Yellow Jackets Season 3: Everything You Need to Know

Written by: Mariyam

Published: December 25, 2025, 5:06 am

2025 has been a surreal, wonderful, and completely hectic year in television. The breathless breath-holding of 2024 was behind us in 2025, and everyone could exhale—and wow did they have a lot to say. Let’s look into the list of Best TV shows of 2025 to binge watch on weekends.

There are: everything from the revival of the traditional hospital drama (hello, Noah Wyle) to sci-fi prequels that actually, somehow, lived up to the hype. There were hockey players falling in love, Seth Rogen mocking his own industry, and Vince Gilligan showing, yet again, that he views the world through lenses unlike the rest of us.

If your head is spinning from all the “Must-Watch” lists, just breathe. I’ve spent more hours on my couch this year than I care to admit, all of which went towards crafting this: a human, honest, spoiler-light guide to the absolute best TV shows of 2025. 

1. ‘The Pitt’ (HBO/Max)

Let’s be honest: none of us were getting enough 1990s ER adrenaline rush. We just didn’t realize how much until The Pit came crashing down. Noah Wyle back in medical scrubs was like a warm embrace from an old pal, but don’t let the nostalgia baiting fool this isn’t Dr. Carter 2.0.

Wyle stars as Dr. Michael Robinavitch and there’s a more grimy, frantic and weary feel to the series than that of its spiritual predecessor. It expresses post-pandemic exhaustion of those in the medical field in a way that is almost tactile. The camera work is frantic, the dialogue is overlapping all the time, and you can feel the tension in your chest. It’s not just “good TV,” it’s, like, necessary TV. It’s a love letter to the people who keep us alive, written in blood, sweat and hospital cafeteria coffee. 

2. ‘Pluribus’ On Apple TV+

Vince Gilligan, of course, is the architect of such dazzling and trailblazing series as If “Pluribus” was a surprise, it probably means that he is doing something completely new and different, which is exciting. Leading the superb Rhea Seehorn (at last she’s getting her due!), the series centers on a cynical romance novelist, Carol, who is attempting to navigate a world altered by a bizarre alien virus. 

It’s insane sci-fi-sounding, but in typical Gilligan style it’s really about people. “It’s about loneliness, artificial intelligence and what it means to be ‘human’ when humanity is facing its own demise.’’ Seehorn is magnetic—she can do more with a silent stare than most actors can do with a monologue. It’s strange, it’s silent, and it will be lingering in your mind for DAYS. If you enjoyed the character-driven suspense of Better Call Saul, this is your newest obsession. 

3. ‘Alien: Earth’ (Hulu/FX)

I was skeptical. We all were. Another Alien movie, do we really need it? Noah Hawley (Fargo, Legion) saw our doubts and pulverized them with a xenomorph tail.

Obviously set on Earth, and years before Ripley ever boarded the Nostromo, this series takes the horror home — literally. It combines the Weyland-Yutani corporate greed with the visceral terror of a creature that simply should not be on this planet. The special effects are Hollywood quality, but what makes it work is the patience. Hawley allows the dread to build slowly to the point that you’re yelling at your TV. It’s the first time in decades the franchise has been scary rather than just gross. 

4. ‘Black Rabbit’ (Netflix)

Black Rabbit does none of that — though, to be clear, that’s not a criticism — but what it does deliver is a darkly funny, taut little drama in which two of Hollywood’s most magnetic stars go head to head in two-hander theatre. Jason Bateman and Jude Law star as siblings – one a responsible restaurant owner, the other a chaotic agent of destruction – caught up in the New York criminal underworld.

It’s classic noir territory, made perfect. Bateman plays against type as the “screwup” brother (Vince), and Law is the straight man (Jake) trying to keep it all together. The best way to describe the tension is to say that it’s suffocating. It’s a slow burn that explodes in the final episodes, reminding us that family is often the most dangerous thing of all. 

5. ‘IT: Welcome to Derry’

IT: Welcome to Derry is one of the 2025’s best horror series, bringing Stephen King’s terrifying universe to new horizons full of scares and lore. Set in 1962 Derry, Maine, the HBO Max prequel exploresPennywise’s origins and the town’s cursed history through a new group that stops aside the original Losers’ Club.

The series centers on a group of new kids—Teddy, Phil, Lilly and Ronnie—probes into missing children and strange occurrences four months after one of their classmates goes missing. Military tension is added with Major Leroy Hanlon arriving at Derry Air Force Base amid icy treatment and top-secret missions. Episodes lurk in dread through psychological horror and social undercurrents of small-town America — and with glimpses of Pennywise’s influence — and slow-burn suspense with shocking reveals. 

6. ‘Adolescence’ (Netflix)

“Adolescence,” a heartbreaking miniseries on teen violence, family breakdown, and social abandonment, had its world premiere on Netflix in 2025. Following 13-year-old Jamie Miller who is arrested for stabbing a classmate, the four-part drama from Jack Thorne and Stephen Graham is told through raw, single-take episodes that are uncomfortably real.

