Yellow Jackets Season 3: Everything You Need to Know

Written by: Alpana

Published: November 7, 2025, 12:08 pm

In Netflix’s latest dive into historical catastrophe masquerading as tragic comedy, the miniseries Death by Lightning, will focus on how President James A. Garfield’s short but significant term was cut short by the deranged Charles Guiteau. Adapted from Candice Millard’s acclaimed non-fiction book, the series has all the prestige hallmarks – a stellar cast (Michael Shannon, Matthew Macfadyen) and backing from Game of Thrones creators David Benioff and D.B. Weiss.

Yet despite all its technical sheen and mesmerizing performances, the four-episode political drama cuts off oddly, a dazzling flash of promise that dissipates too quickly, leaving the audience with the feeling that the substance is severely undercooked in the narrative execution.

Stellar Performances by Michael Shannon and Matthew Macfadyen

According to Collider, The series would not be what it is without its central performances. Michael Shannon brings a surprising depth of compassion and complexity to James A. Garfield. He is the unwilling, good man thrust into the nation’s highest office with a sincere dedication to civil service reform and battling the period’s widespread corruption. His political battle against the spoils system and his dream for a greater America provide the spine of the tale.

Likewise, Macfadyen as the mentally deranged assassin Charles Guiteau is an exercise in rattling restraint. Rather than barking like a lunatic, he gives us a chillingly believable narcissist whose grandiose delusions become deadly after he believes he’s been slighted by the government. Both Times Square and Ballet Mécanique are definitive performances by artists of the highest caliber and when these two extraordinary actors share even a few brief scenes, it electrifies the room. 

A Story Rushed Through History

Yet the very brevity that allows the series to have a tight focus ultimately becomes its undoing. With only four episodes, the drama speeds through Garfield’s volatile ascent; the political fights, the assassination, and the tragic fallout. The intricate, sleazy post–Civil War American political landscape which Garfield was frantically trying to clean up, seems drawn in rather than drawn out.

Crucial political and personal story lines are hurried, not allowing viewers to fully process the scope of Garfield’s vision and the pervasive institutional problems he confronted. Although the plot conforms to historical facts, it seems to be moving along a highlight reel, thus depriving the momentous events of their authentic emotional and intellectual weight. 

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Missed Opportunities in Exploring Tragedy and Reform

The tragic thing about the Garfield story is not just the bullet but the subsequent, excruciating medical malpractice that resulted in his death months later—a detail beautifully and painfully unpacked in the source material.

The series nods to this, but its truncated format means the horror and absurdity of the medical ignorance doesn’t fully register. It’s in these pivotal, enduring moments that a genuine political drama finds its voice – revealing the systemic failures that magnified a personal tragedy. 

A Brilliant Flash That Fades Too Quickly 

Death By Lightning is a casualty of its brevity. It’s an effective (albeit superficial) flashback to a chapter in American history largely forgotten, and the work of its two stars makes it unforgettable.

But a story of this scope involving a president’s assassination, political corruption and the tragic crossroads of American determination requires more than a boiled-down treatment.

As report says, Beautifully shot and superbly acted, it’s less like a finished, fully resonant drama and more like a powerful, introductory prologue, a brilliant flash in the dark that leaves you wanting the narrative equivalent of a full tempest. 

Conclusion

Death by Lightning is a show that glistens with stellar acting and pristine production values but doesn’t quite grant its narrative the depth it merits. But Michael Shannon and Matthew Macfadyen give strong performances that humanize and energize the limited four-episode format that does not allow the political and emotional strands to fully unravel.

What might have been a deep dive into ambition, tragedy, and systemic collapse, instead comes across as a beautifully staged synopsis of a much bigger narrative. Ultimately Death by Lightning isn’t just gorgeous and intermittently stirring but cuts too suddenly, leaving its viewers haunted, not by what has been seen, but by what’s been left unsaid. 

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Welcome to FandomFans — your source for the latest buzz from Hollywood’s creative underworld. Here, we explore the art of filmmaking, knowing about how visionary directors, designers, and actors shape the worlds we escape into.

Today we break down on How Death by Lightning turns out both beautiful and at times touching but it runs out too soon. It is thus that his viewers are unsettled, not for what they see, but what goes unsaid. 

Written by: Mariyam

Published: January 7, 2026, 12:13 pm

Sophie Turner, who grew up on screen as Sansa Stark, recently confessed she felt like she was “one of the only” performers happy with her ending. Her point of view gives a fascinating look into why the finale worked for the Queen in the North, but froze pretty much everyone else. 

HBO has also released its Game of Thrones production calendar for years to come, with content scheduled yearly until 2028, including additional seasons of House of the Dragon and Knight of the Seven Kingdoms. 

