Jon Bernthal is back as the Punisher in Spider-Man: Brand New Day. Check out his MCU debut, story information, trailer highlights, & how the character fits in.
There’s a certain electricity in the air when an actor and a character align so perfectly that you can’t conceive of anyone else inhabiting the role. For Marvel fans, that axis tipped a long time ago in 2016, with the now-iconic Jon Bernthal’s initial outing as Frank Castle in Netflix’s Daredevil season 2. What started as a small part rapidly developed into something much greater, a cultural phenomenon that redefined what a comic book anti-hero could be on television. After nearly one decade Jon Bernthal sings his encore as The Punisher in Spider-Man: Brand New Day, which is hitting theaters on 31 July 2026.
Let’s break down the trailer release of Spiderman: Brand New Day showing The Punisher in action.
When Jon Bernthal is first introduced with a white skull in a black tactical vest, Marvel Cinematic Universe marks him in a special position. The Netflix series had more realistic emotions and powerful action while carving out their own universe, instead of big screens.
Bernthal’s Punisher was a revelation, he was angry and broken, but also quietly human and shockingly vulnerable. He wasn’t a stand-in for your generic comic book superhero — instead he was a man who had been shattered by loss, transformed his grief into a merciless war on crime, and didn’t have any cash for a place to stay.
A spin-off of The Punisher series, which starred Bernthal as Frank Castle for two seasons and became the definitive version of the character, was greenlit by Netflix following the success of the Daredevil series. The axe then began to fall. The marvel universe on Netflix crumbled and fans started to question if they would ever see Bernthal’s Punisher again. Of course there was wishful thinking and speculation but nothing is ever guaranteed in the entertainment industry.
Kevin Feige, head of Marvel Studio took a different route for the studio, he collected Netflix characters and reabsorbs them into the Main MCU which is a strategic move. See for yourself, Charlie Cox returned as Daredevil, and Bernthal did likewise with Daredevil: Born Again. Although even that seemed to be a foretelling of something bigger. Bernthal makes history as he leads his Punisher to his first ever appearance in a MCU theatrical release with Spider-Man: Brand New Day.
There’s something poetic about The Punisher being introduced to the big screen in a Spider-Man movie. Purists will tell you that Frank Castle made his first appearance in The Amazing Spider-Man in 1974, written by Gerry Conway, with art by Ross Andru and John Romita Sr. He was introduced as a kind of antagonist – a vigilante who considered Spider-Man simply another criminal who needed to be wiped out. They’ve always had this great opposing dynamic: the bright quippy teen (or young adult) who believes everyone deserves a second chance, including criminals, vs. the battle-hardened veteran who believes some people can’t be saved.
Tom Holland’s Peter Parker has been through the ringer. The world has turned its back on Spider-Man after the incident of Spider-Man: No Way Home. In a city that has no memory of him, he is anonymous and isolated, and he wonders where he belongs. It is perfect ground for the rise of a character like The Punisher. During production, Holland and Bernthal allegedly developed a fascinating “big brother/little brother rivalry” with their characters transitioning from antagonism to a fragile understanding.
This matchup seemed so obvious, because at its core, it was really a battle of ideologies. All everyone deserves is a second chance, with great power comes great responsibility and Spider-Man is the symbol of hope. The Punisher is the hard truth that government machinery can and does grind to a halt, and when that happens, well, at least according to some, you fight fire with fire. To get these two in the same shot, is not only a fan’s dream, but a philosophical debate fought in fists and words.
Now we’re getting somewhere. The Punisher of Bernthal has always been defined by its unrelenting cruelty. The Netflix series were never afraid to depict the toll Frank’s war took — blood, trauma, and moral compromise were the pronouns of those shows.
Bernthal has gone on record to speak to these concerns and the answers should calm fans down. He did acknowledge the “level of violence” that fans are used to seeing, but offered a reassuring perspective.Around the time of the release of Spider-Man 4, Disney+ will release The Punisher: One Last Kill, a Special Presentation that Bernthal co-wrote and says will be the “high octane kind of Punisher you’ve ever seen.”
Bernthal also stressed that it was “really important to us” that he, director Destin Daniel Cretton, and Tom Holland that the version of the Punisher in Spider-Man be the “same character from the special.”I do believe that we achieved that,” he said, indicating that while the violence is likely toned down for the family-friendly rating, the heart of Frank Castle — his anger, his pain, his unflinching moral compass, is still there.
