with these characters, this is like coming home. The Hunger Games world keeps expanding and surprising us, and with Lawrence and Hutcherson’s return, it’s clear why this franchise ever really captured our hearts. 

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 The Dwayne Johnson (The Rock) Movies: Complete Guide to His Best Films

Explore the ultimate list of the top 32+ Dwayne Johnson movies! Action, comedy, and drama collide as we highlight The Rock’s most iconic performances.

Published: Dec 11, 2025, 1:02 PM
Last Updated: May 30, 2026, 11:01 AM

Dwayne “The Rock” Johnson is without a doubt high up on the list of the most bankable stars in Hollywood. The Rock has one of the most successful and diverse film careers in recent memory, going from an explosive breakout in action blockbusters to unexpected turns in comedy and family films. Here’s the definitive guide to the Top 32+ movies in which he demonstrates his stunning range as an actor and performer, whether you’ve been a fan for years or are just discovering his catalogue. 

The Early Days: Foundation for Stardom

Dwayne Johnson was not a household name when he first got his start in Hollywood. Though his first feature film part was in 1997, in The Mummy Returns (2001) as the Scorpion King, a brief but impactful role that introduced him to mainstream audiences. That moment was pivotal, and then he had his first leading role a mere one year later in The Scorpion King (2002), which solidified him as an action superstar. 

The Rock, meanwhile, solidified his status with The Rundown (2003), which remains one of his finest action-comedies. Co-starring with Christopher Walken and an early blend of comedy/action, the film gave Johnson a chance to display his charisma and potential as a leading man. As one of Johnson’s earliest films, The Rundown is a risky gamble, but it really pays off, as he portrays Beck, a taciturn bounty hunter who is sent to apprehend his boss’s son, who has been hunting for treasure in Central America.  

Building an Action Empire (2004-2010)

As Johnson found his niche in Hollywood, he was offered an array of different roles. Walking Tall (2004) was the respectable action film of the bunch, and Doom (2005) was the most ambitious albeit least successful adaption of a video game craft so far. The same year saw Johnson donning his comedic flair in Be Cool (2005).

Building an Action Empire
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A guy who never limited himself to one genre, Johnson caught people off guard with Gridiron Gang (2006), a dramatic sports film in which he is a rehabilitation counselor employed by a juvenile detention center. This showcased his range as an actor and demonstrated that he could do more than just act in pure action movies. Family audiences started to become aware of him with The Game Plan (2007), while Reno 911!: Miami (2007) proved that he was a tour de force in comedic support roles. 

The Early Days Foundation for Stardom

Get Smart (2008) put him opposite Steve Carell in a secret agent-comedy schtick that favored action over humor. He added voice acting to his credits in Planet 51 (2009) when he provided the voice for astronaut Chuck Baker and Race to Witch Mountain (2009) once again took him to the family movie field. The decade concluded with Tooth Fairy (2010), a quirky kids movie that had Johnson actually turning into a tooth fairy. The film was savage but showed a performer ready to make wildly unconventional gambles. The same year, he made a return to his action roots with the more hard-edged thriller, Faster (2010), as a vengeful man.  

The Box Office Explosion (2011-2015)

All that changed when Johnson entered the Fast Five (2011) stable as brutal enforcer Luke Hobbs. That’s the turning point that made The Rock a megastar. His chemistry with Vin Diesel and the rest of the cast and crew, as well as the sheer physical comedy and action prowess he brings, revitalized the franchise.​

The Box Office Explosion
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After this breakthrough, Johnson was more selective about his parts. Journey 2: The Mysterious Island (2012) saw him get into family adventure material, taking on one of the genres with more long term potential. Fast & Furious 6 (2013) continued his momentum in the franchise, and Pain & Gain (2013) afforded him an opportunity to demonstrate his dramatic abilities in a true crime action film with Mark Wahlberg and Anthony Mackie.  

Snitch and G.I. Joe: Retaliation were also out in the busy 2013 year. Empire State (2013) gave him the opportunity to extend his menacing presence as an NYPD officer with a vendetta.  Hercules (2014) was another turn towards mythological adventure based storytelling, with Johnson playing the Greek demigod as he faces his mythic twelve labors. San Andreas (2015) turned out to be a turning point, demonstrating Johnson could lead a big disaster movie and become a worldwide mega-star who could open films on his own merits.

