Jennifer Aniston's stunning transformation from Rachel to The Morning Show has fans amazed. Check out her fitness, fashion and fearless role selections to date.
Aniston played Rachel Green on ‘Friends’ for ten seasons from 1994 to 2004, a character whose mannerisms, hairstyle, and love interests defined what it meant to be a 20-something woman around the world. The actress could not be disentangled from the character, it’s hard for everyone to recognize Aniston in other characters. Rachel Green was everywhere, on lunch boxes, in syndication, and in the cultural lexicon.
Aniston noted that she —
“Couldn’t get over from the shadow of Rachel Green ever in my life”
describing the experience as “exhausting”. The character was a “poor little rich daddy’s girl”, a specific archetype that afforded little room for the darkness or grit required of dramatic acting. Aniston admitted to fighting with herself and her identity in the industry “forever,” constantly trying to prove
She was “more than that person”.
—Aniston said
Jennifer Aniston’s whole Friends run nearly never happened because she was at that time already committed to a CBS sitcom titled Muddling Through back in 1994. Because she was “only in second position” for Friends, NBC was worried that they might have to recast Rachel if the CBS show was a hit, and speculated about shooting multiple episodes, only for CBS to pick it up and they’d have to do reshoots.
Aniston got her big break when Muddling Through was cancelled, and that led to her being cast on Friends – which just goes to show how precarious a career in Hollywood can be, and how one cancellation can make way for the series that takes an actor global and defines their stardom.
Helmed by Miguel Arteta, the film stars Aniston as Justine Last, a dour employee at a mall shoe store who has a clandestine relationship with a younger coworker (Jake Gyllenhaal). The choice to accept the part was nerve-racking.
“Panic that set over me,” thinking, “Oh God, I don’t know if I can do this? Maybe they’re right”.
—Aniston recalls
The film was an independent production, lacking the safety net of a major studio marketing budget or a laugh track. It required Aniston to perform “without a net” in front of the world. The success of The Good Girl and the critical acclaim she received—provided the “relief” necessary to continue pursuing dramatic work. It was the proof of concept that she could exist outside the “purple walls” of the sitcom apartment.
If The Good Girl proved she could be sad, Horrible Bosses proved she could be predatory. The appeal lay in the “black comedy” element. Aniston argued that “Comedy is a necessity,” but she expressed a preference for the “craziness” of the Horrible Bosses universe over the gentler comedy of Friends.
“Maybe everybody else is seeing something I’m not seeing, which is you are only that girl in the New York apartment with the purple walls”.
This quote speaks to the psychological complexity of the curse—it wasn’t only that she believed producers wouldn’t hire her but she was afraid she wasn’t capable of doing the work.
Breaking the curse required exposure therapy. By performing in independent films like The Good Girl and Cake, where the safety nets of budget and ensemble were removed, Aniston forced the industry to recalibrate its perception of her utility.
Cake is the ultimate punishment to shatter the curse. In this film, Aniston portrays Claire Bennett, a woman struggling with crippling chronic pain and addiction. Aniston quit exercising and wearing makeup. She studied friends with chronic pain to get a sense of what the condition felt like physically.
She allowed the role to “hurt” her, noting that during physical scenes, she “didn’t prepare” in the traditional sense but rather let the physical discomfort generate a real reaction.
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The morning show era (TMS), Executive produced and co-created by Reese Witherspoon is the shift from Aniston the Actress to Aniston the Mogul. The show is more than just an acting vehicle, it’s a platform for industry commentary and power play.
The partnership with Witherspoon’s Hello Sunshine production company created an environment of “understanding, compassion and consideration” that Aniston notes
“Doesn’t always exist amongst the dudes”.
Alex Levy is the culmination of Aniston’s post-Friends evolution. She is a morning news anchor, but she shares no DNA with Rachel Green. Alex is “complex, vulnerable, controlled, lonely, enraged, self-serving”.
In Season 4 (2025), Alex has transcended the anchor desk to become a corporate executive. She is no longer fighting for a contract; she is fighting for the soul of the network. Critics have praised Aniston’s performance in this era as
“It is the best of her performances and able to perform mature characters”
noting her ability to portray moral conflict without the melodrama that sometimes plagued her earlier dramatic attempts. The role gives Aniston a chance to examine issues of power, complicity and growing older in a way Friends never did.