It is crucial that Bernthal has always been “incredibly protective” of the character, and he has said that he’s “only interested in serving it right” and that the character needs to be respected in every version. He walked away from previous scripts of Daredevil: Born Again when he felt they were not respecting what The Punisher stands for. The fact that he’s locked in for this film, indicates Marvel figured out a way to do the character without “Disneyfying” him to death.
Marvel’s tactic here is actually pretty smart. In The Punisher: One Last Kill—a TV-MA special presentation—before Spider-Man: Brand New Day, you’re getting the best of both worlds. The special, which is directed by Reinaldo Marcus Green and co-written by Bernthal himself, will be the most “visceral, psychologically nuanced, merciless, no-holds-barred” iteration of the character. It has a release date of May 12, 2026, which gives audiences two months to enjoy getting their fill of hard-R Punisher adventure before catching him in the PG-13 Spider-Man movie.
It’s a permitting Bernthal to delve into the full dark depths of Frank Castle in the special but with a slightly more accessible version on the big screen. And, Bernthal says, the two projects flow seamlessly into one another. The Punisher who staggers away from the set of Spider-Man is the same Punisher who makes an appearance in the special .
What’s exciting in particular is that Bernthal hired real military consultants to make it real. Colton Hill, U.S. Marine Corps veteran, acted as weapons and tactics consultant for the special and served as military advisor for Spider-Man 4, confirmed that Frank Castle’s combat abilities and mentality is accurately represented for the character’s background. This is the level of detail that endears fans to Bernthal in this role — he gets that for a lot of vets, The Punisher is more than a comic book figure, he’s a reminder of the cost of war and how hard it is to come home.
A recently released trailer also gave us our first look at Bernthal, and it was indeed everything we could have hoped for. In a short but sweet snippet, we catch a glimpse of The Punisher plowing over Spider-Man in his iconic Battle Van, this is the first time we’ve seen this vehicle in a live-action adaptation.
Spider-Man franchise will take a new road which brings alpha and Gen Z generation altogether for its street-level fighting and more powerful characters. Destin Daniel Cretton directed this film who previously worked on Shang-Chi and the Legend of the Ten Rings. Kevin Feige has said this movie at last has Holland play a “real Spider-Man” fighting everyday crime on the streets of New York, rather than facing threats that could kill the planet, which is what the ending of No Way Home promised.
The other casting members like Zendaya and Jacob Batalon are also joining, which makes fans more excited to watch them together with Holland and Bernthal alongside newcomer Sadie Sink. It’s not enough yet because Mark Ruffalo portrays Hulk and Michael Mando returns as Scorpion, which means it’s heading towards the larger MCU.
Jon Brenthal showcasing his physicality and emotional realism which makes The Punisher original and keeps his ranking up in a world of CGI-heavy superheroes. He isn’t acting the role of pain, he is pain. Every sneer, every scar, every moment of barely contained rage feels earned.
Bernthal’s dedication is not limited to screen. He has openly talked about what the character represents to the military community and he has refused to waive on the darkness that defines Frank Castle. In a time when franchises seem increasingly focused-grouped to death, Bernthal’s Punisher is genuinely menacing, unpredictable and real.
As we tick away to July 31, 2026, the excitement is palpable. And this is not ‘just another superhero team-up;’ it is the culmination of almost a decade of storytelling, the crossing of two Marvel eras, and the confirmation of a performance that has shaped an entire generation’s perception of who The Punisher really is. Jon Bernthal is back. The skull is back. And this summer, moviegoers will get to know there’s no other person who could play this part like Netflix fans have for years now.
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Ultimately, Jon Bernthal’s comeback as the Punisher in Spider-Man: Brand New Day isn’t just a simple return, but rather a full-circle moment for the character and the audience. It began as a gritty down-and-dirty perspective on the shadows of Hell’s Kitchen, and now its big-screen event bridging two very different eras of Marvel storytelling.
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Daredevil: Born Again Season 2 Ep7 “The Hateful Darkness” delivers a darker, gritty Netflix era with shocking returns, deaths, and major MCU Phase 6 stakes.
