The next prequel to The Conjuring is coming from director Rodrigue Huarte, which will explore the origins of evil in the Conjuring universe.
The horror realm which has captivated audiences for over a decade is nowhere near leaving. The Conjuring: Last Rites was set to be the final film in paranormal detectives Ed and Lorraine Warren’s arc, but the franchise’s immense financial success has breathed new life into the supernatural qua-machine. This time, a terrifying world from The Conjuring will be revealed in a bold new prequel.
For the fans of horror, it was news to shake the skies. A New Conjuring Universe Prequel Has Officially Risen from the New Line Cinema, via Borys Kit of The Hollywood Reporter. The green light came after The Conjuring: Last Rites smashed box office records around the world. The 2025 film grossed a staggering $84 million domestically and $194 million globally in its opening weekend, firmly establishing it as the horror genre’s highest-grossing film.
The franchise’s parent studio couldn’t say no to expanding after raking in nearly half a billion dollars at the worldwide box office. The largest question mark looming over the series had, in a sense, been answered by this financial success: Would The Conjuring series continue? The answer was a resounding “yes.”
Short film director and winner of several awards, Rodrigue Huart, is in talks to direct this untitled prequel. It is the first ever big studio feature film for Huart, a big jump from his praised horror short film work.
The Conjuring universe could definitely benefit from his unique creative perspective. This will mark the first creative turn for a different director since Annabelle Comes Home (2019) following a series of productions led by Michael Chaves.
Huart is connected to the wider Conjuring universe via a curious thread. Huart’s script for the modern day take on the much loved 1976 Spanish horror Who Can Kill a Child? Paramount Pictures picked up Huart’s screenplay for “Suffer Little Children,” an updated version of the popular 1976 Spanish horror Who Can Kill a Child? Huart met Walter Hamada, a veteran executive and producer in the horror genre, through this project.
Along with serving as executive producer on the biggest hits of the universe, including The Conjuring, Annabelle, The Nun, and multiple sequel entries, Hamada’s involvement with the franchise is that much more notable here. The choice to bring on the rising helmer for this major studio prequel may have been related to his continued partnership with Huart. This consider treating the established lore of the franchise prequel while also allowing Hamada to pursue creative decisions that lead to tried-and-true fear tactics might permit this business relationship.
The Conjuring: The Devil Made Me Do It, a Michael Chaves film that brought the Warren family storyline to a close, ended on a particularly strong note in the box office and storytelling sense. The ebb and flow of The film’s director, Chaves, has also made it clear that this was absolutely the end of the original saga, said that It is done. The title, Last Rites was intentionally chosen to signify the formal ending of a certain chapter.
The Warrens’ story may be finished, but the world they lived in still has a lot of unexplored potential to explore, as the prequel announcement goes to show. Instead of direct sequels, the franchise has taken the form of prequels and spinoffs that explore its mythology by going back to the origins of its demonic entities.
The title of the prequel is yet unknown and the plot is currently under wraps. However, the project is expected to go back to the origins of the supernatural power that has plagued the Warren cases across the franchise’s history. Reports has it that the movie could be related to one of the greatest (and earliest) hauntings in the series.
If Rodrigue Huart is officially confirmed as director, it will be a new creative vision for the brand while still maintaining the unique fear that has always been the hallmark of The Conjuring. Combining found-footage style with digital narratives, he also has the potential to give horror aficionados a somewhat new angle on this beloved franchise that’s both frightening and futuristic.
A billion-dollar franchise isn’t finished freezing audiences in terror. It’s just getting ready to frighten them in new and surprising ways.
As The Conjuring universe moves into a new era with Rodrigue Huart at the helm, the franchise definitely has more terror in store for its audience. Last Rites was the emotional conclusion to the Warren saga, but this prequel is said to explore further into the terrifying source of evil that began everything. If Huart applies his iconic vision and storytelling skill to the material, fans will be in for a brand-new horror age that pays homage to the legacy of The Conjuring while reimagining its scares for a new generation. The haunting, it would seem, is still to come.
