Get ready for XMen 97 Season 2 with the official Marvel comics guide. Discover the essential prelude series and key storylines to read before watching.
A few classic XMen comics that are worth diving into first before watching XMen 97 Season 2. Not because the series demands it, but to understand the depth of these stories that make the new season even more rewarding. When you are going to watch the new season knowing why Rama-Tut is terrifying, the complicated origins of Cable, Cyclops and Jean’s heartwrenching journey of raising a kid is going to wreck you emotionally before the season even hits its stride.
Marvel designed a guide around this season along with the nine new episodes. This makes you understand as Season 2 doesn’t play it safe with a single timeline. Characters are scattered in three different eras — past, present, and future. Ancient Egypt era where everything is started, future nightmare that is almost finished off the world, and present day that’s trying to hold itself together without its most powerful heroes.
Each of those threads is rooted in a specific chunk of 1990s and early 2000s comic lore, and if you go in blind, you’re going to miss half the emotional weight the writers spent years building. So let’s dive into the depth of the comic guide before watching XMen 97 Season 2.
Before getting into the comics, it helps to remember where Season 1 left off. The finale, now referred to in the show’s canon as Extinction Day or E-Day, ended with Magneto’s orbital sanctuary, Asteroid M, getting caught in a nuclear strike after Bastion weaponized it using Cable’s stolen time-travel technology. The explosion didn’t just destroy the asteroid — it tore open a temporal singularity that swallowed the surviving XMen whole.
To the world of 1997, the team is dead. Martyrs who sacrificed themselves to save a species that spent years hunting them. In reality, they’re scattered across time, and that scattering is the entire engine of XMen 97 Season 2. Rogue, Nightcrawler, Beast, Magneto, and Xavier land in 3000 B.C. Cyclops and Jean Grey get thrown nearly two millennia into the future. And back in the present, Forge, Jubilee, Sunspot, Bishop, and an adult Cable are left to figure out how to defend a world that no longer has its XMen.
You just have to understand the structure that isn’t random. And you know it after looking at it like a blueprint.
If there’s one book you actually shouldn’t skip, it’s this one. The Adventures of Cyclops and Phoenix, a four-issue miniseries from 1994 written by Scott Lobdell with art by Gene Ha, is the emotional backbone of the entire future timeline in Season 2.
If we look at its Season 1, Cyclops and Jean have to send their little son Nathan forcibly into the future while trying to save him from a techno-organic virus. That infection is injected into the Mister Sinister before he could realise it. That separation broke something between them. Now, in Season 2, they land in that same future — a wasteland ruled by Apocalypse — and they’re reunited with Nathan, who’s being sheltered by a resistance movement called Clan Askani.
This is where the comic becomes essential reading. It’s not just about Cyclops and Jean surviving a hostile future. It’s about them getting an almost unbearable second chance: raising the son they thought they’d lost, knowing the whole time that his destiny is to become Cable and eventually travel back to fight a war against Apocalypse that never really ends. There’s also a deeper layer here if you dig into the lore — Mother Askani, the leader sheltering them, is in the comics an aged version of Rachel Summers, an alternate-reality daughter of Cyclops and Jean. That’s the kind of detail that turns a “oh that’s a nice reunion” scene into something that quietly gutting once you know what’s underneath it.
Read this one before Episode 1. It’ll change how you watch every scene between Scott, Jean, and young Nathan.
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The second must-read is Rise of Apocalypse, a 1996 series that traces En Sabah Nur’s origins as an orphaned rebel rescued by the nomadic Sandstormers tribe and raised under the oppressive rule of Rama-Tut, a time-displaced version of Kang the Conqueror.
Season 2 leans hard into this. When Magneto, Xavier, Rogue, Beast, and Nightcrawler land in 3000 B.C., they don’t stumble into a fully formed tyrant. They meet a young, marginalized warrior fighting for survival against Rama-Tut’s forces — someone they instinctively want to protect. The series is clearly building one of the most thought-provoking ideas: what if X-Men act of goodness is actually the reason that pushes En Sabah Nur on the path to becoming Apocalypse?