With each hour-long episode taking place over a single uninterrupted day in real time – like a stage play on steroids – the perspective shifts to various other consequences: the mayhem at the police station, the family disintegration, psychological tests, and courtroom brinkmanship. Stephen Graham commands as dad Eddie, a policeman whose world crumbles; rising star Owen Cooper (actually 15) as Jamie seizes scenes with his explosive cocktail of charm, rage, and lost-child fragility. It’s called “TV perfection” for its emotional economy and refusal of easy answers. 

7.  ‘The Studio’ (Apple TV)

The Studio Apple TV+ show centers on neurotic Hollywood executive Matt Remick (Rogen), who is suddenly tasked with running Continental Studios, balancing money-making IP like a Kool-Aid Man movie with his dreams of art-house treasures with filmmakers like Scorsese.  

Honorable Mentions

Andor Season 2 definitely set a new standard for Star Wars storytelling, turning in a finale that thrilled from beginning to end. The White Lotus season 3 blasted off its typical mayhem from Thailand and didn’t disappoint with how unpredictable and dramatic it would be. Meanwhile, Dexter: Resurrection takes a half-decent stab at righting a few of the show’s past missteps, and in doing so redeeming itself somewhat.  

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Conclusion

Whether it was aliens, doctors, or hockey players, the finest programming this year centered on relationships. They made us remember the reasons we watch: to be comforted in our solitude, to laugh at the absurdity of existence, and to see our own faces in the maelstrom. So get your remote, order some takeout and dive in.The golden age of TV isn’t over — it just evolved 

Dive into the cinematic world where you can enjoy movies and TV shows updates with Fandomfans, our goal is to deliver a top shows list to end your long search.

Written by: Emma

Published: May 1, 2025, 10:09 am

9-1-1: Lone Star Season 5, episode 10 is back after the winter break. The show feels like it’s hurrying to give everyone a happy ending. The new episode focuses on Judd’s recovery. Recovery isn’t easy or straightforward, and it requires honesty.

Judd isn’t being honest with himself or others. He has started drinking again, which shows he’s struggling deeply. Owen has moved into Judd’s house to make sure he isn’t left alone. But where is Judd’s daughter?

She’s staying with Grace’s parents, leaving Judd in an empty house. Grace is busy with her mission, which she feels is her calling. Judd feels completely alone without his family around. This isolation pushes him further toward alcohol.

The episode shows Judd at his lowest point. He seems close to having some very dark and troubling thoughts. His struggle is heart-wrenching to watch.

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In 9-1-1: Lone Star season 5, episode 10, Judd searches for signs that God is with him

He struggles with his faith and sobriety throughout the episode. He sends a 911 text to Grace, asking her to come home. However, the message doesn’t go through immediately, leaving him feeling even more abandoned.

At the end of the episode, the message finally reaches Grace. She replies, giving Judd the chance to talk to her. This moment becomes a turning point, offering him the support he needs.

Before this, Judd’s struggles reflect a deep feeling of loneliness. He feels as if God has left him. Many people of faith can relate to this experience. It reminds me of the story of Jesus and the footprints in the sand.

Sometimes, when people feel most alone, they forget the message of that story. Judd’s journey shows how faith can be tested but also renewed. When the pastor running the AA group gets into an accident, Judd feels even more abandoned by God.

Judd gets some relief when Owen and the 126 team save the pastor’s life. This storyline could have been more impactful with more time to develop. It feels rushed since it lasted only one episode. The final season of 9-1-1: Lone Star seems to include too many events at once. This leaves little room for deeper exploration.

With just two episodes left and a major world-ending event coming, the show feels crowded. Better planning or cutting down on subplots could have improved the pacing. This rushed approach might disappoint fans wanting meaningful storylines. The series needed to take its time and focus more on emotional depth.

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Marjan’s surprise wedding in 9-1-1: Lone Star season 5, episode 10

Marjan’s surprise wedding in 9-1-1: Lone Star season 5, episode 10, shocked many fans. Honestly, I had forgotten about her boyfriend. The wedding felt rushed, like the series wanted to quickly give every character a happy ending.

However, I loved watching Marjan stand up to her parents. A call from a woman struggling with boundaries inspired her. The woman almost got hurt because she let her sister take advantage of her. Marjan realized she needed to take control of her life. She told her parents she was ready to marry. She wanted them there for her big day.

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This storyline could have been much bigger this season. A reminder about the boyfriend earlier would have helped. I completely forgot he existed. I even had to look online to remember how they met and who he was. The writing failed to keep him relevant. Marjan and her parents needed more conversations leading up to this moment. Her mom is surprised Marjan wants to rush the wedding. We needed to know she wanted a big one earlier.

Having the wedding in the firehouse was a nice touch, but it didn’t matter much to Marjan’s now-husband. TK and Carlos got an amazing buildup to their wedding. Marjan deserved the same attention and care for her story. This highlights how many  characters in 9-1-1: Lone Star feel underused, especially in their personal storylines.

The episode didn’t feature many memorable emergencies. It focused more on the characters. However, it feels like the show is rushing its stories. This rush seems aimed at wrapping up the series quickly. I’m unsure how to feel about this. It might lead to a disappointing end for such a fun and lively show.