At Sundance 2026, Andrew Stanton’s In the Blink of an Eye debuts with a bold multi-timeline sci-fi tale examining human emotion in the past, present and future.
If you have been keeping up with the Sundance Film Festival 2026, you may have found yourself wondering what Andrew Stanton is doing these days. The Whiz behind Wall-E has at long last arrived back on live-action soil and he is doing so with uncertainty, not caution. His new film In the Blink of an Eye is not only a return to form it is a high concept, mindbending thrill ride.
| Feature | Details |
| Movie Title | In the Blink of an Eye |
| Director | Andrew Stanton |
| Writer | Colby Day |
| Genre | Science Fiction / Drama |
| Narrative Style | Triptych (3 interconnected stories) |
| Time Periods | 45,000 BC (Neanderthals), Present Day, and Far Future |
| Core Theme | Human connection across time, evolution, and technology |
| Story Approach | Visual storytelling & behavior over heavy dialogue |
| Structure | Non-linear and multi-timeline |
| Editing Style | Using “Emotional Sync Points” to link different eras |
| Premiere | Sundance Film Festival 2026 |
| Vibe | Thought-provoking, Sci-Fi With Emotional Depth |
| Standout Factor | Skips the “Hero’s Journey” to focus on shared human feelings |
So, what’s the deal? That’s not your average “aliens destroy the White House” science-fiction movie. It’s a triptych — which is just a fancy way of saying that it tells three separate stories that are all interconnected.
It is a narrative that leaps randomly back and forth over the course of thousands of years, from ancient Neanderthals to the current day, and then to the future.
It’s ambitious, it’s a little experimental, and it’s trying to suss out what really makes us “human” from era to era.
Andrew Stanton had long been working on big shows such as Stranger Things, 3 Body Problem, and he spent that time ‘hand-picking’ his dream team. He’s also leaning heavily on his animation roots.
Andrew Stanton’s biggest takeaway is the importance of imagination. He thinks the presence of a character — an expression, a movement, or maybe a choice can say more than dialogue ever could. The end product is a movie meant to make you feel first, leading emotion with images rather than explaining everything in words.
The author, Colby Day, confessed he was a little tired of the typical movie structure we get applied to everything. Rather than tracking a single protagonist on a familiar trajectory, he wanted to “blow up the world” and change the rules. He was inspired by films such as Cloud Atlas — those “big swings” that might be a little messy but way more interesting than a “safe” blockbuster.
Just think about what it would be like to edit three separate films into one. The editor Mollie Goldstein said they had to find “sync points.” They’re moments when a character in 45,000 BC is experiencing exactly what someone in the future is. It’s the emotional glue that holds the whole thing together.
Connectedness is the new spectacle: The age of hollow, effects-laden action-movies is waning. In the Blink of an Eye caters to a burgeoning demand for narratives with emotional connections — demonstrating that no matter how far technology evolves or centuries elapse, what really resonates is how intimately we are linked to one another.
The Comeback of the “Big Idea”: For a time, it seemed like movies were made by committee. This feels like a personal project and a risk. If this works, studios will once again trust directors with strange, “unfilmable” scripts.
Universal Struggles: By featuring Neanderthals, the film makes us aware that even as our phones evolve, our hearts don’t. We’re all still coming to grips with the same primal fears and loves that people had thousands of years ago.
Raed More:- Best Medical Drama Series Like ‘The Pitt’ to Binge Watch in 2026
Darkly In The Blink of an Eye is a quiet rebellion against all the sci-fi that has played it safe for far too long. Rather than pursuing bigger explosions and louder stakes, it looks inward – across centuries, across species, across futures – to consider what actually endures.
When the film connects Neanderthals, modern humans and future societies through shared feelings, it tells us our survival is not dependent on wiping out the other; rather it magnifies our humanity. If this movie sticks the landing like it promises, it won’t just be a standout at Sundance — it may indicate a turn toward even braver, more emotionally intelligent sci-fi, where connection matters more than spectacle.