Furious 7 (2015) cemented his position as the franchise’s biggest earner, grossing over $1.5 billion and containing some of the series’ most memorable action scenes.  

The Blockbuster Releases of Dwayne Johnson in 2016-2019

Johnson became one of the highest-grossing box office draws beginning in 2016. He teamed up again with Kevin Hart for the 2016 film Central Intelligence, and their comedic chemistry endured. Johnson made a multi-layered, vulnerable comedic and physical performance in Jumanji: Welcome to the Jungle (2017) a magnificent reboot of the franchise. 

The Fate of the Furious
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Also that year was The Fate of the Furious, yet another Fast & Furious installment that brought in more than $1.2 billion globally. Baywatch (2017) was a more frivolous affair, although it was almost universally panned by critics – but audiences turned out to see Johnson in that red lifeguard suit. 

Skyscraper (2018) is vulnerable — Johnson playing a lame one-legged FBI agent who has to risk everything to save his family in a burning skyscraper. Rampage (2018) saw him furthering his action dominance with taking on mutants alongside a super-sized ape.

Jumanji: The Next Level (2019) brought back the enchanted game world, plucking players into even more chaotic, wilder adventures, with Johnson offering comedic narration as he pretended to be Danny DeVito as he took over his game avatar. Hobbs & Shaw (2019) gives the fans what they want—Johnson and Jason Statham finally getting their own spin-off, and finally teaming up, giving them a chance to demonstrate their comedy timing as well as their action chops.  

Recent Work and Diverse Ventures (2021-2025)

The Rock has also undergone the voice over and producing process. He was in the heist comedy Red Notice (2021), alongside Ryan Reynolds and Gal Gadot. In the Disney adventure Jungle Cruise (2021), Johnson and Emily Blunt are joined by Dwayne Johnson as Frank Wolff, a steamboat captain who agrees to unwillingly escort Dr. Lily Houghton down a perilous river in search of secrets.

 

Fighting with My Family (2019), about a wrestler’s rise to prominence, showcased his knack for serious supporting roles. He was afforded the chance to lend his voice to Krypto the Super-Dog in DC League of Super-Pets (2022), showcasing his talent to captivate spectators in animated movies. He received a Teen Choice Award for his role as the charming and lovable demigod Maui in the 2016 film Moana. 

Black Adam
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(2022) was his debut foray into DC as the Egyptian mythological anti-hero, unleashing a formidable Kahlid who ascends as the ancient Egyptian magic avatar. This high-profile superhero venture, which was ambitious, had a budget of $250 million and grossed $393 million globally, demonstrating his capacity to lead big studio tentpoles. 

What Makes The Rock Different?

A pattern is evident in all these 32+ movies. Johnson’s desire to do comedy and still be believable as an action hero makes him unique among action stars. He’s at ease being vulnerable — be it as a one-legged FBI agent or a demigod struggling with self-doubt. His work ethic and down to earth charm make him have on screen chemistry with all his co-stars and he has done just as well in family films, drama and blockbuster ensemble films. 

From doubters questioning his talent as an actor to one of Hollywood’s highest paid stars, Dwayne Johnson’s filmography is a master class on how to have a sustainable career in the business. Whether you’re looking for action excitement, comedy laughs, family fun, or some real dramatic moments, his body of work has a little something for everyone. And that all makes going through his top 32 movies not only entertaining — it’s actually instructive on how to make a Hollywood career with a little authenticity and versatility. 

Conclusion

Dwayne Johnson’s bankability and versatility is on full display across these top 32+ movies, proving why he’s one of Hollywood’s most powerful stars. Action packed, heart warm family film, comedy wise The Rock pumps charisma, commitment and authenticity in every role he plays. Not only is his filmography entertaining — it’s an education in how to craft a career that lasts and spans genres in the film industry. 

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Star Wars Character Kylo Ren’s Iconic Line That Changed the Skywalker Legacy Forever

Kylo Ren's memorable The Last Jedi line changed Star Wars, upending the Skywalker legacy and how fans would engage with the franchise moving forward. Read more!

Published: Feb 12, 2026, 9:59 AM
Last Updated: May 11, 2026, 7:18 AM

Kylo Ren uttered a line in 2017 that still makes the fan community go berserk: “Let the past die. Hide it under a rock, if that’s what you need to do. That’s the only way to become what you are meant to be.” We thought he was just a broody dark-sider having a mid-thirties crisis. Looking back on how the Star Wars sequels flailed their way to solid footing, it turns out Ben Solo wasn’t just a villain — he was a saving grace for the franchise.