How Sansa Stark Become The Queen in the North

To know why Turner was happy, you have to see where Sansa started. She was just a pawn — a naive girl hoping for a fairytale wedding in the viper pit of King’s Landing. She was battered, bartered and brainwashed over eight seasons.

For Turner, Sansa’s ending wasn’t about power; it was about safety. The actress has stated that 

Sansa ceased wanting that throne once she saw the poison that came with it. Her journey was about taking back her home, not taking over the world. 

One moment in the finale that stuck out for Turner was when Sansa interrupts her uncle Edmure with a biting “Uncle, please sit down,” that moment was a standout for Turner. It was a woman who was finished with the posturing of men who played war games as her people starved and froze. Sansa winning Northern independence made sense. It was, as Turner said, “earned.”  

The Most Heartbreaking Game of Thrones Character Reactions

However, Turner’s happiness makes the desperation of the other characters quite serious. If Sansa’s outcome was a straight line, everyone else’s was a scribble.

Emilia Clarke Get Shock When Daenerys’ Ending Felt Like a Betrayal

The most heartbreaking response belongs to Emilia Clarke. When she was handed the scripts at Heathrow airport, she didn’t just read them but she went into a crisis. Clarke remembers walking around London for five hours – 

“I had blisters on my feet”

— Clarke said 

She also acknowledged that her character, a feminist icon and liberator, could become a genocidal tyrant within just a couple of episodes is a shock. Clarke’s fear extended beyond the character herself to the fans (and icons like Beyoncé) who find inspiration and strength in Daenerys. 

Conleth Hill and the Fall of Varys

Then there was Conleth Hill (Varys). Through the documentary The Last Watch you can track the moment his soul seems to vacate his body. Varys, the Master of Whispers, was executed for a botched, brazen betrayal that ran counter to his character’s intelligence. Hill confessed to being “inconsolable”, as he thought his character had been made “peripheral” and dumb. 

Isaac Hempstead Wright Thought That Script Was a Prank

Isaac Hempstead Wright (Bran Stark) didn’t feel pride when he read that Bran would become King, he thought it was a prank. He genuinely believed that showrunners had sent fake scripts to everyone in which the characters each took the throne to see who would leak it. That response is indicative of the confusion among the audience – if the actor believes it’s a joke, the story build-up clearly wasn’t there.  

Kit Harington on Burnout in GOT Season 8 Making

Kit Harington (Jon Snow) has admitted that the cast was “f—ing exhausted.” The final season was 11 months in the making. The “Long Night” battle required 55 nights of shooting in a row in freezing mud. When all was said and done, the actors were physically and emotionally drained. They did not have the strength to question character logic, they just wanted to make it out of production. 

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Sophie Turner’s Satisfaction Says Everything

The Direct had the chance to talk to Sophie Turner while on a press tour for Amazon Prime Video’s Steal, and of course, the subject of Game of Thrones came up. When asked if she would be interested in reprising her role as Sansa Stark in an HBO sequel, Turner was torn, commenting on how it “would be really hard but also incredible:” 

Sophie Turner’s satisfaction is valid because Sansa’s storyline’s one of the few that endures scrutiny of her choices. But her confession that “nobody else was really happy” just confirms what we have all suspected. The Game of Thrones cast didn’t blow us away in the finale – they left us utterly split, the audience confused, and a Queen in the North who is definitely feeling herself. 

Turner didn’t rule out a return in an HBO follow-up at all, by telling she’d have to read the script before making any decisions.

“Coming back could be either a really joyful thing or you’re trying to recapture something special that maybe isn’t there to be recaptured — and for me, that all comes down to the strength of the script,”

—she said. 

Some Game of Thrones Endings Still Hurt

The contrast is stark. The Starks “won”—Sansa got the North, Arya got freedom, Bran got the world but morally ambiguous characters like Jaime Lannister and Daenerys were reduced to tropes. Seasoned actors like Charles Dance (Tywin Lannister) waited on the sidelines, bewildered as the show’s intricate political chess became checkers.

Conclusion 

Sophie Turner’s satisfaction was never about being first but it was about what makes the best storytelling. Sansa Stark was all about survival, evolving and steely resilience. She wasn’t after glory, she reclaimed her home. Then she was Queen in the North, the ending felt earned.

That much clarity simply highlighted how inconsistent the rest of the finale was. Daenerys’ precipitous descent, Varys’ errors in judgment, Bran’s meteoric ascent, and Jon Snow’s impasse as a romantic lead left not just fans, but actors, discombobulated.

Game of Thrones didn’t collapse — it broke. And in that broken ending, Sansa Stark was still one of the few characters whose story actually made sense. 

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