Top 14 Milly Alcock Movies and TV Shows
From House of the Dragon to DC’s Supergirl, these are the best Milly Alcock movies and TV shows that showcase her sudden star power.
From House of the Dragon to DC’s Supergirl, these are the best Milly Alcock movies and TV shows that showcase her sudden star power.
Milly Alcock did not rise to global acclaim in the space of a moment — but once she did, there was no turning back. Featuring an unusual combination of raw feeling, quiet intensity, and fearlessness, the Australian actress has quickly made a name for herself on both television and motion pictures. Whether she is playing a defiant princess, a struggling teen, or any other person trying to make it through life, Milly is authentic in every character.
If you’ve ever wondered about the path her career has taken or just want to watch the best of her work, here’s our definitive list of the Best Milly Alcock movies and TV shows that prove she is a talent, and stardom, on the rise.
In The School, Milly is Jien. She is a young adult stuck in a very unsettling school. The students are subjected to horrifying things there. This horror is a seat-grabber. It has suspense and evil secrets.
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High Life is a web-based miniseries. Milly is Isabella Barrett, a young girl. She deals with growing up and family problems. The show chronicles the highs and lows of a teenage life. It’s relevant and captivating to a young audience.”
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Milly Alcock is officially joining the DC Universe.
She has been cast as Kara Zor-El / Supergirl, her biggest leap into Hollywood so far. The movie has been billed as a darker, more nuanced version of the iconic hero and Milly’s casting is a clear sign of new bold direction for DC – one that heavily relies on character depth.
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In The Familiars Milly is Alison, a young girl who finds out that her family is connected to magic. She uncovers a world of witches and secrets. This movie is really from the fantasy/drama genre and that really gives Milly opportunity to shine.
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Furlough narrates a story of a young woman in the time of her father’s furlough from jail. Milly, in a small part, brings layers to the film. It deals with family and optimism in hard times.
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In The Gloaming, Milly plays Jenny McGinty, a young woman caught in a murder investigation. It’s a crime drama where dark secrets are unearthed in her hometown.The series is a mix of mystery and suspense, which makes it fun to watch
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Milly Alcock plays Maya Nordenfelt in Fighting Season. Maya is a war soldier coming home. She is struggling emotionally after serving. This series focuses on the adversity facing veterans and their loved ones.
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In Upright, Milly acts as Meg Adams, a runaway teen on a road trip across Australia. She is on the road with a strange partner, Lucky Flynn. The series is a blend of comedy and drama, with a focus on friendship and development.
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Pine Gap is set in an Australian intelligence facility. Milly (MR. ROBOT) is Marissa Campbell, who brings a little intrigue to this political thriller series. The series follows spies and the moral questions they confront.
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This is the role that altered the course of everything.
Milly Alcock was bold, raw and unforgettable as a young Princess Rhaenyra Targaryen in HBO’s House of the Dragon. She embodied the defiance, vulnerability and ambition of a woman power was in her destiny, and quickly became a fan favourite. Even with short run on episodes, her impact on the series – and pop culture – was enormous.
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Milly Alcock has appeared in several TV shows, including:
In Wonderland, Milly makes her television debut as Teen Girl 1 in the episode “Narcissism.” This romantic comedy series is about a group of friends living in Sydney trying to find love and date.
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In Les Norton, Alcock is Sian Galese, bringing complexity to this dramedy about a former prisoner trying to make a living in Sydney’s criminal underbelly in the late ‘80s.
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In the psychological thriller show, Milly is Sam Serrato, a suburban mom whose life becomes entangled with a serial killer who lives in the suburbs herself. Just and moral are the questions the show raises as the pace gets the viewers’ heart pounding.
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Milly also stars opposite Julianne Moore and Meghann Fahy in the dark comedy limited series Sirens, currently in post, about women facing down life’s obstacles with laughter.
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Milly Alcock has demonstrated skill in multiple genres, ranging from horror and fantasy to comedy-drama. She has captivated the world with roles and turned heads as an actress to watch.