That question is much more impactful if you have read the source material, as “Rise of Apocalypse” dedicates actual time — and page count, really — to making him more human before his Darwinian “survival of the’’fittest” ethos hardens into something monstrous. Watching Magneto, of all people, end up in a position to mentor him adds a whole other layer, given Magneto’s own history as a genocide survivor turned militant. This isn’t a book you need to memorize, but understanding the broad strokes will make the ancient Egypt storyline land as more than just “cool desert battles with a future villain.”
As Xavier is not present in the timeline so the burden of protecting mutantkind shifts to Cable. XMen 97 Season 2 has him forming the X-Force group that favors decisive, lethal defense over diplomacy and approaches hook that traditionally defined XMen.
If you read Rob Liefeld and Fabian Nicieza’s original X-Force run from 1991 then you could understand the tonal shift of this series. The nature of the story is heavily leaned towards aggressive and cold action, suggesting that peaceful coexistence isn’t always realistic when the world keeps trying to kill you. You don’t need to read the whole run cover to cover — even flipping through the first handful of issues will give you a feel for why Cable operates the way he does, and why characters like Archangel and Psylocke fit so naturally into this rougher, more combat-focused unit.
It also helps explain the tension the show is clearly building between Cable and Jubilee, who’s trying to hold onto Xavier’s original dream in a present day that increasingly doesn’t have room for it.
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The series is more focused on visual directions rather than the specific plot. Grand Morrison and Frank Quitely’s New X-Men crafting its heroes in a new look from bright colorful costumes of the 90’s. The expectation of updated designs in X Men 97 Season 2 could be more practical and understated than before that matches the tone of the series.
If you have seen any XMen 97 Season 2 promotional images, you would have noticed that they’re drawing clear inspiration from this influential era of the comics. A less primary-color superhero is a direct visual nod to this run.
You don’t have to read all of it, but even just scrolling through the art will give you a sense of the aesthetic direction the show is heading. Thematically, it seems to be turning into a rougher, more realistic time period for mutants which goes hand in hand with everything else we’re seeing this season.
Marvel released a five-issue prelude comic, written by Steve Foxe with art by Salva Espin, that was developed in direct coordination with Marvel Studios Animation. This isn’t a loosely connected tie-in. It’s built to fill in the gaps between the two seasons, focusing on Forge, Jubilee, Bishop, and Sunspot as they deal with a terrified public in the immediate aftermath of E-Day.
Because animated episodes only have so much runtime, a lot of connective tissue simply couldn’t fit on screen. This comic is where that missing context lives. It covers how the mutant population processes losing its most visible protectors, and it sets the emotional and political temperature for the present-day storyline you’ll see play out with X-Force and X-Factor. If you only have time for one book on this list, honestly, this is the one that most directly sets up what you’re about to watch.
Some shows throw comic references in as easter eggs for longtime readers. X Men 97 Season 2 is doing something more deliberate. The show went through a genuinely turbulent production period — original showrunner Beau DeMayo was removed before Season 1 even premiered, and Matthew Chauncey stepped in to lead a significant restructuring of scripts that had already been written. Despite that shake-up, the creative team clearly leaned even harder into comic accuracy rather than pulling away from it, likely to keep the storytelling grounded while so much else behind the scenes was in flux.
That’s part of why this reading list isn’t just marketing fluff. The show is adapting real, specific arcs, not just borrowing character names. Knowing where Cable actually comes from, why Apocalypse isn’t just a generic big bad, and what X-Force represents philosophically will genuinely change how you experience these nine episodes.
If a full reading list feels like a lot before July 1, prioritize in this order:
The XMen 97 Season 2 prelude comic first, since it’s the most directly connected to what you’re watching. Then The Adventures of Cyclops and Phoenix, because the future timeline hits differently once you know Mother Askani’s identity and the weight of what Cyclops and Jean are being given a second chance at. After that, a quick skim of Rise of Apocalypse will do more for your understanding of the 3000 B.C. storyline than any recap video could.
XForce and New XMen are the optional extras — great for context, not essential for following the plot.
Whatever you manage to get through, one thing’s clear: this isn’t a season built for casual viewing. It’s built for people who want to sit with these characters across five thousand years of history and come out the other side understanding exactly why the X-Men’s story never really lets them rest.
Read More 👉 X-Men ’97 Season 2: What Could Make It Marvel’s Next Big Hit?
