The Hunting Party Season 2: NBC’s The Hunting Party season 2 will come 2026 for the fans as Melissa Roxburgh responds to the reviews, Reddit opinions, more!
The Hunting Party Season 2: If you were on Reddit last year, you probably caught the headlines: NBC had a new thriller, and it was at a rare 0% on Rotten Tomatoes. For the majority of programmes, a score that is “perfectly bad” will mean the end. But The Hunting Party didn’t just survive—it thrived, amassing a devoted following that bolstered its ratings to the mid-4-million range and secured it a second season.
Now that the series is coming back to NBC (January 8, 2026), leading lady Melissa Roxburgh is at last addressing that bumpy beginning, and her perspective is refreshingly blunt.
In a recent sit-down with ScreenRant, Roxburgh (who plays FBI profiler Rebecca “Bex” Henderson) was unflinching about the critical planning. In fact, she laughed it off.
“Everything will get criticized, people are owners of opinions, But it’s “not like it’s high art.”
—-Roxburgh said.
Her philosophy shows that series stays “entertained” by serial killers and true crime genres. It’s a “spook before bed,” with killers who are, in her words, “weird as heck.”
In giving itself over to the campy, dark and often batshit crazy antics of its “super-predator” baddies, the show carved out a niche that professional reviewers initially overlooked.
The schism between the two camps could not be more clearly illustrated than here on r/television. Some users branded the first season “embarrassing” or a “bootleg version of Criminal Minds,” but as the season went on a small group of defenders began to coalesce.
Many fans said the series hits its stride around the fourth episode. On Reddit, popular threads on the show include:
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Season 1 concluded with the large question of what would happen to Oliver Odell (Nick Wechsler) and what exactly the Lazarus’ intentions were.
NBC has greenlit the second season of this drama with a larger episode order and production moving from Los Angeles to New York City. We can expect:
More ‘Odd’ Cases: Roxburgh teased that the killers are even more bizarre this season, noting
One case involves victims being “trapped in resin.”
Star Power: Travelers and Will & Grace star Eric McCormack joins the cast as a serial killer who targets women seeking love.
The Mystery of “The Pit”: The would-be all out vigilante team is going more and more rogue to expose the secret prison that is at the heart of the government conspiracy.
Whether The Hunting Party will ever win over the critics remains to be seen, but for the fans who love a good, creepy procedural, the hunt is just getting started.
The Hunting Party Season 2 would never be a darling among critics, but its survival and revival demonstrates audience connection means more than initial reviews. It found its audience by embracing its pulpy, true-crime-meets-camp identity and viewers were going to have to accept the show’s flaws and oddness. With an extended second season, weirder cases, and a further exploration of its central conspiracy, Season 2 can really cut what already works. For those who enjoy their dark procedurals with a bit of chaos on the side, the chase isn’t over — it’s just getting a little crazier.
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T.L. The role of Sam Elliott as Norris Landman brings deep emotion and family drama to Season 2, shaping Tommy's journey and raising the stakes in powerful year
Landman’s return for Season 2 certainly promises more of that high-stakes dustbowl drama Taylor Sheridan fans have come to crave, but the real fireworks this season don’t come from a new well or a corporate takeover. It comes in the form of one man: Sam Elliott as T.L. Norris, the estranged father of Billy Bob Thornton’s explosive lead character Tommy Norris. According to Collider, “Death and a Sunset,” his debut in the premiere, makes it clear right away that the corporate endgame for the Norris family will not be itself but deeply, painfully personal.
The introduction to Sam Elliott is a lesson in minimalism. T.L. is first shown sitting outside an assisted living home in Texas, in a wheelchair, as he watches the sun go down. This delicate pause in reflection is so different from the usual frenetic West Texas life Tommy lives and is quickly interrupted by utter despair. T.L. is informed his wife, Dorothy, passed away peacefully while in memory care.
Elliott anchors T.L.’s arrival on the scene in a gritty, bare-bones melancholy. The iconic actor does not go for melodrama, he just lets the staggering weight of loss permeate the scene. At one point, an employee offers a platitude that Dorothy is in a “better place,” and T.L.’s response is humorously unflinching, being a window into his morose outlook on life:
“If I do, that means I’m in hell, too”.
This moment serves as an emotional anchor for the scene, signaling that Season 2 will require as much soul excavation as any drilling operation. The audience is immediately brought to a man defeated by life, proving T.L. is what broke the family, not took part in it.
Image credit: IMDb
The opening provides a trope-defining line that encapsulates the whole premise of T.L., and the thematic stakes for this season are set by it. Looking back at his life, the elder Norris laments with soul-crushing despair that,
“I wasted 60 years on hope”.
This admission is the character’s aching thesis. T.L. isn’t just rueful about a few missteps, he laments the act of having placed faith in a brighter horizon.
This radical cynicism is based on well-defined, deep-lying failure. T.L. is a failed father, emotionally distant from his remaining children after losing one at a young age. He possesses both the physical limitation of the wheelchair and glimpses of a violent, wild nature, as he has been seen throwing punches.
In an era when the world cannot get enough of chasing the next great big boom, T.L. is a reminder of how hollow that chase has increasingly become. He’s not a wise sage, but an anti-mentor, someone who exemplifies the worst-case scenario, a lifetime of trying that ends with nothing but loneliness and regret.
T.L.’s presence guarantees that Tommy’s rise in the corporate world will be upended by a personal disaster. When Tommy gets the call that Dorothy has been killed just cutting off what is obviously a tender moment with Angela and the message is clear: the past is here, and it wants its due.