Daredevil: Born Again Season 2 Ep7, ominously titled “The Hateful Darkness,” just dropped on Disney+, and it didn’t just shift the chess pieces on the board for next week’s blockbuster finale — it upended the whole table. Upending despairing character deaths with triumphant returns to the courtroom, this penultimate episode was essentially a love letter to the gritty Netflix era, padded out by the larger, high-stakes politics of the Marvel Cinematic Universe Phase 6.
As Matt Murdock (Charlie Cox) limps toward an explosive showdown with Mayor Wilson Fisk (Vincent D’Onofrio), the showrunners packed this hour so full of lore, comic-book history and sly callbacks that you almost certainly missed a few while shouting at your tv.
Let’s dive deep into the streets of Hell’s Kitchen in Daredevil: Born Again Season 2 Ep7 for a darker finale.
Let’s start with the loudest moment of Daredevil: Born Again Season 2 Ep7. The final image of Matt Murdock, injured and hopeless, praying in the red-lit pews of Clinton Church was cinematic perfection. But then, Krysten Ritter’s Jessica Jones emerges from the darkness. It is the jaw dropping moment for everyone.
But the true Easter egg is in the dialogue at the beginning of the episode. When Mr. Charles is talking about Jessica’s case, we get explicit mention of her husband, Luke Cage, and the fact that she has to shield her daughter, Danielle.
Danielle, a daughter of Luke Cage and Jessica Jones and named in honor of his fathers’s best friend Danny aka Iron Fist. This isn’t some throwaway name-drop for laughs, it solidifies the lives of our street-level superheroes after the Defenders as canon.
It makes clear that as Matt has been struggling on his own in a one-man battle, the other members of the Defenders have been establishing families. It escalates the stakes for Jessica’ return and she’s not just battling for New York any more, now she’s fighting for her kid.
We’ve observed Matt working under the cover of darkness for nearly a full season, watching as his alter ego, the vigilante, dominated, while Matt Murdock, Attorney at Law, played second fiddle. But when Karen Page (Deborah Ann Woll) is tossed into the legal meat grinder by the Anti-Vigilante Task Force (AVTF), Matt at last emerges into the light.
Making his way into the courtroom this time as co-counsel with Kirsten McDuffie (Nikki M. James) was a huge full-circle moment. It’s a direct thematic callback to his charming, sunlit cameo in She-Hulk: Attorney at Law. But here, the tone is reversed. There’s no wacky super power law puns. This is the dark, stifling legal rot in Fisk’s New York.
It perfectly echoes his defense of Frank Castle (The Punisher) in Netflix’s Season 2. Matt turns the courtroom not only to defend his client but to also use it as a platform from which to try the system itself.
Maybe the most soul-sapping sequence in “The Hateful Darkness” is Matt’s fraught chat with Benjamin Poindexter, a.k.a Bullseye (Wilson Bethel). Matt frees his mortal adversary, exhorting him to perform “one good deed” to balance the cosmic scales — by rescuing Governor McCaffrey from assassination.
In that exchange Matt specifically mentions the killings of Foggy Nelson and Father Lantom. If you saw Season 3 of the original Netflix run, Father Lantom died after he took a baton to the chest that Dex threw at Karen. And the heartbreakingly tragic death of Born Again’s Foggy is the wound that still fuels every reckless choice Matt makes.
Matt telling his arch enemy how much he hates him but a shred of his Catholic soul wants to forgive him is lifted directly from the moral ambiguity of Frank Miller’s iconic comics. It’s Matt Murdock at his most self-destructive, placing the city above his own need for vengeance.
We need to pour one out for Daniel Blake. Michael Gandolfini has been putting in incredible work this season as the ambitious, swaggering administrator who got way too deep into Fisk’s regime. But in Daredevil: Born Again Season 2 Ep7, his luck finally runs out.
Daniel is savagely clubbed and then killed by the cold-blooded Buck Cashman (Arty Froushan) for deciding to shield BB Urich (Genneya Walton). BB’s last name is Urich. Like, Ben Urich — the tenacious reporter who was viciously garrotted by Wilson Fisk in Season 1 of the Netflix show.