XMen 97 Season 2 isn’t just continuing the animated series, it’s expanding the timeline of Marvel storytelling. From character arcs to costume choices, everything is rooted in comic history. That’s why you should read a few comics before starting watching this series.
You will understand the dangerous villain Apocalypse’s tragic beginnings and Cyclops and Jean’s emotional reunion with Nathan that adds depth to the show when you watch it only by reading a handful of key stories. You don’t need to read every comic. And that’s exactly what makes XMen 97 Season 2 feel like more than a nostalgic revival.
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The official Spider Man Brand New Day synopsis has been revealed, teasing major villain details and new challenges for Peter Parker in the MCU.
Spider Man Brand New Day official synopsis revealed very few details, recently Marvel revealed major villain details just weeks before the July 31, 2026 release. The main villain is someone or something that no one can physically see is actually creating excitement and frustration at the same time among fans.
It was a smarter tease than any CGI-heavy trailer could have been. Let’s look into the Tom Holland Spider-Man Brand New Day updates.
The film opens wide on July 31, 2026, being released by Sony Pictures and Marvel Studios through Columbia Pictures and will be the fifth film in the MCU’s Phase Six as well as the 38th movie in the Marvel Cinematic Universe.
This is also Tom Holland’s fourth Spider-Man adventure, arriving a few months before Avengers: Doomsday. There’s another big change behind the scenes as well. Destin Daniel Cretton, best known for directing Shang-Chi and the Legend of the Ten Rings, took over from Jon Watts, to direct Peter Parker’s next chapter, a different feel from the previous trilogy.
Spider Man Brand New Day plot revealed by Marvel and Sony’s own synopsis, four years have passed since Doctor Strange’s spell erased the world’s memory of Peter Parker at the end of No Way Home. Peter is now an adult, living completely alone, having voluntarily cut himself off from everyone who once knew him. He’s spending his days as a full-time, anonymous vigilante in a New York that has no idea who he is.
That isolation isn’t just a sad backdrop — it’s the engine of the story. The pressure of carrying the secret alone, paired with watching people like Ned and MJ build lives without him, triggers as new synopsis confirms — a surprising physical evolution in Peter that Peter “may not have the power to control.” At the same time, a new and unusually powerful threat is emerging in the city — one the official synopsis pointedly describes as a villain “no one can even see.”
That’s the skeleton of the Spider Man Brand New Day plot revealed by Marvel is clearly building toward a mutation arc here, which ties directly into the wider MCU’s post-Secret Wars push toward mutants entering the mainstream.
Spider Man Brand New Day is following a comic storyline of 2008 Amazing Spider Man Brand New Day. The story is written by Dan Slott, Marc Guggenheim, Bob Gale, and Zeb Wells and shows Peter’s life after the One More Day arc. It is a soft reboot after a memory wipe and continuing the film’s story after No Way Home by introducing new street-level villains.
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The confirmed lineup includes:
Punisher and Scorpion give a strong hint in the Tom Holland Spider Man Brand New Day updates that this film is leaning into grounded, street-level threats rather than another multiversal team-up — which tracks with the comic arc it’s named after.
Scorpion and Punisher are the only adversarial roles studios have actually put on the record. Beyond that, online breakdowns have floated a much bigger rogues’ gallery — names like Mister Negative, Spider Queen, and a mind-controlling cult drawing directly from the comic run’s villain roster.
What the Spider Man Brand New Day official synopsis tells us is specific enough to be useful: the villain is powerful, they create “a strange new pattern of crimes,” and no one can see them.
Three names from the comics fit that description well enough to be taken seriously.
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Proteus (Kevin MacTaggert) is a reality-warping mutant who has no physical body of his own. He possesses hosts, burns through them, and moves on — which means you are never actually looking at him when you see him. If Sadie Sink is playing Jean Grey (still officially unconfirmed), a Proteus appearance would make structural sense: he’s historically tied to the X-Men’s world, and Jean Grey has personal history with him in the comics.
The trailer showed what appears to be body-hopping or possession-style behaviour — something Jean Grey is not traditionally known for, but Proteus absolutely is. Multiple ScreenRant shared Tom Holland Spider Man Brand New Day updates which flagged this in the comments almost immediately after the synopsis dropped.
