Watch the trailer for Pluribus, a thrilling sci-fi drama from Breaking Bad creator Vince Gilligan. Starring Rhea Seehorn, streaming on Apple TV+from Nov, 2025.
Apple TV+ has posted the trailer for PLURIBUS, the much anticipated new series from the Emmy Award-winning creator of Breaking Bad and Better Call Saul, Vince Gilligan. The nine-episode sci-fi drama, which is Gilligan’s first big project outside of the Breaking Bad universe in 17 years, will debut on November 7, 2025, and is already causing a stir within the US entertainment industry.
The two-minute official trailer, debuting October 21, 2025, gives a peek at an incredibly disturbing world revolving around Carol Sturka (Rhea Seehorn), who’s “the most miserable person on Earth” and has to “save the world from happiness.” The trailer shows that Carol is the only who appears to be immune to the virus, which has turned the entire global population into perpetually content, optimistic and unnervingly cheerful individuals.
The trailer shows the environment around Carol is unrealistic, everyone is enjoying an ultra level of joy and helpfulness that covers the entire horrible psychology under the wrap of positivity. US President (Peter Bergman) reaches out to Carol through television to turn her into one of them because she is the only one who wasn’t affected by the virus.
As Deadline reports, the series is full of action with explosions, plane crashes, dead bodies, and chaos of marching hordes. The most captivating scene occurs in the 2 minute trailer — Carol asked for a grenade, bazooka, and tank from one of the DHL workers and he said “Oh, sure”.
Carol is alone in her misery and trying to reverse all of this but her head is full of confusing thoughts. It’s the kind of thing that messes with your head but keeps you hooked with its dark humor and sci-fi suspense.
Bob Odenkirk is Gilligan’s trusted partner in crime, and the one who plays the great Saul Goodman in Breaking Bad and Better Call Saul. Screenrant mentioned Odenkirk told The Hollywood Reporter in an interview: “I don’t know a goddamn thing. But I know it’s going to be massive. Giant! It’s going to be the biggest thing, well, since sliced bread, but really since Game of Thrones.”
Odenkirk also compared PLURIBUS to the Apple TV+ prestige hit Severance, saying, “I think that [PLURIBUS] is going to be the next big show, and I can’t wait”.His excitement is especially interesting as he is not involved with the project at all, which implies honest belief in Gilligan’s vision.
IndieWire also raved on Gilligan’s turn to Twilight Zone – and it asks if happiness is “actually a good thing when it’s universal and unquestioned. The series delves into themes of coerced conformity, the worth of genuine feeling and if the uniform happiness removes the need for humanity.
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Critics have praised the trailer as it delivers fascinating, strange sequences in the series. It shows the level of Gilligan’s signature cinematography once again after Breaking Bad.
Gilligan revealed the conceptual origins of PLURIBUS with Entertainment Weekly, Gilligan said the concept initially confused him: “I’m still not exactly sure what it means.” But the relevance of the concept to the divided society we live in today was obvious to him: “There’s no question that we live in a very divided nation. What I love about this series and that potential is the hope that people watching may say, ‘What would that be like, if we all got along?’ There’s probably an element of wish fulfillment in that idea.”
Apple TV+ had already ordered two seasons prior to premiere—a rare move demonstrating extraordinary confidence in Gilligan’s vision. The early renewal can be taken as a sign that Apple sees PLURIBUS as a potential flagship show in the vein of Ted Lasso and Severance.
“When you smile the whole world smiles with you— and Rhea Seehorn is finding out the reverse is also true.” This inversion of optimism into terror marks PLURIBUS as perhaps Gilligan’s most philosophically daring episode to date, posing the question of whether a reality devoid of suffering, strife and genuine feeling is one that deserves salvation—or if, through Carol, misery makes her the last real human being on the planet.
This series will air on 7 November, 2025 on Apple TV with a total of nine episodes in one season. Rhea Seehorn, Karolina Wydra, and Carlos Manuel Vesga are lead actors in the series who take this one on the top of the list.
What happened to Maggie in The Walking Dead: Dead City Season 3? Explore her biggest challenges, shocking twists, and what lies ahead.
Maggie Rhee spent the Season 3 premiere of The Walking Dead: Dead City handing Negan a knife and telling him to use it. This is something she hasn’t done in three seasons. That’s the scene that opens “Trillium,” and it tells you everything about where her head is at as this show tries letting these two people actually be at peace which is something that never quite pulled off before. If you’re catching up after the July 26 premiere and wondering what happened to Maggie in The Walking Dead: Dead City Season 3.