Daniel being killed while defending an Urich from Fisk’s enforcers is a vicious rhyme in the Daredevil poetry. It is a reminder that even though the corporate branding of Fisk’s empire has changed, it still eats anyone who tries to protect the truth. The common mob-movie trope of a gangster “digging his own grave” was completely turned on its head here; Daniel got his soul back right before he lost his life.
When Cherry (Clark Johnson) discloses he has an “inside man” who is watching over Karen Page up at the precinct, fans who have been around since the beginning took a collective breath-hold. And the show delivered: it was none other than Detective Brett Mahoney (Royce Johnson).
Brett Mahoney has been the unsung hero of the street-level MCU since the beginning. He’s a repeat helper in Daredevil, Jessica Jones and The Punisher.
Watching Brett sneak Karen out the back door for a secret rendezvous with Matt reminds us that for all Fisk’s AVTF, and the pervasive corruption in the NYPD, the OG Hell’s Kitchen good cops still want to be your sweethearts. It anchors the over-the-top superhero spectacle in believable, procedural fealty.
Let’s talk about cinematography and Catholic guilt—the pillars upon which Matt Murdock’s whole being rests.
After moving vigilantly through a parking-garage slaughterhouse, Matt is shot in the leg and barely manages to crawl to Clinton Church. He pleads with the Seminarian to pray to Saint Jude for “courage in my cowardice and consolation for my tribulations.”
Saint Jude is the advocate for the hopeless and things are indeed hopeless now. You just can’t get a better metaphor for Matt’s crusade against Fisk these days.
As Matt is bowed in prayer, the shot is awash in a thick, bloody, neon red light. That’s not an accident. It’s a very visual reference to the quintessential hallway battles and shadowy lighting of the first Netflix series. It informs viewers, with no need for a word of conversation, that Matt has been driven to the ends of his bodily and soul limits.
Wilson Fisk is a man of impeccable discipline, frightening regimens and violent rages. The first few seconds of Daredevil: Born Again Season 2 Ep7 depict Fisk getting dressed, and he sees that one of Vanessa’s earrings has gone missing.
It sounds like it’s just a tiny continuity nod. But for Fisk, Vanessa is his tether to his own sanity. In Netflix’s Daredevil Season 1 and 3, whenever Vanessa found herself in peril, was absent or figuratively compromised, the polished Fisk mask would crack, revealing the monstrous “Kingpin” beneath.
When the director dwells on the missing earring, it signals to the viewers that Fisk is slipping in terms of control. His later conversation with Karen in her cell where he chokes her while telling her he is “bringing back order” — establishes that the missing earring is a sign of his quickly disintegrating mind.
Daredevil: Born Again takes place on the streets of New York, but Daredevil: Born Again Season 2 Ep7 made it clear we’re solidly in Phase Six of the Marvel Cinematic Universe.
In a conversation, Mr. Charles drops a titanic global bomb: The U.S. government does not consider Mayor Wilson Fisk to be a “useful ally.” This clears the path for Governor McCaffrey (Lili Taylor) to come in and try to oust Fisk.
The MCU is currently navigating a fraught political climate, with actors like President Ross, the Thunderbolts, and the Department of Damage Control holding the board. In this context, it’s natural the government would view a strong, authoritarian NYC mayor who goes after vigilantes as a threat. Fisk just got over the line too much, and now these government bodies are at last getting involved.
The parking garage ambush was easily the the most exciting action set piece of the Daredevil: Born Again Season 2 Ep7. The Anti-Vigilante Task Force (AVTF) attempts to eliminate Matt and Kirsten, but are defended by Cherry and Angie Kim (Ruibo Qian), the “unspoiled” cops of the precinct.
This is more than just a neat fight scene; it’s a thematic extension of the narrative strand that began way back in 2015. Daredevil has always been intrigued by the war for the soul of the NYPD.
From Detectives Blake and Hoffman being on Fisk’s payroll in Season 1, to the FBI being completely infiltrated by Kingpin in Season 3, this franchise loves to examine systemic corruption.
The garage scuffle was raw, unrefined and intimate, and it was great to see the stunts that brought fame to this franchise in the first place.
Daredevil episodes don’t often have throwaway titles, they’re usually heavily thematic or taken directly from comic book arcs.