From House of the Dragon to future projects such as Supergirl: Woman of Tomorrow, fans are eager for more. She just keeps knocking it out of the park and inspiring fans everywhere with every role!
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Kathleen Robertson and Mark Engelhardt join CBS’s hit series Tracker, bringing new characters, fresh twists, and added depth to Colter Shaw’s story.
The CBS hit series Tracker has been given an electrifying shakeup, and fans of the show will be the real beneficiaries. Veteran television stars, Kathleen Robertson and Mark Engelhardt, have been nabbed as series regulars for season six, adding new layers to the captivating story arc that revolves around Justin Hartley’s iconic character, Colter Shaw.
Kathleen Robertson, who is likely best remembered for the searing Swimming with Sharks, has been cast as Maxine, a powerhouse attorney at a top firm. An interesting premise is introduced with her character: she befriends Reenie Greene (Fiona Rene, who is simply wonderful) and appears to be engaged in routine legal work on a class action suit. But here is the surprise nothing is what it was supposed to be up close.
Maxine is hiding something big and it will rock the boat. Robertson also has a producing and writing background, the kind of creative smarts that is sure to add additional layers to her role.
Mark Engelhardt (best known for American Horror Story: Asylum) will now play Emile Sark, a man with a strong sense of right and wrong. Paul’s description makes him sound cold, calculating and ruthless — a man who lives by his own rules, morals and ethics. A character like this could really shake up the dynamic of the show and cause some amazing tension.
These two casting additions are interesting in the development of the series. Tracker has been a powerhouse for CBS since debuting after Super Bowl LVIII in February 2024. Based on Jeff Deaver’s best-selling novel The Never Game, the drama centers on Colter Shaw, who roams the country, employing his unparalleled tracking and survival skills to find missing people and crack cases while raking in cash. Justin Hartley has nailed the role, he made me believe in the lone-wolf survivalist.
Season 3 had already been released on October 19, 2025, and the series continued to provide the quality storytelling that the viewers were expecting. Following the dramatic cliffhangers and family revelations of prior seasons, Colter is confronted with hard truths about his family’s past. With the addition of Robertson and Engelhardt’s characters to the mix, more depth and complexity is brought into the story.
What makes this casting development even more interesting is how it plays into a larger overhaul of the series’ supporting players. It was previously announced that series regulars Eric Graise (who played tech-savvy hacker Bobby) and Abby McEnany (who was the empathetic Velma) exited the show. This allowed the show’s creators to take the series in new directions, and introduce completely new character dynamics.
Elwood Reid (showrunner) has been very clear about what he wants the series to be: for every week, starting with Colter coming into a new place with a new case and how he goes about approaching solving it is entirely for grabs. This loose format allowed the series to bring in several memorable guest stars and recurring characters who added a unique element to the storyline.
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Robertson and Engelhardt round out a cast including the powerhouse Justin Hartley and the incredible Fiona Rene. The series has already shown that it can lure big-name guest stars such as Jensen Ackles, Sofia Pernas and a host of other fan favorites.
With these two talented additions, Tracker is set to keep the wins coming. The arrival of Maxine and Emile Sark promises some interesting story lines, especially as these characters relate to Reenie and to Colter’s investigations. Whether they wind up allies or enemies, one thing is for certain: the CBS series is still pushing the envelope in exhilarating ways that keep viewers hooked and starving for more.
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Find out how Peacemaker Season 2 ends on a heartbreaking note. Jennifer Holland reveals the emotional finale that sets up James Gunn's new DC Universe.
Peacemaker Season 2 Episode 8 Full Nelson brought a rare achievement in genre TV, it provided a gratifying emotional payoff for the central characters that also ended with an apocalyptic, brink- of- war cliffhanger with ramifications for the entire DC Universe. This narrative paradox is exactly the reason why star Jennifer Holland, who plays Emilia Harcourt, referred to everything as “heartbreaking in retrospect”. Her appraisal captures the uneasy duality of James Gunn’s filmmaking in which real emotional breakthroughs are all too often punished by the brutal requirements of survival and franchise restructuring.