For nearly half a century, the Star Wars “Skywalker Saga” has been the gravity well of Star Wars. But if it’s going to survive for another half-century, the franchise will need to get away from this Earth. We’re finally coming into an age where movies and games aren’t just ‘side stories’ to Luke’s lineage — they’re a statement of independence. 

When Star Wars Skywalker Legacy Becomes Limitation 

The sequel trilogy needed to push the continuity forward; yet it found itself anchored all too firmly to the Original Trilogy (OT). This isn’t to say legacy characters are bad; instead, narratives can’t lean on them as a primary structural crutch.

Skywalker Legacy Becomes Limitation
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Reaction to Luke Skywalker showing up in the Mandalorian wasn’t universally positive, among fans. A lot of people embraced it, while others dismissed it as “nostalgia bait” — a digital mask to hide an absence of narrative risk. Box office sales wise, playing it safe by making movies about known IP is a guaranteed winner for studios: 100% of the 10 highest grossing Star Wars films have a Skywalker, or a tie to the 1977-1983 era. But the critical exhaustion is tangible. For Star Wars to expand, it has to show it can be without a Skywalker on the credits. 

Star Wars’ Big-Screen Escape from the Skywalker Era

The new film slate marks the most significant departure in franchise history. While The Mandalorian & Grogu will certainly placate the “Filoni-verse” fans with some familiar faces, the real meat is in the unknown:

Star Wars’ Big-Screen Escape
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A Galaxy Without Legends

It’s been five years since the chapter (Rise of Skywalker) ends, and now here we are. Rumors are that there is no legacy character. If it gets that lived-in feel just right — without a single lightsaber ignite or a “hello there” — it could very well shift what the industry thinks Star Wars is.

Before Jedi, Before Sith: The Birth of the Force

Mangold is skipping ahead 25,000 years, so by doing so he’s not only stepping around legacy characters, he’s stepping around the entire notion of the Force as we understand it. No Sith, no Jedi Council—just the raw excavation of the galaxy’s mystic energy. This is the “Godfather of the Force” story we’ve been waiting for. 

Rebuilding Without Repeating

This is the precarious balancing act. Rey may have assumed the Skywalker name, but in order for the franchise to grow, she needs to construct something that isn’t just a mirror image of the failed Academy of the past. If she’s for the entire film talking to Luke’s Force Ghost, we haven’t gotten anywhere, we’ve just switched out the window dressing.

Rebuilding Without Repeating
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The Soul of Star Wars Without the Surnames

Waititi has said he wants to “broaden out” the world. If his film evokes the cheerful, “used-future” style of the OT without relying on a single legacy cameo, it will demonstrate that the feeling of Star Wars is more powerful than the names in Star Wars. 

Beyond Films: How Games Are Redefining the Star Wars Universe

The films have been wary, but Star Wars games have long been the point of experimental narrative storytelling. The future roadmap indicates a full separation from the “Vader-era” crutch: 

Project Era Legacy Risk
Star Wars: Zero Company Late Clone Wars Moderate. Anakin and Rex are still active here.
Star Wars: Galactic Racer Post-OT Low. Focused on the underworld and speed.
Star Wars: Eclipse High Republic Low. Set 200 years before The Phantom Menace.
Fate of the Old Republic Old Republic Zero. More than a millennium before the films.

When the Force Becomes a Cage

Star Wars Jedi Fallen is the offender right now for taking “Vader-as-a-boogeyman.” For the third game to really connect, Cal Kestis needs to stop being a footnote in the Rebellion’s shadow. He needs a destiny that doesn’t finish with him being “too busy” to give Luke a hand in Episode IV. 

How Real Storytelling Saves a Galaxy: The “Andor” Blueprint

If there is one thing the new age should learn, it is the Andor Lesson. Andor showed you can have legacy characters (Mon Mothma, Saw Gerrera, K-2SO) without them feeling like cameos. They didn’t exist because the marketing department wanted a trailer clip, they existed because the plot needed them there.

Star Wars, to its credit, has sometimes been skewered for having precisely no diversity of viewpoint, concerned consistently with a fantasy 1% of the galaxy (the Jedi and the High Command). 