This is where the Spider Man Brand New Day plot revealed details get genuinely interesting. Sadie Sink’s role has been officially confirmed, but her character has not been named. The working fan theory — and it’s a strong one — is Jean Grey making her MCU debut.
Bill Metzger’s anti-mutant militia is targeting her character specifically. That is not a plotline you write for a random original character — it’s a plotline for an X-Men.
That framing — two people hunting the same enemy from opposite sides — would explain why she appears antagonistic toward Peter early in the trailer, before they presumably align. It also sets up the MCU’s X-Men introduction in a way that doesn’t require a dedicated solo film first. Peter Parker crossing paths with Jean Grey is a much softer landing than dropping a full X-Men team movie cold.
If the unseen villain is Proteus, and Proteus is Jean’s problem to begin with, then this whole film might be Marvel quietly setting the table for Phase 6’s mutant expansion with a Spider-Man movie as the delivery vehicle. That’s a smarter move than it sounds.
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Spider-Queen (Adriana Soria) is a lesser-known Spider-Man villain who has psionic control over anyone who’s been bitten by a spider — which includes Peter Parker himself. She can trigger a forced mutation arc in him, which maps perfectly onto what the synopsis describes as “a change in Peter he may not have the power to control.” She also operates invisibly through mental manipulation rather than direct confrontation. No casting for this character has been announced.
Martin Li, aka Mister Negative, operates through corruption — turning good people evil and using a shadowy criminal underworld that literally can’t be pinned to him publicly. “A powerful threat no one can even see” could be read as figurative rather than literal — the puppet master pulling strings from behind a respectable public face. He’s also one of the most prominent Spider-Man villains who has never appeared in any live-action film. No confirmation either way yet.
Unlike Boomerang, Tarantula is a far more dangerous and ruthless opponent whose spiked, drug-laced boots make him a serious threat to anyone who gets in his way. Because he represents the darker side of the criminal underworld, Tarantula is highly susceptible and operates with brutal efficiency to being permanently neutralized by the Punisher or executed by Tombstone for a failure in the field.
Portrayed by Eman Esfandi, MJ’s new love interest exists primarily as a narrative roadblock. In Marvel superhero storytelling, removing the romantic rival through tragic collateral damage forces the female lead back into the hero’s orbit. If the villains deduce that Spider Man still has feelings for MJ, they could use this attachment to attack Spider Man. MJ’s new boyfriend is highly likely to be caught in the crossfire, becoming an unintended target of a melancholic reunion between Peter and MJ.
The institutional overreach of the Department of Damage Control must be resolved by the film’s conclusion. Metzger’s cruelty toward mutants and his relentless hunt for Spider Man make him a character who seems destined for a major downfall. If the film chooses to kill him off, it could also serve a larger purpose in the story. Killing off the corrupt bureaucrat serves as a clean narrative reset for the agency, allowing a more sympathetic figure to take control in future installments.
Mac Gargan holds the highest probability of death in Brand New Day. First teased in 2017, his nine-year arc demands a spectacular, high-stakes conclusion. As the primary physical antagonist, his mechanized armor and intense hatred for Peter Parker will drive the film’s most brutal combat sequences. To demonstrate the severity of Spider Man’s new reality and the lethal consequences of street-level warfare, Scorpion is the prime candidate to suffer a fatal defeat, serving as a grim milestone in Spider-Man’s transition into adulthood.
The Spider Man Brand New Day villain details buried in the official synopsis — a powerful threat that’s invisible, tied to a mutation arc in Peter, and connected to a character being hunted by anti-mutant militia add up to a film that’s doing double duty. It’s closing the chapter on the Holland trilogy’s emotional arc while opening the MCU’s mutant era through a side door.
The “villain no one can see” is a clever piece of writing because it works on multiple levels: literally, as in a character with no physical body; thematically, as in systemic forces like prejudice, isolation, and identity erasure — all things Peter Parker has lived for four years.
With over ten villains, a likely X-Men introduction, a mutation plotline, a Savage Hulk, and a Punisher moral conflict running simultaneously, Brand New Day is either going to be the most ambitious Spider Man film ever made or the most overstuffed one. Given that Destin Daniel Cretton made Shang-Chi work with a similarly heavy load, there’s real reason for cautious optimism.