By 2025, she’s at a place very few could have predicted back in 2004: she’s the boss. On The Morning Show, she plays a character who runs the network, much like in real life, where she’s a producer on the show. She swapped the “purple walls” of the Friends apartment for the glass walls of the UBN executive suite. Jennifer Aniston has now shown beyond a shadow of a doubt that she is, in fact, “more than that person.”
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Millie Bobby Brown returns in Enola Holmes 3, leading a thrilling new Netflix mystery packed with romance, adventure, and smart detective twists.
For nearly a decade, we’ve seen a group of actors mature before our eyes as they fought Demogorgons and saved the world in the small town of Hawkins, Indiana. But as the final bow draws near for Stranger Things, the spotlight is firmly on its undisputed breakout star, Millie Bobby Brown. With the megahit series ending, Brown is more than just looking for her next project, she’s already secured her dynasty. And for her, the great switch from Eleven to razor-detail detective Enola Holmes is not just a career move — it’s a triumphant crowning.
The reports confirmed that Millie Bobby Brown, after wrapping the emotionally exhausting final season of Stranger Things, is now all in on her future as Netflix’s #1 mystery-solver.
You can’t overstate how important Stranger Things is for Millie Bobby Brown as she started playing Eleven at age 12, for Morton, the character is more than a part. She’s a foundational part of her identity.
She has openly spoken about how “Eleven really shaped me into a woman,” as she grew tremendously as a person and actress while on the set.
There is a huge pressure to “break the mold” of a definitive character, and for a lot of child actors, that can feel like an impossible task. But Brown’s pivot is a tactical masterstroke. As Cineblend suggests, Rather than pursue a tiny, grungy indie movie, she is jumping feet-first into another established, massively popular franchise that she helped build — Enola Holmes.
It’s a move that guarantees her status as one of Hollywood’s most powerful and as such one of the most bankable stars, making her future secure well beyond the nostalgia-trip era of the 1980s.
Expectations for Enola Holmes 3 are high, and Millie Bobby Brown fans the flames. In report, the actress who also exec produces the series dropped fun clues about the upcoming film.
For those who are fans of the nascent chemistry between Enola and the Viscount Tewkesbury (Louis Partridge), Brown confirmed that the sequel will give fans exactly what they want — romance. She reassured her fans, “You wanted romance? We’ll give you romance.” The second act estrangement of the twosome will take center stage, playing off with a nice comedic rhythm to the film’s puzzle at the core.
But the storyline isn’t all about matters of the heart. The new case will reportedly also take Enola well beyond the foggy streets of Victorian England, sending her to the island nation of Malta. And in this new, treacherous setting — a veritable nest of vipers, — Enola’s detective work will be tested to the max.
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Also returning are the whole Holmes family dynamics to fans’ delight. Henry Cavill will return as Sherlock, Louis Partridge as Tewkesbury and Helena Bonham Carter as the bohemian Eudoria Holmes.
Even the formidable Moriarty, portrayed by Sharon Duncan-Brewster, is anticipated to return after her ingenious escape. With a new director, Philip Barantini, and the full cast poised to reunite, the stage is set for a trilogy-capper that will be larger and more globetrotting than ever before.
What really cements Enola Holmes as the natural next step in Brown’s cinematic wheelhouse is the dual role she commands. She has creative input as a producer and a financial interest in the film’s success — something most actors her age would consider unimaginable.
The franchise has been a critical success and one of her most highly regarded projects outside of Stranger Things, proving her star power independent of Eleven.
The end of Stranger Things is graduation for Millie Bobby Brown. She’s not just moving from one role to another. She’s leaving a beloved character she played as a child to star in a series she now leads as an adult.
The change is fluid, practiced and entirely self-driven. She’s swapping Eleven’s nosebleeds and telekinetic powers for Enola’s quick wit and confidence, making a name for herself as a powerhouse actress and savvy business mogul along the way.
We’re probably going to be kissing the Hawkins gang goodbye for the last time, but we can be certain that Millie Bobby Brown’s career is only just getting started. The final season of Stranger Things closes one door, but it throws wide open another one, with a new case file, a trip to Malta, and lots of mystery and romance to solve. The game is afoot, and Enola, and Millie, are ready.
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The 2025 Oscars were true! See the 2025 Oscar winners. Enora took home Best Picture. Maci Madison and Adrien Brody won the top acting prizes.
