Discover how The Conjuring: Last Rites broke records with a $187M global debut, audience love, and franchise milestones despite mixed critic reviews.
The Conjuring Last Rites opened on 5 September 2025 in theatres, earning an estimated $83 million domestically. It pulled in around $104 million internationally, which sums up a massive $187 million global opening. While the budget is about $55 million for the Last Rites for its record breaking release. It makes 44% domestic and 56% internationally which blows the previous films record. As compared to, The Devil Made Me Do It opening record is about $65.6 million domestic and $206.4 million worldwide back in 2021.
The Conjuring Last Rites blows its first weekend with $83 million, marking a record for the franchise. It surpassed the $53 million record of 2018 The Nun. It became the third largest horror opening ever and expected to surpass the top two It films. Variety notes that this is Warner Bros’ the seventh successful movie with a $40 million opening in this year.
This part makes more money in its first weekend than previous Conjuring parts. Its $83 million opening is exceeding the previous series opening of the horror movies domestically, The Devil Made Me Do It with $65.6 million, Annabelle Comes Home ($74.1 million), The Curse of La Llorona ($54.7 million), and almost matched first Annabelle movie ($84.3 million).
The Conjuring: Last Rites became the highest-grossing “Conjuring” franchise opening ever. Its $187 million shattered records for the franchise and pushed its universe past $2.3 billion. Analysts observed that Last Rites became the biggest blockbuster hit as it surpassed its opening record, making it the third-best horror movie. As BoxOfficePro noted, It will soon make a huge commercial win and beat other horror movies including The Devil Made Me Do It ($206.4M) and The Nun ($366M) which was franchise’s current highest earner.
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The Conjuring Last Rites opening is 3X larger than the entire box office collection of The Devil Made Me Do It, about $65.6 million total in the US. it also beats other Conjuring movies like Conjuring 3 made about $206 million worldwide but Last Rites opening was much stronger. As reported in EW.
The Conjuring 2025 release matches Annabelle opening record of $84 million, showing its stronger opening than the recent three movies of Conjuring Franchise. Taking a strong turn for Franchise’s box office power with this powerful debut.
As Hollywood Reporter notes, critics were divided on the Conjuring Last Rites film. While Rotten Tomatoes gave a 55% score for this film, audiences gave a warmer response to this film. It received a B cinemascore and critical PostTrak rating about 79%. Critics also criticized its untwisted plot that led to a lower review score but audiences enjoyed the movie as shown by CinemaScore.
Warner Bros. decided to launch Last Rites only in theaters and did not follow up the last film release strategy in 2021. TheWrap reports that the film was not yet streaming but it is set to arrive later on HBO Max.
The old-school theater first strategy works well to maximize the box office potential. Analysts also noted that last year’s mixed release also hurt the movie’s theater run.
Variety’s Rebecca Rubin noted that Last Rites fuel the box office for the movie franchise. It is expected that more movies will add up to this series even though it was called the “final” film. Warner Bros. surprised with its opening and now the Conjuring universe is worth $2.5 billion. Peter Safran sees that as a win, it also opens the door for more horror movies from Warner.
The Conjuring Last Rites break the opening record in its first weekend of run in theaters. Becoming the third best horror movie with audiences love while critics gave a rough rating to this film. Analysts and media were effusive about the results and also surprised Warner Bros. with its high grossing popularity.
Avengers: Doomsday signals a major MCU reset with the return of Chris Evans and Robert Downey Jr. as Doctor Doom. The whole story and theory.
The Marvel Cinematic Universe (MCU) is now experiencing fundamental change at the executive level. What was once considered to be a steady industry growing is now pivoting into a “hail mary” to bring back the cultural and financial peak from the Infinity Saga. Changing the subtitle for the fifth Avengers movie from The Kang Dynasty to Avengers: Doomsday is not just a branding adjustment, it represents a complete overhaul of the franchise’s core narrative.
By recasting Robert Downey Jr. (RDJ) as Victor Von Doom and Chris Evans as Steve Rogers, Marvel is gambling $1.5 billion that the foundations of the past will hold the weight of the future.