As reports suggests, The showdown between father and son is coming, and it’s been years in the making. Their relationship has been one of profound avoidance for an extended period of time, a painful dance of silence now must come to an end. The terrifying but valid honesty that is necessary Tommy himself understands the required fearsome truth:
“We’ve been lying by omission to one another for ages. Let’s not begin.”
Sam Elliott confirmed that T.L. is looking for “a way back” into the family, and said his relationship with Tommy will have a “real arc”. This path to rapprochement will make Tommy face what his own ambition “really cost emotionally” and make him “make peace with the broken man that made him.”
T.L. Norris is not only a fresh face to the cast list but he’s the excruciating impetus that compels the Norris family to sever the walls they’ve built around their pain and generational trauma that’s lain buried beneath the West Texas soil.
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Sam Elliott’s T.L. Norris is not a throwaway character to get some exposition or comic relief in, he is the motivating psychological centerpoint for Landman Season 2. And so Righteous Thieves takes shape, refocusing the series’ perspective, now grounding the weight of drama from all corporate survival to the toll the West Texas oil life takes on a person inside.
Representing deep regret and a generation of trauma not yet healed, T.L pushes Tommy Norris to come to terms with the fact that attaining success in the professional world means nothing if your personal life is one of emotional neglect. The M-Tex fight, in the end, is a sideshow to the real one: the painful, painstaking work it takes for father and son to finally stop running from the truth and discover, in a world defined by volatility and unforgiving landscapes, a way to come home to one another. T.L.’s presence guarantees the highest stakes in Season 2 aren’t the price of oil, but the price of the soul.
Welcome to Fandomfans — your source for the latest buzz from Hollywood’s creative underworld. Here, we explore the introduction of T.L. transforms Landman from high-stakes industry drama, into the element of generational trauma. T.L. is purpose-built to be the embodiment, physically and emotionally, of everything Tommy Norris has sought to escape.
Liam Hemsworth took over the role of Geralt in The Witcher season 4, bringing a new interpretation after Henry Cavill. Fans are divided, but story continues.
The first episode of The Witcher Season 4 came with one of the most controversial recastings in recent TV history, Liam Hemsworth taking on the legendary role of Geralt of Rivia, in place of Henry Cavill. For three seasons, Cavill was the series’ gravel-voiced, brooding centerpiece, turning the White Wolf into a towering physical symbol tied to his own performance. Unsurprisingly, the change was met with a seismic shift among fans, with numerous posting a craziest hate load well before episode one aired.
Now even the season is far more complicated than the verdict. Is the new Geralt doomed to be boring, cringing under the shadow of his ancestor, or is he buckling up for a great new road? It depends on how you define the character itself.
Many reviews and fans alike agree that Hemsworth’s Geralt pales in comparison, not having the same gravitational charm that Cavill had as the character. So far, opinions are divided, some critics blistering, with new rendition dismissed as painfully one-note, less kindly, a bollard in a wig.
While Cavill’s cold exterior seemed to belay a simmering fury beneath the surface that was just waiting to explode, to some, Hemsworth’s take amounts to nothing more than a listless impersonation.
Also the looks don’t make sense to ignore. Critics said that Hemsworth looks too young or too pretty, as if he’s a sad emo boy who got muscles rather than looking like a grizzled, hardened veteran. For fans who fell in love with the growl and tension of the first three seasons, not having that unmistakable superhero shape leaves a hole that all the mumbling and grunting can’t really fill. To them, this new Geralt is just plain boring – a pale imitation of the White Wolf they had.
But on closer inspection any dullness could actually be a conscious change and arguably one that follows the books more closely. Henry Cavill’s Geralt was very much the silent, grunting monster slayer. The Geralt of Season 4, adapted from the novel Baptism of Fire, is a different man.
He’s both physically and emotionally broken after what happened last season, and he’s desperate for revenge. Members of the show’s creative team and Hemsworth himself have suggested this will be a more vulnerable, heart-driven version of the Witcher.
According to Forbes, Hemsworth has discussed his excitement to play a Geralt who is at a crossroads, where he is motivated by love for his found family, Ciri and Yennefer, rather than his old mantra of neutrality. His arc is largely about his emotional evolution, as he reunites with a new traveling party that includes new characters like Regis.
Certain diehard readers even make the case that Hemsworth’s physical appearance and the way he plays a slightly more loquacious, a bit less invincible, wounded warrior version of the character is a more accurate representation of the character found in the novels by Andrzej Sapkowski. For these viewers, this fresh interpretation is a fantastic chance to take the show in the direction of a more loyal, complicated representation.
In the end, the new Geralt is not a spot-on copy nor is he a complete trainwreck. He’s a work-in-progress and the show has become a full ensemble. Yennefer and Ciri play leading roles in major, action-packed story arcs, taking the emphasis away from Geralt’s mountainous shoulders, softening the blow of the actor swap.
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While fan consensus is still largely split at great disappointment and pleasantly surprised, Hemsworth should probably be commended for taking a nearly impossible task and running with it. If he is invisible to some, it is because he is now the quieter, transitional Geralt the story demands — a grounded figure who is his friends and adopted family on the way to their own journeys.
Whether his run ultimately ends up being amazing or boring will be decided by his ability to take a break and let a quieter, more emotional Geralt step back into the spotlight for season five, and the final season.
Welcome to FandomFans — your source for the latest buzz from Hollywood’s creative underworld. Here, we explore the art of filmmaking, knowing about how visionary directors, designers, and actors shape the worlds we escape into. Today we break down the difference between Old & New Geralt ov Rivia. Why Hemsworth receive negative review from the audience on the first episode of The Witcher.
