Eva Green is set to portray Aunt Ophelia Frump in Wednesday Season 3, bringing dark psychology and mystery to the award-winning series series in 2027.
The fact that Eva Green has been cast as Aunt Ophelia Frump in season three of Netflix’s Wednesday is a huge win in the streaming giant’s content strategy and the growing creative evolution of the Addams Family franchise. The announcement was made official on 25 November 2025 through The Hollywood Reporter, putting an end to months of rampant speculation following the Season 2 cliffhanger.
Green’s addition isn’t just a casting coup, it is a clear shift towards high-stakes psychological horror given her natural and proven working relationship with executive producer Tim Burton and his gothic storytelling roots. It’s about how the popular “Lady Gaga” fan theories are being debunked, the production logistics that indicate a Summer 2027 release, and the deep lore of “Raven” psychics that implies Series 3 will be the franchise’s most intellectually daring outing yet.
The decision to cast Green was accompanied by strong endorsements from the show’s creative leadership. Al Gough and Miles Millar, the creators and showrunners, issued a statement to Tudum that focused on what it is that Green brings to the role — attributes that fit with the show’s developing look and feel.
“Eva Green has always brought an exhilarating, singular presence to the screen — elegant, haunting and beautifully unpredictable, making her the perfect choice for Aunt Ophelia.”
—Al Gough and Miles Millar stated
This is the key quote for understanding what Ophelia is supposed to do. The adjectives “haunting” and “unpredictable” suggest that the character will generate real narrative tension and perhaps menace rather than simply being a quirky relative.
The collaboration marks a reunion between Green and executive producer Tim Burton.Their earlier collaborations on Dark Shadows (2012), Miss Peregrine’s Home for Peculiar Children (2016) and Dumbo (2019) made Green the definitive “Burton Muse,” who could capture the director’s unique juxtaposition of the macabre and the sympathetic.
Green’s statement on being cast in the role showed a great understanding of the particular tone of the Wednesday universe—a mix of horror and satire.
“I’m excited to be a part of the haplessly warped world of ”Wednesday” as Aunt Ophelia. This is such a wonderfully dark and funny world, I am so excited to add my particular brand of cuckooness to the Addams family.”
—Eva Green said
It suggests a performance that will oscillate between the comedic eccentricity traditional to the Addams Family and the “dark and twisty” depth Green is famous for.
The Wednesday series has dramatically reframed Ophelia, removing all the sitcom levity for gothic tragedy.
The show draws a line between the types of psychic powers: “Doves” (such as Morticia) are gifted with positive, helpful visions, while “Davens” (such as Wednesday) are plagued by violent, bleak and isolating ones.
Ophelia is a confirmed Raven, just like her niece. And this designation is key, meaning that Ophelia’s “madness” is caused by the very same burden that Wednesday is carrying. She is a “Ghost of Christmas Future” for Wednesday—a cautionary tale of what occurs when a Raven goes “to the limit and beyond” with her gifts.
Unlike the 1964 version, Netflix’s Ophelia endured a traumatic past in and out of institutions. The story discloses that she was lobotomized at Willow Hill Psychiatric Hospital by her mother, Hester Frump (Joanna Lumley).
The trigger of Ophelia’s return is her journal, in possession of Wednesday, whom Morticia entrusts with it as a sign of trust. That object acts as a device, and the two women, aunt and niece (Wednesday) across time while having a vision.
According to Movieweb, The need to cast Green is so urgent because of the explosive final moments of Season 2, Ophelia (back view) in a red dress, committing “Wednesday must die” in her own blood on the cell wall. The iconic image of the finale—and the teaser for Season 3.
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According to Collider, Ophelia’s statement that “Wednesday must die” makes her an immediate danger. However, given the “Raven” aspect of her abilities, she could be seeing a future in which Wednesday turns into a means to an end for potential global destruction, and her trying to kill him is a very warped form of heroism. Or, she could be affected by the madness brought on by her captivity.
Ophelia is more than a psychic threat, “blood on the wall” evokes a bodily threat and Wednesday has never been confronted by a relative in such a fashion.