The Andor Blueprint
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In fact the Star Wars audience is diverse: roughly 40% of the active fanbase is female, and international audiences now represent more than half of the box office. Stepping away from the Skywalkers, the saga can tell stories that speak more to this broad, modern audience: tales about smugglers and soldiers and civilians who just happen to not have magic coursing through their veins. 

Read More:- Keira Knightley new dark comedy movie ‘The Worst’ with Jamie Dornan and Alicia Vikander

Conclusion

Kylo Ren was right, but with a caveat: we don’t owe the past “killing,” we just have to stop residing in its basement. As it jets to the High Republic, the distant future, and the distant past, Lucasfilm is at last giving the galaxy some room to breathe. Star Wars’ Future Begins Where the Skywalkers (Masterpiece) End. 

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James Gunn Confirms: The Long-Awaited Supergirl Teaser Is Coming This Week!

James Gunn confirms a Supergirl teaser drops this week Millie Alcock is set to make her feature debut in the DC film, which is due in cinemas on June 26, 2026.

Published: Dec 8, 2025, 12:31 PM
Last Updated: May 11, 2026, 8:25 AM

Now, the moment fans of the DC Universe have been waiting for is about to arrive. James Gunn, the visionary director and co-head of DC Studios, has just confirmed that the official Supergirl teaser trailer will be released this week. Following months of excitement after Milly Alcock’s shock debut in Superman, the Girl of Steel is ready to take centre stage.

The buzz surrounding this announcement is sky high. Ever since Alcock delivered that memorable cameo near the end of the Superman movie crashing into the Fortress of Solitude after flying on red-sun planets — fans have been begging for more. Her entrance immediately establishes the tone for a woman markedly different from her cousin, Clark Kent. Where Superman represents hope and positivity, Supergirl seems like a more layered, quixotic, even fascinating character.

James Gunn
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The “Look Out” marketing tag line is a pun on and a signpost to this departure from the “Look Up” Superman campaign, and it indicates that Kara Zor-El is the source of whatever new attitude is taking hold of the DC Universe.

Supergirl Release Date is Near

Gunn’s confirmation comes after a massive bombshell at WB’s CCXP25 where they previewed fans with Supergirl’s official costume as the world is built with themed vignettes.

Supergirl Release Date is Near
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The studio certainly went all out to drum up excitement for the next big chapter in the franchise. In releasing the teaser trailer this week they are also tapping into that buzz and making sure people are talking as we get closer to the film’s release on June 26, 2026.

Supergirl’s character herself makes this announcement all the more amazing

The character has long lived in the shadow of Superman, playing a secondary role for much of its existence. However this new version of Supergirl, based on the acclaimed “Supergirl: Woman of Tomorrow” story arc, will be about giving Kara Zor-El her own adventure. From director Craig Gillespie (I, Tonya) — who is also co-writing the script alongside Zach Dean — this one is being described as a space adventure with emotional impact and complexity. James Gunn has also previously teased that Supergirl will be a cosmic journey fans have never seen before.

Read More 👉 ‘The Boys’ Season 5: “Scorched Earth” is Coming in 2026, and We’re Not Ready

Supergirl Teaser and Cast

The teaser trailer was originally posted on social media, offering fans their first look at Milly Alcock as Kara Zor-El. Alcock, who won hearts with her portrayal in House of the Dragon, offers a new angle to the role. When she was cast, Gunn himself praised her ability, saying he was “blown away” by her auditions and screen tests.

Supergirl Teaser and Cast
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With an amazing cast led by Jason Momoa as anti-hero Lobo, Matthias Schoenaerts, Eve Ridley and more, this movie has the potential to be something really special. The arrival of Krypto, Superman’s super dog, offers one more connection to the broader Kryptonian lineage being developed in this new DC Universe.

Conclusion

The announcement that the Supergirl teaser is coming this week is the DC Universe revitalization moment. Milly Alcock as a fearless, emotionally layered Kara Zor-El, and James Gunn at the helm of the grand creative vision – it’s clear this franchise is priming itself for a new tonal shift. Whether it’s the CCXP25 costume reveal or the “Look Out!” tagline, everything points to a character and a movie that wants to live outside of Superman’s orbit and find her own place in the cosmos.Supergirl: Woman of Tomorrow could be one of DC’s best defining cinematic moments yet.

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