Kathleen Robertson and Mark Engelhardt join CBS’s hit series Tracker, bringing new characters, fresh twists, and added depth to Colter Shaw’s story.
The CBS hit series Tracker has been given an electrifying shakeup, and fans of the show will be the real beneficiaries. Veteran television stars, Kathleen Robertson and Mark Engelhardt, have been nabbed as series regulars for season six, adding new layers to the captivating story arc that revolves around Justin Hartley’s iconic character, Colter Shaw.
Kathleen Robertson, who is likely best remembered for the searing Swimming with Sharks, has been cast as Maxine, a powerhouse attorney at a top firm. An interesting premise is introduced with her character: she befriends Reenie Greene (Fiona Rene, who is simply wonderful) and appears to be engaged in routine legal work on a class action suit. But here is the surprise nothing is what it was supposed to be up close.
Maxine is hiding something big and it will rock the boat. Robertson also has a producing and writing background, the kind of creative smarts that is sure to add additional layers to her role.
Mark Engelhardt (best known for American Horror Story: Asylum) will now play Emile Sark, a man with a strong sense of right and wrong. Paul’s description makes him sound cold, calculating and ruthless — a man who lives by his own rules, morals and ethics. A character like this could really shake up the dynamic of the show and cause some amazing tension.
These two casting additions are interesting in the development of the series. Tracker has been a powerhouse for CBS since debuting after Super Bowl LVIII in February 2024. Based on Jeff Deaver’s best-selling novel The Never Game, the drama centers on Colter Shaw, who roams the country, employing his unparalleled tracking and survival skills to find missing people and crack cases while raking in cash. Justin Hartley has nailed the role, he made me believe in the lone-wolf survivalist.
Season 3 had already been released on October 19, 2025, and the series continued to provide the quality storytelling that the viewers were expecting. Following the dramatic cliffhangers and family revelations of prior seasons, Colter is confronted with hard truths about his family’s past. With the addition of Robertson and Engelhardt’s characters to the mix, more depth and complexity is brought into the story.
What makes this casting development even more interesting is how it plays into a larger overhaul of the series’ supporting players. It was previously announced that series regulars Eric Graise (who played tech-savvy hacker Bobby) and Abby McEnany (who was the empathetic Velma) exited the show. This allowed the show’s creators to take the series in new directions, and introduce completely new character dynamics.
Elwood Reid (showrunner) has been very clear about what he wants the series to be: for every week, starting with Colter coming into a new place with a new case and how he goes about approaching solving it is entirely for grabs. This loose format allowed the series to bring in several memorable guest stars and recurring characters who added a unique element to the storyline.
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Robertson and Engelhardt round out a cast including the powerhouse Justin Hartley and the incredible Fiona Rene. The series has already shown that it can lure big-name guest stars such as Jensen Ackles, Sofia Pernas and a host of other fan favorites.
With these two talented additions, Tracker is set to keep the wins coming. The arrival of Maxine and Emile Sark promises some interesting story lines, especially as these characters relate to Reenie and to Colter’s investigations. Whether they wind up allies or enemies, one thing is for certain: the CBS series is still pushing the envelope in exhilarating ways that keep viewers hooked and starving for more.
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Keanu Reeves and Alex Winter reunite on Broadway, sparking excitement as they tease the long-awaited Bill & Ted 4. Fans can’t wait for this iconic return!
The surprise pairing of Keanu Reeves and Alex Winter on the hallowed stage of Broadway — not as Bill S. Preston, Esq. and Ted “Theodore” Logan, but as the philosophical hoboes Vladimir and Estragon — has come into focus with the future of their beloved time-traveling franchise. Their joint venture into Samuel Beckett’s absurdist classic, Waiting for Godot, has not only reinforced their decades-long friendship, but has also served as the perfect, lofty-art soapbox to announce that a fourth movie venture is in the works: Bill & Ted 4.
Thirty-five years since they first prompted the world to “Be excellent to each other and party on, dudes,” Keanu Reeves and Alex Winter return as our spotlighted guides through space and time, swapping their time traveling phone booth for the desolate stage of the Hudson Theatre in New York. The impetus for the latest resurgence of affection for the Bill & Ted franchise is their critically lauded Broadway revival of Waiting for Godot.
The reunion itself is a “crazy, inspired idea” dreamed up by Reeves, marking his Broadway debut and Winter’s first time back on stage in 40 years. Playing Vladimir (Winter) and Estragon (Reeves), the pair represents yet another set of lifelong friends desperately waiting for a fate that may we see ahead, a thematic resonance observers characterized as feeling “like ‘Bill and Ted’ on steroids”. Variety Shared, Winter recognized that the association was inescapable, saying, “We are inextricably Bill and Ted. So there’s going to be an element of that in there, because that’s who we are.”
While the Broadway reunion is a cultural landmark event, the real adjustment fans need to know about is around the back. Alex Winter has now delivered the most definitive confirmation to date on the possibility of a future film in the series, indicating that a fourth film is “slowly but surely happening”. More importantly, Winter confirmed that original screenwriters Chris Matheson and Ed Solomon have written a pitch for the sequel.
People catch longtime friends, Winter has confirmed the concept is indeed “really good, obvious really good.” while still keeping the plot under wraps. This caginess sets the creative tone of actors In The Room Clearly They Know What They Are Doing. Winter has stated that the films “have never been cash grab movies,” and they make them ” sincerely from a place of love and interest,” that is a bar they expect to clear for any further entries.