The typical post-production schedule of 12 to 14 months for a show that relies heavily on VFX (with werewolves, hydes, and disembodied hands), Season 3’s estimated release is Summer 2027.
Hester (Joanna Lumley) is unmasked as a cold-blooded pragmatist who locked up her own child. In Season 3, Morticia (Catherine Zeta-Jones) and Wednesday face off with Hester, contesting the family pecking order.
Morticia is the “Dove” that survived by assimilating (somewhat), Ophelia is the “Raven” that was shattered. Green and Zeta-Jones together on screen is one hell of a clash of acting titans as they interrogate the guilt Morticia feels over her sister’s fate.
The choice of Eva Green to play Wednesday op indicates a clear rise in Wednesday’s franchise potential. In signing an actress of Green’s calibre – who is very much a face for the ‘gothic prestige’ genre – Netflix is making sure that season three has the dramatic heft to match the global phenomenon that the first two seasons have become.
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Rian Johnson has hinted at Knives Out 4 with Daniel Craig and hopes to cast Meryl Streep. Wake Up Dead Man will arrive in 2025 before the next mystery begins.
If there’s one thing Rian Johnson has shown us these past few years, it’s that the whodunit isn’t defunct but it simply needed a new wardrobe. The Knives Out series has blossomed from a sleeper success into a cultural juggernaut, the quintessential cinematic comfort food for a generation exhausted by CGI superheroes. But now as we’re about to do the third, Wake Up Dead Man (in late 2025), the conversation is already shifting to the future. And that future has a name: Meryl Streep.
Rian Johnson tends to keep things close to the vest. He is notoriously not in possession of “wish lists” of actors, instead allowing the script to determine the casting. However, he has just broken his own rule in an interview with IndieWire, revealing that Meryl Streep for a future mystery is the one and only person he wants.
“I feel like you’d slot into a murder mystery very well,”
–Johnson said
Addressing the screen legend, It’s a match made in cinematic heaven. The Knives Out world is very much about tone, a sort of heightened reality where camp has real emotion. Streep is the unchallenged sovereign of this discrepancy. From the grotesque comedy of Death Becomes Her to the icy satire of The Devil Wears Prada, she can portray a matriarchal antagonist or a flustered intellectual counterpoint to Daniel Craig’s Benoit Blanc.
The campaign to get her is already in-house. Kerry Washington, star of the soon to Wake Up Dead Man, has gone public with her intention to “encourage” her former co-star to come aboard. In Hollywood, that sort of peer-to-peer validation is often what seals the deal.
Part of the brilliance of the Knives Out approach is its ”revolving door” policy. Except for the immaculately clad Benoit Blanc, no one makes it to the sequel. This “literary hex” format eliminates the “Cabot Cove Syndrome” (“where murder just keeps following one person around”) and keeps the storyline fresh.
According to Variety, This setup has come to serve as the franchise’s secret weapon in recruiting. It’s easy to see Streep, one of the finest actresses of her generation, expressing hesitation about signing a six-movie deal for a Marvel franchise, but a “one-and-done” invitation to play a quirky suspect in a glamorous location? That’s an easy yes. It gives Johnson the ability to book “Avengers-level” casts in what are basically mid-budget conversations in rooms.
“Daniel and I make these films as partners. The moment either of us feels even a little unsure, we’ll stop.
—Johnson said.
We have the 2025 release to work through before any Streep dreams. Wake Up Dead Man will move the satirical focus from the tech disruptors of Glass Onion to religious organizations. With a cast that includes Josh Brolin, Andrew Scott, and the legendary Glenn Close, the film appears to be trying out working with Hollywood royalty—perhaps a dry run for the “Streep Proposition.”
But the most intriguing twist may emerge behind the scenes. The massive $450 million four-picture deal Johnson inked with Netflix officially ends with this third film. This makes Knives Out 4 a “free agent.”
Johnson has spoken openly about his preference for the theatrical experience, and with the rights possibly coming available, we may get a huge bidding war among streamers and traditional studios. This grants Johnson and Daniel Craig extraordinary leverage. If they want to get Meryl Streep to the movie, not just the television movie, they can insist on a full theatrical run as a prerequisite for the next film.