The shift to “Doomsday” comes out of an era of unparalleled chaos. Post Avengers: Endgame, Marvel has had trouble keeping a lid on its sprawling Multiverse Saga. The disappointment of Ant-Man and the Wasp: Quantumania confirmed that Kang the Conqueror despite Jonathan Majors’ performance wasn’t gelling as a Thanos-tier menace.
Marvel brass feared even before Majors’ legal troubles that Kang “wasn’t big enough,” according to IGN. Among the new additions is the return of the Russo Brothers and writer Stephen McFeely—the “old guard” responsible for the MCU’s biggest hits—to guide the way to Doctor Doom.
| Strategic Component | Original Multiverse Plan | The Doomsday Realignment |
| Primary Antagonist | Kang the Conqueror | Doctor Doom (RDJ) |
| Main Anchor | New Generational Heroes | Legacy “Anchor Beings” |
| Creative Leadership | Fluctuating Directors | The Russo Brothers |
The news that Robert Downey Jr would be returning as Victor Von Doom rocked the fandom. He’s playing Doom, after all, but the narrative implications of the face are impossible to ignore. This has given rise to the “Anchor Being” theory based on Stark’s death in Endgame earth-616 has been “deteriorating”, the multiverse may be supplying an “dark mirror” alternative.
Screenrant suggests a 1970 Retcon. “In Endgame, when Tony goes to 1970, the timing of Maria Stark’s pregnancy seems a bit wonky.” The buzz is that the “real” Tony Stark was actually an adopted Von Doom. In this case, RDJ is not playing a variant of Tony, but instead playing the man Tony was always meant to be before he was a Stark.
Doomsday (presumably appearing next to Avatar: Fire and Ash) teasers were leaked that confirmed that Chris Evans is back. But this isn’t the Captain America we know. In the footage, Rogers is seen in a domestic situation that looks like the 1950s and he’s a father, presumably retired, living with Peggy Carter.
This “Nomad” paradigm is a creative challenge. So how does Marvel get Steve Rogers back without undercutting Anthony Mackie’s Sam Wilson?
The Sacrifice Play: Comicbookmovie that Rogers is going to get the “Loki treatment” — dying early in Doomsday to drive home how dangerous Doom is.
The Mentor Role: Rogers could be cast as an inter-dimensional tactician, with Sam Wilson holding on to the shield and the mantle of Captain America.
The most contentious issue is whether this was “planned all along.” While the Kang-to-Doom shift was brought forward by outside influences, the breadcrumbs are there. In Age of Ultron, Tony’s vision of the fallen Avengers brought Steve Rogers saying,
“You could have saved us. Why didn’t you do more?”
In Doomsday, a Stark-faced Doom could be the man who ultimately takes the leap and decides to “do more” out of a genuine desire to save not just his world but all realities alike. Kevin Feige’s revelation that he talked through the Doom idea with RDJ long before the Kang story stalled suggests that Marvel always kept this “In Case of Emergency” glass box ready to break.
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Avengers: Doomsday is an admission that the post-Endgame approach should be abolished. By casting the man who began the MCU to be the man who might end it, Marvel has ensured Doomsday will be the most scrutinized superhero film in history.
With the release in 2026 looming, the MCU finds itself in a bit of a crossroads. It has to show that it can borrow nostalgia to tell a new, deep story, or be remembered as a franchise that ran away into its own shadow because it was too scared of a murky future.
Fandomfansis delivering detailed theories on celebrity joining the blockbuster films. We are focusing on Marvel, DC, and big hits to give you the latest updates.
Jennifer Lawrence and Robert Pattinson star in Die My Love, a haunting new film exploring love, madness, and emotional intensity on screen.