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Explore Marvel's potential X-Men lineup in the MCU, from Wolverine and Cyclops to Storm and Jean Grey, and what it means for the future.
After years of confusing cameo appearances from Patrick Stewart, finally it’s time, X-Men are joining Marvel Cinematic Universe. What fans are really excited about is how Marvel will introduce the entire team of mutants into a universe. Whether it’s powerful Logan or Jean Grey, those characters need something new which makes a surprise for fans. Let’s look into what Marvel’s X-Men line up could look like in the MCU.
X-Men films generated its fanbase for years and Logan deserves all the praise it gets for that. But the franchise doesn’t keep the films continuity, whether it’s Days of Future Past which tried to reset the timeline or Dark Phoenix that tried to close it out, both films didn’t do any favor to the franchise.
Now Marvel got their rights back on the franchise, they will take a fresh start or honor what Fox built is a big question. It looks like they’re doing a carefully managed fresh start according to the confirmed report. The 2024 announcement of the X-Men film, along with the tease of mutant characters filtering into other MCU properties first, suggests Marvel wants to seed the ground before the big harvest.
They are going to introduce mutants one-by-one in Disney+ shows, in other films, in post-credits scenes and then bring them all together in one X-Men movie. Marvel always cared about the character, they make you love the character just like they did with Avengers. It worked because fans cared about each character individually, now that same treatment X-Men deserve.
There are a lot of characters for Marvel to bring out at first, they probably won’t bring all of them. What’s more likely is a focused core team — six to eight members — built around characters who can carry emotional weight and generate interesting dynamics. Think less ensemble chaos, more deliberate character work. Here’s who feels most essential to a first MCU X-Men outing:
(Field Leader)
Cyclops is a more interesting, serious, and infuriating leader in the comics but Fox films are never able to bring that full personality of Scott Summers’s Cyclopes on the screen.
Marvel knows Cyclops deserves a chance to be the one who cares so deeply about the mission and is willing to take hard decisions. He’s the necessary one. A complex antihero-adjacent leader is exactly what the MCU’s X-Men need to feel different from the Avengers.
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(Omega-Level Telepath)
Jean Grey is one of Marvel’s greatest cosmic stories with an emotional heart which Scott loves. The character has a long-term storytelling potential as the host of the Phoenix Force.
Fox films didn’t introduce her as a fully grown character who gets over her fear of her own power, relationship with Charles Xavier, and her bond with the rest of the team. Everything all together suffocates the character, it needs some space before the Phoenix saga even comes into play.
(Weather Manipulation)
Halle Berry’s Storm is one of the great what-ifs of the Fox era, a character which has so much potential if they write it well. The MCU version needs to be a queen.
She should feel like the most powerful person in any room she walks into, as her backstory shows she inherited royalty from a goddess in Kenya. So she deserved a personality which carries a respect of authority and command.
(Berserker / Loner)
Hugh Jackman’s Wolverine became the most successful and loved character of X-Men. He gave outstanding superhero performances for seventeen years and ended it perfectly in Logan. Then appear again for Deadpool & Wolverine in 2025 because MCU needs new Wolverine but recasting it would be a huge challenge in Hollywood history.
Whoever steps into the role needs to own the character like Hugh Jackman who brings the character to life through intense rage, tragic past, and surprising kindness towards the innocents whom he protects.
(Scientist / Strategist)
In the MCU, Bruce Banner and Shuri are the giant scientists who can solve any problem with their genius scientist mind. Beast is also a science-forward character but needs a distinct identity, his tragedy is that he created the very mutation that made him a monster in the eyes of the world while trying to cure it. He is the reminder and team’s conscience that intelligence doesn’t protect you from prejudice and that should be front and center of the series.
(Power Absorption)
Rogue’s MCU version should lean into what makes her uniquely compelling — she cannot be touched. She absorbs life force and powers through any physical contact, to avoid that she always lives in permanent isolation. The character is performing like a device which is used as a weapon more than a superhero character. So, the MCU should play it seriously. Her relationship with Gambit — which the Fox films flirted with but never fully explored — would be one of the great slow-burn love stories the MCU has never really attempted.