The ‘Hateful Darkness’ is the space Matt Murdock now finds himself in. He’s turned his friends into enemies, allied himself with his greatest enemy (Bullseye), and watched the city decay all around him. The “darkness” is not just Fisk’s regime; it is the hate that festers within Matt himself.
Kirsten McDuffie in her opening statement in court (explaining what the real definition of vigilante is to ADA Hochberg) exemplifies this perfectly. Matt is trying to battle the darkness, but his “self-defeating brand of heroism” (as critics have rightly pointed out) continues to drag his friends into the line of fire. Daniel Blake dies, Karen is beaten in a cell, and Matt bleeds in a church. The dark hatred is winning.
If Daredevil: Born Again Season 2 Ep7 served as the table setting, Season 2 finale will be an absolute earth-shattering event. Now we have Matt Murdock and Jessica Jones back together and ready to go to war. We have Bullseye on the loose with a warped mission for “redemption.”
We have Kingpin pushed into a political corner, his mayoral mask slipping away to reveal the full-blown mob-boss brutality beneath. And we have Karen Page at the heart of it all, poised to see if the legal system will rescue her or destroy her.
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Daredevil: Born Again hasn’t just made it through the jump to Disney+ with episodes like “The Hateful Darkness” it has shown that it can pay homage to its Netflix roots while crafting an adult, shatteringly tragic, and deeply engrossing new narrative. With these gritty moments of Daredevil: Born Again Season 2 Ep7 shows Marvel Cinematic Universe is headed to Phase 6.
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Also included in Sony ’s CinemaCon 2026 presentation for Spider-Man: Brand New Day was a disheartened Peter Parker, returning antagonists, and Sadie Sink.
Sony Pictures just went all out at CinemaCon 2026, sharing the biggest scoop about Tom Holland’s much-anticipated comeback in the Marvel Cinematic Universe in Spider-Man: Brand New Day. Holland himself was seen only in a video message, but his statement that the film is the “most emotional” and “most grown-up” Spider-Man story yet was heavily backed up by the footage screened to the audience.
Synopsis of the exclusive CinemaCon footage features a very secluded Peter Parker dealing with the consequences of Doctor Strange’s spell that wiped his memory. From cringing run-ins with his ex-besties to savage jail brawls and the casting of newcomers Sadie Sink and Eman Esfandi, Phase 6 is assembling a street-level war.
Let’s dive deep into the description of the exclusive Spider-Man: Brand New Day footage, its biggest theories for the MCU’s upcoming July blockbuster.
One of the biggest shocks from the footage is where we find Ned Leeds after Spider-Man: No Way Home. From the footage of Spider-Man: Brand New Day, Ned appears to have a wall of Spider-Man research and has even created an app called “Spidey-tracker” to report sightings of the wall-crawler. He currently suspects that either his former teacher or Flash Thompson is the man behind the mask.
From afar, it looks classic and humorous Ned Leed but he is obsessed and a total red flag. As he forgets about Peter Parker, he has no attachment to him which makes him a repulsive man. To Ned, Spider-Man is just a puzzle to be solved.
Ned’s tech skills and his obsession will also make him powerful enough to uncover the truth of Spider-Man. It also makes him a target, crime bosses like Tombstone will use him right after discovering that a brilliant MIT student has an app tracking Spider-Man’s movements. This dangerous inquisitiveness is the ideal narrative accelerant to send Ned careening down a sinister road. If Ned accidentally causes people harm or gets kidnapped and brainwashed by the mob—the trauma could break his mind, paving the way for his tragic comic-book destiny as the Hobgoblin.
The emotional heart of the footage is Peter Parker spying on his former friends. He observes Ned in a store, tails him to a party, and finally meets MJ. The exchange is heartbreaking: Peter gives MJ flowers and reluctantly tells her his name is “Maynard.”
The selection of the name “Maynard” is a deliberate if subconscious nod to his deceased Aunt May. It illustrates how traumatized Peter is, how completely alone he is – he can’t even make up a fake name without referencing his grief. The most interesting part of this interaction though is what MJ says. She thinks that something big is waiting for her so she turns down his job offer.
Peter Parker’s existence is erased by Doctor Strange’s spell, he is being erased from everyone’s life but emotional attachment is still there somewhere. MJ still has the sense that she’s waiting on something or someone — so the spell is imperfect. Her soul remembers what her mind has forgotten.