While the final episode was more focused on “smaller, character moments” that were designed to provide emotional closure, it also featured critical, major revelations that shaped the DCU. The perceived heartbreak is because Holland’s character, Emilia Harcourt, and her team, the “11th Street Kids” believe Chris Smith/Peacemaker (John Cena) gave himself up to A.R.G.U.S.. Holland later spoke about the emotional torment of this scenario, in particular discussing the “heartbreak of none of them knowing that Chris was kidnapped”.
The resulting effect is one of supreme narrative irony. The season expertly resolved the emotional complexity between Chris and Harcourt. Harcourt, who is defined by her trauma and fear of intimacy, actually exposed herself. But the external story cruelly supplants that hard won trust with the heavy gravity of perceived abandonment. The team manages to bail Chris out of prison, only to learn he’s already gone. They are to surmise that Chris went and left them immediately after their connecting on such an emotional level. This isn’t the grief of mourning a death, but the pain of a betrayal, maximizing the tragic payoff, and ensuring that Harcourt’s future arc will be driven by this unexpurgated pain and misunderstanding.
The near-fatal shooting Harcourt suffered in the Season 1 finale (during the battle with the Butterflies at Coverdale Ranch) left the character deeply scarred both physically and mentally, setting up her complicated return in Season 2. “The Harcourt and Peacemaker tension is very personal trauma,” Holland explained. After her near-death experience, Harcourt came back, according to Holland, “not operating the way she” was, still pushing people away as a mental defense mechanism. The whole of season 2 was about gradually tearing those walls down to nothing, so the final banishment is a particularly vitriolic reward for her emotional journey.
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Now, in a flashback sequence, the storyline finally gave us the truth about the hinted-at “night on the boat,” which served as crucial motivation behind their secretive relationship. The sequence allowed Chris and Harcourt, as DC Comics rivals, to commiserate over professional frustrations at the DC Comics sandwich shop Big Belly Burger, and together they stumble upon a bizarre 90s rock trivia question: a “rock cruise” with the band Nelson. Two enjoyed what was called a “magical, world-shattering, panoramic kiss.” This was, without a doubt, a “pivotal turning point” for their relationship.
The finale’s structure was ultimately defined by the necessity of setting up DCU Chapter One: Gods and Monsters. Regarding a potential third season, Gunn was clear it was not planned “at the moment,” stating: “This is about the wider DCU and other stories this will play out right now.”
Gunn said the Season 2 finale specifically aims to “set up the world of the 2027 DCU cinematic feature, Man of Tomorrow“. As DC Studios co-CEO, Gunn said his focus is “propping up and maintaining and repositioning the big diamond properties that DC has,” like Batman and Superman, but also taking lesser-known characters such as Peacemaker — and creating new “diamond properties” within the franchise.
This demand was why the final episode felt like an “extended teaser” or “backdoor pilot for other DCU projects,” as some critics observed. The narrative goal of the end of Season 2 was assimilation, not resolution. Tying up the Salvation cliffhanger in a third season of the TV show may have conflicted with or undermined the timeline set out in the slate of movie. When they left Chris to perish, his rescue, and what that would mean for him, had to happen in a big DCU event, and that meant the TV series prologue to the films. Although Gunn is still tight-lipped on whether Peacemaker will make an appearance in Man of Tomorrow or Supergirl, he has dropped a hint that Chris Smith’s next outing in the cinematic universe is a safe bet.
Jennifer Holland’s characterization of the Peacemaker Season 2 finale as “heartbreaking in retrospect” is a wonderful encapsulation of the narrative needs the series is forced to cater to with the wider franchise restructuring. The heartbreak is not just the breach of physical separation between Peacemaker and Harcourt but that their emotional walls are torn down only for the new connection to be severed by perceived betrayal. While Peacemaker Season 3 is on hold, the characters’ narratives—now driven by Harcourt’s grief and resolve—are officially at the center of the upcoming cinematic universe.