Beyond the core team, there are a handful of characters whose MCU introductions could completely change the energy of whatever X-Men project they appear in. These aren’t safe picks — they’re the ones that would make fans stand up in theaters.
If Marvel wants someone who can provide levity without undercutting the drama then Gambit is the character who has a complicated past with the Sinister and romantic relationship with Rogue.
The character never made it to the Fox movies, even Channing Tatum was trying for many years. a Cajun thief with the ability to charge objects with kinetic energy fits MCU’s tone.
Kurt Wagner is one of the most visually striking X-Men and one of the most emotionally interesting. A blue-skinned, teleporting, deeply religious man who looks like a demon and acts like a saint — the irony is built in. There’s so much more into the story of Alan Cunning’s Nightclawler version in X2 which Fox never really brings it but still remains one of the valuable characters. Nightcrawler works as a combination of comic relief and genuine pathos.
A time-traveling cop from a dystopian future where mutants are hunted to near-extinction, Bishop is an X-Man who could function as the MCU’s entry point into some very dark storytelling.
If he is here then it suggests that things can go wrong, at that point when someone from the future needs to come and fix it. And it’s the most exciting character who absorbing and redirecting energy is flashy enough for MCU action sequences while being thematically interesting.
The comics version of Psylocke is the double energy character – a British telepath whose mind ended up in the body of a Japanese assassin that could have more potential in a large narrative story. The Fox version in Apocalypse was essentially wasted. An MCU Psylocke with actual screen time and character development could be one of the franchise’s great sleeper hits.
X-Men is incomplete without these two men — Charles Xavier and Erik Lehnsherr. The philosophical conflict between them brings films a thematic engine that drives the entire franchise. Those characters were played well by Patrick Stewart and Ian McKellen with their core performances. Those acclaimed actors of their generations defined these characters for millions of people.
James McAvoy and Michael Fassbender gave them new dimensions in the prequel films. Whoever the MCU casts will carry enormous expectations. What Marvel should avoid is casting for nostalgia.
Don’t look for actors who resemble Stewart or McKellen, or who can do an impression of McAvoy’s intensity. The intensity of these characters are hard to understand and finding actors who could understand is more difficult. Their conflict to save the world with different patterns are the fundamental humanity of these two men — one who loves the world so much he can’t stop trying to save it from itself, and one who has been so brutalized by the world that protecting his people justifies any means necessary.
“The irony is Magneto doesn’t think he’s the villain. He survived things that justify every dark impulse he has, and the tragedy is that Xavier knows this, loves him anyway, and still cannot follow him there.”
The MCU must be careful and make the relationship more intense and painful. Two old friends spent decades with their superpowers and chose different paths — that story is devastating and timeless if it’s done right.
Avengers and X-Men, both have superpowers to fight but the motive is very distinctive from each other. Avengers fight alien invasions and time-traveling robots, but X-Men fight oppressions, prejudice, and fear of power which can destroy without understanding it fully.
X-Men stories are more focused on surviving being different in a world which has decided you don’t belong. It shows how the same character has both hope and rage and chosen family and that’s what Fox films captured at their best.
The opening of the first X-Men film, with a young Erik Lehnsherr being separated from his parents at a Nazi concentration camp, which was horrified and treated terribly by the officer to use his powers that told audiences immediately that this wasn’t a typical superhero story. The MCU needs its own version of that opening. Something that establishes, before a single fight scene, that these stories are about something real.
The MCU’s X-Men have to be different from what Fox built, different from the Avengers, and different from anything audiences think they’ve already seen. Because repeating the same origin stories or character depths would be time wasting. MCU must take the character work seriously, resisting the urge to cram everyone in at once, and trusting that the philosophical weight of these stories is just as exciting as the action sequences.
The mutants have always represented something larger than themselves. They’ve always been fighting for their own identity, they’ve survived from the world’s cruelest treatments, whether a world worth saving is worth fighting for. If the MCU can hold onto that truth while also delivering the spectacle fans love, we might be looking at the greatest era in X-Men history.
After everything we’ve been through with the Fox films — the highs of Logan and X2, the lows of Dark Phoenix and Apocalypse — these characters deserve to finally get it completely right. They’ve earned it. So have we.
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