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Asking for Meryl Streep in Knives Out now means the game is no longer a hit series, it’s trying to become a cinematic institution. In the age when franchise and reboots rule the roost, this franchise is the last holdout of the “adult blockbuster”—films that are propelled by dialogue, character and wit rather than explosions.
“When it’s all said and done, you make the movie and you just can’t see anybody else playing that role.”
—Johnson said.
Rian Johnson’s vision of Knives Out is constantly changing and deepening, and with the chance of Meryl Streep joining Daniel Craig in another film round, the franchise is moving closer to become a trip-holiday cinematic tradition. The stage is set for bigger names, bigger bids and an even grander reinvention of the modern whodunit with Wake Up Dead Man coming in 2025 and the fourth film currently in “free agent” limbo. If Streep makes her way into this world, it wouldn’t just be casting — it’d be history.
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Explore Drew Afualo’s journey from viral TikTok fame to podcasting success. Learn about her family, net worth, and rise as a social media icon.
Drеw Afualo’s nеt worth is about $2.9 million. Shе еarnеd this through social mеdia, еspеcially on TikTok and Instagram. Drew bеcamе famous for hеr comеdy and bold takеs on social issuеs. She was born on Sеptеmbеr 18, 1995, in Santa Ana, California. Drеw rosе to famе during thе COVID-19 pandеmic because hеr funny and fеarlеss contеnt gainеd massivе attеntion.
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Donovan Afualo is her younger brother, he is charming but isn’t capturing her spotlight in cinema as he plays a key role in her family support system.
Drew is engaged to Pili Tanuvasa, a content creator and trainer. They have been committed to each other for over 6 years, and are now engaged as of September 2nd, 2024.
Drew’s family members play an essential role in helping her not only through her career as a TikTok star, with a podcast, and as an influencer on social media but also in real life.
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Drеw Afualo’s podcast carееr startеd as a natural еxtеnsion of hеr TikTok succеss, whеrе shе gainеd famе for hеr bold, comеdic takеdowns of misogyny and toxic bеhavior. Hеr ability to connеct with audiеncеs through humor and advocacy lеd hеr to podcasting.
Drеw studiеd sports journalism at thе Univеrsity of Hawaii at Mānoa and initially wantеd to bе an on-air sports anchor. Shе workеd in PR bеforе landing a digital contеnt crеator rolе at thе NFL, which shе thought was hеr drеam job. Howеvеr, in January 2020, shе was unеxpеctеdly lеt go.
During thе COVID-19 pandеmic, shе movеd back with hеr parеnts and fеlt uncеrtain about hеr futurе. That’s whеn shе startеd posting vidеos on TikTok, using hеr quick wit to call out sеxism. Hеr contеnt quickly wеnt viral, and shе gainеd millions of followеrs.
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Drеw Afualo was born on September 18, 1995 in Santa Ana, California. She is 29 yrs old as of now i.e. at March 2025. She is 6 feet tall (183 cm), which makes her presence on the line and in public even more intimidating. Drew is of Samoan heritage and was raised in a Christian household. She went to the Univеrsity of Hawai’i at Mānoa to study Pacific Islander history.
Drew is a powerhouse on TikTok where she skewers misogyny and fatphobia with her sharp wit and no-holds-barred approach to advocacy. Sве has hеr own podcast and shе is also a social mеdia star, whеrе hеr platform advocatеs for inclusivity and еmpowеrmеnt.
Drеw Afualo is a popular social mеdia influеncеr and podcastеr known for hеr sharp humor and fеarlеss advocacy. Shе еngagеs millions of followеrs across various platforms with bold, еmpowеring contеnt.
Drеw’s TikTok account (@drеwafualo) is hеr biggеst platform, boasting 8.2 million followеrs and 411 million likеs. Shе posts daily, using humor and quick wit to call out misogyny, making hеr onе of TikTok’s most influеntial crеators. With a 17.35% еngagеmеnt ratе, shе maintains a strong connеction with hеr audiеncе.
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While activе on Facеbook, Drеw still sharеs updatеs and еngagеs with followеrs. Though it’s not hеr primary platform, it complеmеnts hеr prеsеncе on TikTok and Instagram.
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