Anora came out on top in the 97th Academy Awards, a tense dramatic that won the hearts of audiences and critics alike. Its director, Sean Baker, made the history of winning four Oscars in a single night for Best Picture, Best Director, Best Original Screenplay and Best Film Editing. This accomplishment also tied him for most wins at a ceremony with Walt Disney for his record in 1954, however Disney’s awards were not all for one project.
Mikey Madison’s Best Actress Anora win in Anora was a bit unexpected, as many thought Demi Moore would get the win for The Substance. Her win was a demonstration of the increasing recognition of new faces in the Academy. Also winning in the Best Supporting Actor category was Kieran Culkin for A Real Pain, with Zoe Saldaña receiving Best Supporting Actress for Emilia Pérez.
The event was more comical and sentimental, but still managed to draw an audience of 19.7 million, with live streaming on Hulu for the first time. Follow our live blog below for the very latest from the Oscars 2025, with all nominees listed below.
Winner: Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance
Wicked
Winner: Mikey Madison, Anora
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Demi Moore, The Substance
Fernanda Torres, I’m Still Here
Winner: Sean Baker, Anora
Brady Corbet —- The Brutalist
Coralie Fargeat —- The Substance
Jacques Audiard, Emilia Pérez
James Mangold, A Complete Unknown
Winner: Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice
Winner: Daniel Blumberg, The Brutalist
Volker Bertelmann, Conclave
John Powell and Stephen Schwartz, Wicked
Clément Ducol and Camille, Emilia Pérez
Kris Bowers, The Wild Robot
Winner: I’m Still Here, Brazil
The Girl With the Needle, Denmark
Emilia Pérez, France
The Seed of the Sacred Fig, Germany
Flow, Latvia
Winner: Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Edward Lachman, Maria
Jarin Blaschke, Nosferatu
Winner: I’m Not a Robot
A Lien
Anuja
The Last Ranger
The Man Who Could Not Remain Silent
Winner: Dune: Part Two
Alien: Romulus
Better Man
Wicked
Winner: Dune: Part Two
A Complete Unknown
Emilia Pérez
Wicked
The Wild Robot
Winner: No Other Land
Black Box Diaries
Porcelain War
Soundtrack to a Coup d’État
Sugarcane
Winner: The Only Girl in the Orchestra
Death by Numbers
I Am Ready, Warden
Incident
Instruments of a Beating Heart
Winner: “El Mal,” Emilia Pérez
“The Journey,” The Six Triple Eight
“Like a Bird,” Sing Sing
“Mi Camino,” Emilia Pérez
“Never Too Late,” Elton John: Never Too Late
Winner: Wicked
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Winner: Zoe Saldaña, Emilia Pérez
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Winner: Sean Baker, Anora
Dávid Jancsó, The Brutalist
Nick Emerson, Conclave
Juliette Welfling, Emilia Pérez
Myron Kerstein, Wicked
Winner: The Substance
A Different Man
Emilia Pérez
Nosferatu
Wicked
Winner: Peter Straughan, Conclave
Jay Cocks and James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
RaMell Ross and Joslyn Barnes, Nickel Boys
Clint Bentley and Greg Kwedar, Sing Sing
Winner: Sean Baker, Anora
Jesse Eisenberg, A Real Pain
Moritz Binder, Tim Fehlbaum, and Alex David, September 5
Coralie Fargeat, The Substance
Winner: Wicked
A Complete Unknown
Conclave
Gladiator II
Nosferatu
Winner: In the Shadow of the Cypress
Beautiful Men
Magic Candies
Wander to Wonder
Yuck!
Winner: Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Winner: Kieran Culkin, A Real Pain
Yura Borisov, Anora
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Jeremy Strong, The Apprentice
In sum, the 2025 Oscars will likely be remembered as a moment of transformation instead of simply the predictable head-scratching and season of discontent it felt like this year. Anora’s sweeping victory, Mikey Madison’s surprise Best Actress win, and Adrien Brody’s stunning best actor triumph proved that compelling storytelling still trumps star power. The acknowledgement of foreign films, ambitious genres, and first-time victors suggests a welcome shift in the tastes of the Academy. Love the winners or loathe them, one thing is undeniable – Oscars 2025 was an Oscars that celebrated risk-taking cinema and hinted at a brighter, more progressive future for film.
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