So here’s the full rundown — what went down in the season opener, what it means for her going forward, and what AMC has already confirmed for the episodes still to come.
Seasons 1 and 2 of Dead City built Maggie and Negan’s relationship around a debt neither of them wanted to owe. Season 1 was about finding her kidnapped son Hershel (Logan Kim), who Negan helped rescue despite being the man who killed her husband Glenn.
Season 2 dragged that arrangement into a war over Manhattan’s methane supply, with the New Babylon Federation and a mysterious power broker called the Dama pulling strings from the shadows. By the finale, the feud between Maggie and Negan had cooled into something more like exhausted tolerance than trust, and the Dama’s people had seized control of the city’s methane facility — the resource everyone in Manhattan needs to survive.
The Dama herself has been the show’s most persistent mystery since Season 1 — a shadowy leader running New Babylon’s operation from a distance, using the Croat as her enforcer on the ground. Maggie spent most of Season 2 caught between protecting Hershel and getting pulled deeper into that power struggle, and the finale left the Dama’s larger plan unresolved even as her people took the methane facility.
That’s the wreckage Season 3 opens on. And it’s also where the show’s biggest behind-the-scenes shift comes in: Seth Hoffman took over as showrunner heading into this season, and both Lauren Cohan and Jeffrey Dean Morgan have been vocal in press about how different the tone feels as a result. Cohan described it simply as a “new vibe” going on, and that shift is obvious from the first ten minutes of the premiere.
The episode, which aired July 26, 2026, wastes no time putting Maggie back at the emotional center of the show.
“Trillium” opens with Maggie digging a grave for Ginny, the young girl whose death at the end of Season 2 has left Negan hollowed out. He finds her mid-dig and reads it as another betrayal — he wasn’t there, wasn’t consulted, and he’s furious about it. What follows is the same argument this show has been having since Season 1: Glenn’s murder, Ginny’s death, years of blame neither of them can fully let go of.
Except this time, Maggie doesn’t defend herself. She tells Negan she’d undo it if she could, admits she can’t, and then does something new — she hands him a knife and dares him to finish what their history has been building toward since he killed her husband.
He doesn’t take it. Not because the show chickens out, but because Renata and Luis, two new survivors, interrupt before he has to decide. It’s a genuinely tense beat, and it works precisely because the show has spent two seasons convincing you it might not end any other way.
The interruption isn’t just a plot device. Renata and Luis run a small hospital community and need help recovering a stolen methane tank to power an incubator for a newborn. Maggie agrees to help make up their numbers, and her son Hershel shows up in the middle of the chaos, having finally turned on the Dama after she ordered him to kill his own mother. That’s a meaningful shift for Hershel’s arc — he ended Season 2 still loyal to the Dama’s cause, and this premiere closes that door for good.
The episode also puts a bow on the Croat (Željko Ivanek), the season-long antagonist whose menace defined much of Season 2. Renata and Luis capture him mid-episode and discover he’s been bitten. Flashbacks fill in how he terrorized their community using tactics he picked up serving under Negan — a detail that lands harder given who’s standing next to him when he dies. By the episode’s end, it’s Negan himself who puts the Croat out of his misery, closing out a storyline that had run since the start of the show.
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While Maggie is dealing with Renata’s group, Negan wanders off and stumbles into a fully intact bar run by a survivor named Dillard, played by Jimmi Simpson. Dillard has somehow kept a functioning watering hole running through the apocalypse, complete with two walkers he’s defanged and tethered to bar stools for company. It’s the strangest new element the show has introduced in three seasons, and it gives Negan somewhere to retreat to when Ginny’s death gets too heavy. Dillard chooses to stay behind at the bar rather than join the group, but given how much screen time Simpson gets in the trailer for future episodes, this almost certainly isn’t the last we see of him.
By the time the pregnant woman and her baby are safely rescued and the methane tank secured, Maggie and Negan end the episode somewhere neither of them has been before — actually laughing together. Negan even tells her,
“I don’t think I’ve ever seen you smile. It suits you.”
It’s a small moment, but after two seasons of these two barely tolerating each other, it’s the clearest signal yet of what Season 3 is trying to do differently.
Dead City has always worked best when it treats Maggie and Negan’s relationship as unresolved rather than fixed, and the premiere seems to understand that too. The show doesn’t pretend Glenn’s murder is forgiven. Negan still can’t fully let Maggie off the hook for Ginny. What’s changed is that both of them seem to have run out of energy for the fight — which is a more honest place for this story to land than a clean redemption arc would’ve been.