Buzz builds for Die My Love. This is mind-bending dark drama duo’s first pairing. It is directed by Lynne Ramsay. She got an Oscar nom for We Need to Talk About Kevin. Ramsay and playwright Enda Walsh, along with Alice Birch, co-wrote the screenplay. The narrative is adapted from the Argentinean novel by Ariana Harwicz Die, My Love. It follows Grace, played by Jennifer Lawrence. She writes and is a new mother. Her psychosis disintegrates when she and her husband Jackson (Robert Pattinson) move out of New York City to his childhood home in rural Montana. In the film, Grace suffers from postpartum blues and madness. These things begin to crack her marriage. There’s heat building in the desolate rural location, too. Reports by Mubi. The company describe it as Ramsay’s razor-sharp perspective on a woman consumed by love and wild thoughts.
Die My Love is a celebrity-powered indie. Besides starring, Jennifer Lawrence is producing through her banner Excellent Cadaver and Martin Scorsese is producing via his Sikelia company. Scorsese, in fact, backed the project after he read the book as part of a book club, he recommended it to Lawrence. The two even passed on adapting another classic book because it presented a tougher role. Lawrence fought for it despite Ramsay’s initial hesitation (she’d just done a similar motherhood movie). One version has it that Lawrence was determined to have a go at working on Die My Love as a team and talked Ramsay into turning it from a straightforward depression narrative into a “bonkers, crazy love story.”
Jennifer Lawrence and Robert Pattinson are headlining the film’s ensemble. Lawrence plays Grace, a mother and wife about to break. Pattinson is Jackson, her husband. LaKeith Stanfield has been cast as Grace’s forbidden love interest. Legendary actors Nick Nolte and Sissy Spacek star as Jackson’s parents. Grace and Jackson are said to be relishing their new beginning, via People. They have a good time with sex and crazy dances. But once the baby arrives, Grace’s isolation and mental illness strain their relationship.
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This Lawrence–Pattinson chemistry is what makes this especially exciting to fans. Lawrence, an Oscar winner for Silver Linings Playbook, is known for dramatic as well as blockbuster roles Hunger Games, while Pattinson went from being a teen heartthrob Twilight to an indie darling Good Time, High Life, and now, Batman. The two actors have praised each other’s performances and Lawrence has joked in interviews that starring opposite Pattinson at last is total revenge after her failed Twilight audition.
They were reported to have gotten close off-screen during the film’s premiere in Cannes. Lawrence joked that having kids changes everything and Pattinson added that becoming a father has provided him with the biggest trove of energy and inspiration to work. (Lawrence has also said that playing Grace added another layer for her by drawing on her own difficult postpartum experience).
The excitement ran high as Die My Love made its Cannes Film Festival debut in 2025. The critical response was overwhelmingly positive. Lawrence’s acting received an “award-worthy” standing ovation for around nine minutes, according to People. The MUBI buyout campaign draws attention to this praise. Trailers show Lawrence in wild dance, fight and fierce growl sequences deep in emotion. It is this hard edge that Ramsay can do so well.
Ramsay, who refers to the film as a dark comedic love story about insanity, Pattinson joked some moments are “hilarious” in a twisted way, she said.
Die My Love is a relentless, unsettling drama — a peek at a marriage disintegrating under the pressure of new parenthood. Ramsay directs the film, with Walsh and Birch as co-writers, with major producers attached (including Lawrence and Scorsese). Jennifer Lawrence is Grace and also produces through Excellent Cadaver, while Robert Pattinson is her husband Jackson.
The film is slated to be released in U.S. cinemas on 7 November 2025 after premiering at Cannes on 17 May. This pairing of acting titans both heavy Oscar front-runners has the fans talking, in part because reports have them pushing one another on set. Ramsay calls the completed film a really dark love story that’s also funny, and Lawrence gives what some are already calling the most riveting performance of her career.
The unrated My Love is becoming one of the most awaited movies of 2025 — an unrefined, haunting, and passionate exploration of love, insanity, and motherhood. With Lynne Ramsay’s distinctive intensity leading the way and Jennifer Lawrence and Robert Pattinson delivering powerhouse performances, the film will no doubt be both visually breathtaking and psychologically enthralling. Lawrence’s performance as Grace has already earned early Oscar buzz, and Pattinson’s reserved yet multifaceted portrayal provides a tether for her spiraling descent.