The lifelong friendship and professional partnership that Keanu Reeves and Alex Winter cultivated is essential to the continued viability of the Bill & Ted IP. The two actors reunited for the TV movie Bogus Journey in 1991 and then for a third time in 2020’s Face the Music. The lasting quality of their relationship, which has spanned over 30 years now, is the real emotional heart that grounds the often-absurd science fiction conceit of the movies.
The current project, the Broadway revival of Samuel Beckett’s Waiting for Godot, has been a conscious decision for the actors to reunite, this time outside of the well-formed characters of Bill and Ted. Previews began September 13th for the, production was led by Reeves, who came to Winter with the “crazy, inspired idea” of doing the monumental play, leading one’s debut on Broadway and here for Winter after four decades.
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Using Godot as the reunion mechanism operates as a sly, brainy hook to a potential sequel. The overarching fear in Bill & Ted Face the Music was failure: the now-middle-aged pair still hadn’t written the world-saving song foretold in the first films. Their constant nervous, procrastinated fate-perversion — waiting for inspiration, waiting for success — is a direct reflection of Vladimir and Estragon’s long, agonizing wait in Godot.
In staging a play about which the whole point is to wait for salvation, Reeves and Winter are making a conscious, profound statement about their characters’ mythology, and laying the psychological foundation for a fourth film about whether Bill and Ted ever really fulfilled their destiny.
The reunion of Keanu Reeves and Alex Winter on Broadway is the cultural and psychic engine powering the next chapter of the Bill & Ted saga. The friendship, boosted up by Waiting for Godot’s gravitas, not only reaffirms their unique connection, but reveals a mutual willingness to risk going further creatively.
The participation of Bill & Ted series stars Reeves and Winter as well as original writers Matheson & Solomon means that Bill & Ted 4 will be a strong, idea-led concept, and that it will live up to the high standards the fans expect and demand.
There is plenty of “real” friendship and proven digital profitability plus renewed artistic collaboration of the three leads to suggest that a third film is a matter of when, not if. The upcoming episode is set to capitalize on the digital market and offer the very particular cocktail of hopefulness and the absurd that people seem to keep wanting more of from Bill and Ted.
Elizabeth Olsen confirms her Marvel return but skips Avengers: Doomsday & Secret Wars. Find out the truth behind Scarlet Witch’s MCU future and new FX project!
Yes, Elizabeth Olsen is confirmed to return in the MCU.If you’re concerned that Elizabeth Olsen won’t make a return as Scarlet Witch in the Marvel Cinematic Universe, rest assured: she is. Although Hollywood is currently on a bit of a break, Deadline shared that Hamptons International Film Festival has been in full swing, providing sneak previews of what’s ahead, and with it, the talent to bring light to their projects and comment on them. She added, “These movies really aren’t made for critics, these movies are made for fans,” and said she is very excited about doing“ character story lines from the comics that people have wanted to see characters do.”
While she was open to coming back, Olsen has officially said she will not be in the next Avengers movies. In March 2025, she said to The Hollywood Reporter: “No, I’m back. I’ve just finished. I’m off to shoot a pilot for FX [Seven Sisters]”. A schedule conflict rules her out for both Avengers: Doomsday (May 1, 2026) and Avengers: Secret Wars (May 7, 2027).
Liz or Marvel Haven’t “Cast Her Out” – This is more about Elizabeth Olsen’s personal artistic choices and schedule conflicts. Olsen said: “I had no idea until about six years ago, but because Marvel and its power occupies so much space and time in the world, it is really important for me to make choices outside of Marvel that align with my taste”. She stressed that she wants to explore her artistic identity outside of the Marvel universe.
Olsen’s remarks show her yearning to have creative flexibility while still being a part of the MCU. She had earlier said that Marvel has given her ‘some feeling of insurance in my life that has given me freedom to choose other jobs’. Her response has been: “I never really had the attitude that “one for them, one for me.” Marvel has been such a solid thing I’ve been able to go back to”.
Olsen has also returned to voice Scarlet Witch, in the animated series Marvel Zombies on Disney+ on September 24, 2025 but was not in any live-action films. The four-episode series include other MCU actors who also play versions of themselves in a zombie apocalypse story. But she said these voice sessions were recorded years ago, Forbes shared.
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Marvel has now said that Wanda Maximoff did die in Doctor Strange in the Multiverse of Madness. The official MCU timeline book says she “ destroys Wundagore and buries it under herself, eliminating two major threats to the entire Multiverse”. But death is seldom permanent in the comics and superhero stories generally, particularly for major characters like Scarlet Witch.
Olsen is currently concentrating on the FX pilot Seven Sisters, reuniting her with Martha Marcy May Marlene helmer Sean Durkin. The story follows a family that falls apart when one sister (Olsen) starts hearing voices that nobody else can.
In a future that marvel fans call the multiverse, insider Alex Perez has implied that Elizabeth Olsen is going to continue to play Scarlet Witch post Marvels secret mcu reset following Avengers: Secret Wars. This suggests that even though she might be missing from some of the immediate Avengers movies, there is still a lot of potential for her in the MCU long-term future.
Notably, Olsen has also articulated a particular wish to One story to touch on adapting the House of M comic story arc, I think House of M is just the coolest thing. I feel like it would be so fun to do something with the X-Men or mutants.” This hints at storylines for the future that may well bring her back, particularly as the MCU positions itself to bring in mutants and the X-Men.
Elizabeth Olsen’s door to the MCU is still open and positive. Although hectic scheduling and a wish to pursue other artistic avenues have prevented her from gracing the biggest Avengers films, her openness to return and her continuing involvement with Marvel properties — such as Marvel Zombies — hint that Scarlet Witch’s tale in the MCU isn’t finished.