This star-crossed love story gets more complicated with the entry of Eman Esfandi’s character, who kisses MJ and refers to her as “his girl.” Fans are speculating Esfandi might be playing a civilian, but it seems more likely he has been cast as an MCU version of Harry Osborn, or even Paul, a massively divisive figure in recent Spider-Man comics who was paired with MJ. After watching MJ with someone else pushed Peter into the darker and violent state of Spider-Man.
The lens abruptly turns from teen drama to high-octane action showing Spider-Man doing stretches before weaving through bullets shot by heavily armed prison guards. That’s a major change of pace. Spider-Man is usually friendly with law enforcement, so clashing with prison guards shows he’s running completely outside the law.
We’ve got Michael Mando back as Mac Gargan (Scorpion) and Marvin Jones III as the menacing crime lord Tombstone. In addition, Jon Bernthal officially returns as Frank Castle, the Punisher.
Spider-Man is not really battling the guards—he’s attempting to infiltrate. He is located in a secret underground complex, such as the Raft, a Damage Control installation, or a detention center. And why is that? He needs to reach Mac Gargan before everyone else.
With Kingpin presumably sitting on the throne as New York’s Mayor (courtesy of Daredevil: Born Again), its prisons could be under his influence. Tombstone may be running his crime empire with political immunity. While the Punisher is currently on a spree wiping out street-level kingpins such as Tombstone and Scorpion, Peter may have to bust a guy out of jail to prevent Frank Castle from killing them, landing Spider-Man in the middle of crooked cops, a deadly vigilante and a pair of lethal supervillains.
An unexpected addition to the cast list is Mark Ruffalo as Bruce Banner. Spider-Man and the Hulk have never been given much time to interact, so Banner’s inclusion is a big question mark for this street-level story. But Spider-Man: No Way Home post-credit scenes have already answered this question.
Eddie Brock left a small piece of Venom Symbiote in Mexico while returning to his own universe and this alien will grow into the city of New York. We are surely going to see this Venom symbiote at the time Brand New Day starts.
Peter Parker will recognize this alien life form with more advanced abilities as he is a brilliant scientist and engineer, but he doesn’t have access to Stark Industries tech. So, he needs a top radiation and biology guy to explain it to him.
Peter, maybe still going by “Maynard,” will probably turn to Bruce Banner for science advice. Banner, not realizing he is speaking to a former Avenger, may end up helping Peter connect with the Black Suit. The venom symbiote is always searching for a host who has an isolated, heartbroken mindset, which Peter Parker considered is the best option for now.
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Sadie Sink (Stranger Things’s Actress) role is still a mystery, Marvel and Sony keeping it a secret but the footage revealed the theme of Spider-Man: Brand New Day which hinting towards the iconic character: Felicia Hardy, a.k.a. The Black Cat.
The dominoes have been lined up flawlessly for the introduction of Black Cat in the MCU. Peter Parker is totally gone into a state of depression, seeing his love MJ moved on with someone else in front of him, and completely cut off from his civilian life. He is burying his pain by spending all his time as Spider-Man.
Felicia Hardy is different from MJ and she loves Spider-Man, the reckless, exhilarating superhero whereas MJ loved only Peter Parker. Felicia doesn’t care about Peter’s everyday problems. If Sadie Sink is cast as Black Cat then she is also going to be the greatest temptation for Peter. She tells him to give up his miserable human life and truly live as the mask. A romance with Black Cat, a down and dirty version of the alien symbiote suit, would be exactly the “grown-up” and emotionally layered story Tom Holland promised.
Spider-Man: Brand New Day may be the last single movie of Spider-Man before the biggest crossover in Avengers: Doomsday and Avengers: Secret Wars. Sony Pictures and Marvel Studios are undoubtedly using this July debut to reduce Peter Parker to his barest essence.
By placing him in the proximity of deadly street-level threats (Tombstone and Scorpion), holding up the brutal worldview of the Punisher to him, and shattering his heart with MJ’s new life, the MCU is pushing Spider-Man to limits it’s never explored before. Whether he succumbs to the darkness of the symbiote or rises above it, the CinemaCon footage makes it clear that Peter Parker’s new day will be his darkest day.
Spider-Man: Brand New Day will set on screens on July, 31.
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