AMC’s own synopsis for the season backs this up directly: Maggie and Negan are trying to build the first genuinely thriving community in Manhattan since the outbreak, with the central question being whether they’ve actually learned from their history or whether it’s going to sink the whole city with them.
Jeffrey Dean Morgan has been blunt in interviews that this is the best season of the show yet, calling the dynamic between the two characters fundamentally different from anything in the first two seasons. Whether that holds up past the honeymoon period of episode one is the real test — and it’s worth remembering the Dama is still out there, and Season 2 already proved how fast this show can pull the rug out from under a fragile peace.
Fans are curious about what happened to Maggie in The Walking Dead? Early reaction to “Trillium” has landed somewhere between warm and skeptical, which tracks with how divisive Season 2 turned out to be. Some coverage has embraced the softer, more hopeful direction — framing it as the first time the show has let Maggie actually be happy rather than just surviving.
Other critics have pushed back on the pacing, arguing the Maggie-and-Negan argument-then-reconciliation structure is starting to feel repetitive after three seasons of the same emotional beats. What both camps agree on is that Jimmi Simpson’s Dillard is the premiere’s biggest new asset, and that closing out the Croat’s storyline was the right call heading into a season that clearly wants to move past Season 2’s unfinished business.
For what it’s worth, that split reaction might actually work in the show’s favor. Dead City has never been the flashiest corner of the Walking Dead universe, but it’s also never pretended Maggie’s arc is simple — and a fanbase arguing over whether she’s earned this peace is a healthier sign than one that’s stopped caring.
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The Walking Dead: Dead City Season 3 Episode 2, titled “Haven,” is confirmed to air Sunday, August 2, 2026, exactly one week after the premiere, continuing the show’s usual weekly Sunday rollout on AMC at 9 p.m. ET, with early access on AMC+. Plot specifics for “Haven” haven’t been detailed yet, but early previews suggest the show intends to keep experimenting with format and structure as the season goes — a notable departure for what’s historically been the most straightforward entry in the Walking Dead universe.
The trailer released after the premiere shows Maggie working to bring her people from the Bricks across the water into Manhattan to build a life alongside Hershel, alongside teases of a major walker invasion threatening both Renata’s hospital community and the group’s expanded territory. It also hints that tensions inside the new alliance, not just outside threats — are going to test whether Maggie and Negan’s truce actually holds.
AMC hasn’t officially confirmed the total episode count for Season 3 the way it did for Season 2’s eight-episode run. Some outlets have projected the season running into mid-September based on the weekly release pattern, but until AMC confirms a finale date, treat that as an estimate rather than a fact. It’s hard for fans to wait to know what happened to Maggie in The Walking Dead but it’ll be worth it.
Dead City Season 3 brings back Lauren Cohan as Maggie and Jeffrey Dean Morgan as Negan, alongside Logan Kim as Hershel, whose shift away from the Dama makes him one of the premiere’s more consequential storylines.
New to the main cast this season are Jimmi Simpson as Dillard, the bar-owning survivor who’s turned companionship with defanged walkers into a coping mechanism; Aimee Garcia as Renata, the leader of the hospital community who becomes Maggie’s new confidante; and Raúl Castillo as Luis, Renata’s brother and the group’s doctor. Michael Emery also joins the ensemble this season.
Filming took place in Boston, Massachusetts, standing in for a post-apocalyptic Manhattan, with production starting in fall 2025 — the first season to shoot without the Croat actor’s storyline still open, since Željko Ivanek’s arc wraps in the premiere itself.
New episodes of The Walking Dead: Dead City Season 3 stream early on AMC+ each week, with the cable broadcast following on AMC at 9 p.m. ET / 8 p.m. CT on Sundays.
If you’re catching up, the short version of what happened to Maggie in The Walking Dead: Dead City Season 3 so far is this: she’s chosen partnership over grief, at least for now, and the show is finally letting her and Negan exist as something other than adversaries.
Whether that survives contact with the Dama and whatever’s coming for Renata’s community is the question The Walking Dead Season 3 is clearly building toward and with “Haven” landing August 2, we won’t have to wait long to find out.
Get the latest details from movies, series, and celebrities on Fandomfans and stay connected for more deeper theories.
Jennifer Aniston's stunning transformation from Rachel to The Morning Show has fans amazed. Check out her fitness, fashion and fearless role selections to date.