Dive into the world of entertainment with Fandomfans to get deeper details from directors, stars, and industry insiders.
Stranger Things creator Matt Duffer confirms Season 5 won’t bring back Eddie Munson. Find out why his story ended in Season 4. Read more visit website...!
Eddie Munson (played by Joseph Quinn) is not returning for season 5, which is the final season of the series. People confirmed that, In a recent chat with Empire magazine, co-creator Matt Duffer squashed once and for all rumors that beloved character could return.
The creators (Duffer Brothers) of Stranger Things have officially confirmed, “I love that Joe Quinn is just playing with fans! But he’s dead,” he described Eddie’s fate in the interview. “Joe is so busy anyway, the world should know he’s not coming back,” he added. He’s been shot like five movies since! When the hell does he get the time to come and shoot Stranger Things? No, unfortunately, RIP. “He’s fully under that ground.”
The statement follows months of speculation stoked by Quinn himself, who at times teased fans at events about returning. At a fan con in Belgium and asked if he would reprise his role, Quinn enigmatically replied, “I do know, but I’m not telling,” fueling even more hype. After a while, Duffer brothers have publicly shared that the story of Eddie Munson was finished in Season 4.
Eddie Munson debuted in Stranger Things season 4, projecting the charm of an outcast metalhead leader at the same time as he was ruggedly told that the Dungeons & Dragons game was Just Not Cool. His arc was all the more emotional when he died in the Upside Down to protect his friends Dustin, Steve, Nancy, and Robin.
In a standout Season 4 moment, Eddie delivered a triumphant performance of Metallica’s “Master of Puppets” on guitar, drawing the demobats away from Vecna’s lair. Sadly, he didn’t make it out alive, sacrificing himself in a blaze of glory to save Hawkins – the same town that had turned its back on him.
Read More 👉 Tron: Ares’ Box Office Failure Marks a Turning Point in Jared Leto’s Career
Since leaving Stranger Things, Joseph Quinn’s star has risen exponentially. The 31-year-old British actor has joined a number of major film franchises, so a return to the Netflix series now seems all but impossible from a scheduling standpoint.
Quinn has appeared in several blockbuster projects including, A Quiet Place: Day One, Gladiator II, Warfare, The Fantastic Four: First Steps, and his upcoming project Beatles biopic where he plays a role of George Harrison.
This packed schedule, coupled with the fact that his character is dead, means Eddie’s comeback is out of the question.
The final season of the Stranger Things will be split into three parts during the holiday season: Volume 1 contains 4 episodes which will release on November 26, 2025, Volume 2 of 3 episodes: December 25, 2025, and Final Episode is going to air on December 31, 2025.
Eddie may not be coming back, but at least everyone’s favorite characters will be making their appearances for the latest look at the end-of-the-world finale. The cast is filled with familiar faces such as Millie Bobby Brown as Eleven, Finn Wolfhard as Mike, Noah Schnapp as Will, Gaten Matarazzo as Dustin, and Caleb McLaughlin as Lucas. Sadie Sink returns as Max, as does Winona Ryder as Joyce, and David Harbour as Hopper. Natalia Dyer, Charlie Heaton, Joe Keery also return as Nancy, Jonathan and Steve respectively. Maya Hawke returns as Robin, Priah Ferguson returns as Erica.. Brett Gelman returns as Murray, Jamie Campbell Bower as Vecna, Cara Buono as Karen, and Amybeth McNulty as Vickie. It’s shaping up to be an intense reunion with plenty of drama and action. There will be a void certainly for Eddie, but this cast of stars is sure to give us an ending to the story that we’ve all been addicted to. One last ride in Hawkins!
While it’s disappointing that Eddie Munson but his amazing character is firmly cemented in Stranger Things history. His heroic sacrifice at the end of Season 4 provided a great send off for his character. With the end of the series in sight, viewers can now turn their attention to that big showdown — and the return of characters they have loved for almost 10 years. A fight with Vecna and the secret of the Upside Down are set to come to a thrilling end, bringing the Hawkins saga to a close this holiday season.