Aniston played Rachel Green on ‘Friends’ for ten seasons from 1994 to 2004, a character whose mannerisms, hairstyle, and love interests defined what it meant to be a 20-something woman around the world. The actress could not be disentangled from the character, it’s hard for everyone to recognize Aniston in other characters. Rachel Green was everywhere, on lunch boxes, in syndication, and in the cultural lexicon.
Aniston noted that she —
“Couldn’t get over from the shadow of Rachel Green ever in my life”
describing the experience as “exhausting”. The character was a “poor little rich daddy’s girl”, a specific archetype that afforded little room for the darkness or grit required of dramatic acting. Aniston admitted to fighting with herself and her identity in the industry “forever,” constantly trying to prove
She was “more than that person”.
—Aniston said
Jennifer Aniston’s whole Friends run nearly never happened because she was at that time already committed to a CBS sitcom titled Muddling Through back in 1994. Because she was “only in second position” for Friends, NBC was worried that they might have to recast Rachel if the CBS show was a hit, and speculated about shooting multiple episodes, only for CBS to pick it up and they’d have to do reshoots.
Aniston got her big break when Muddling Through was cancelled, and that led to her being cast on Friends – which just goes to show how precarious a career in Hollywood can be, and how one cancellation can make way for the series that takes an actor global and defines their stardom.
Helmed by Miguel Arteta, the film stars Aniston as Justine Last, a dour employee at a mall shoe store who has a clandestine relationship with a younger coworker (Jake Gyllenhaal). The choice to accept the part was nerve-racking.
“Panic that set over me,” thinking, “Oh God, I don’t know if I can do this? Maybe they’re right”.
—Aniston recalls
The film was an independent production, lacking the safety net of a major studio marketing budget or a laugh track. It required Aniston to perform “without a net” in front of the world. The success of The Good Girl and the critical acclaim she received—provided the “relief” necessary to continue pursuing dramatic work. It was the proof of concept that she could exist outside the “purple walls” of the sitcom apartment.
If The Good Girl proved she could be sad, Horrible Bosses proved she could be predatory. The appeal lay in the “black comedy” element. Aniston argued that “Comedy is a necessity,” but she expressed a preference for the “craziness” of the Horrible Bosses universe over the gentler comedy of Friends.
“Maybe everybody else is seeing something I’m not seeing, which is you are only that girl in the New York apartment with the purple walls”.
This quote speaks to the psychological complexity of the curse—it wasn’t only that she believed producers wouldn’t hire her but she was afraid she wasn’t capable of doing the work.
Breaking the curse required exposure therapy. By performing in independent films like The Good Girl and Cake, where the safety nets of budget and ensemble were removed, Aniston forced the industry to recalibrate its perception of her utility.
Cake is the ultimate punishment to shatter the curse. In this film, Aniston portrays Claire Bennett, a woman struggling with crippling chronic pain and addiction. Aniston quit exercising and wearing makeup. She studied friends with chronic pain to get a sense of what the condition felt like physically.
She allowed the role to “hurt” her, noting that during physical scenes, she “didn’t prepare” in the traditional sense but rather let the physical discomfort generate a real reaction.
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The morning show era (TMS), Executive produced and co-created by Reese Witherspoon is the shift from Aniston the Actress to Aniston the Mogul. The show is more than just an acting vehicle, it’s a platform for industry commentary and power play.
The partnership with Witherspoon’s Hello Sunshine production company created an environment of “understanding, compassion and consideration” that Aniston notes
“Doesn’t always exist amongst the dudes”.
Alex Levy is the culmination of Aniston’s post-Friends evolution. She is a morning news anchor, but she shares no DNA with Rachel Green. Alex is “complex, vulnerable, controlled, lonely, enraged, self-serving”.
In Season 4 (2025), Alex has transcended the anchor desk to become a corporate executive. She is no longer fighting for a contract; she is fighting for the soul of the network. Critics have praised Aniston’s performance in this era as
“It is the best of her performances and able to perform mature characters”
noting her ability to portray moral conflict without the melodrama that sometimes plagued her earlier dramatic attempts. The role gives Aniston a chance to examine issues of power, complicity and growing older in a way Friends never did.
By 2025, she’s at a place very few could have predicted back in 2004: she’s the boss. On The Morning Show, she plays a character who runs the network, much like in real life, where she’s a producer on the show. She swapped the “purple walls” of the Friends apartment for the glass walls of the UBN executive suite. Jennifer Aniston has now shown beyond a shadow of a doubt that she is, in fact, “more than that person.”
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